Tag: visual

Posted on

Contextual Vision

The attempt to define a sociology of vision has had a hard time to build on hard evidence that vision may depend on context or in a broader sense your visual heritage. A standard definition of context in vision highlights the areas around a focal point. The findings by Krupin et al. (2025) show through the comparison of persons from very different populations that our vision depends on our cultural background. It is the social background and upbringing in a specific cultural setting, which determines what we see in an image at first sight.  The so-called Coffer illusion test (Deregowski 2017) reveals what we see in an image spontaneously and maybe after some longer staring at the image or doing it repeatedly, we learn to see that there is more to see than our original impression. Depending on our cultural heritage we might focus unconsciously on rectangular or round shapes in a geometric image. This fundamental finding questions the view that there is only one universal kind of vision common to all humans. In fact, there is variance around what we see and thereby how we perceive an image. This research provides a justification to delve also into the field of a sociology of the visual. Because of the common term in informatics “WYSIWYG”, (what you see is what you get), we might  spend more efforts on research of how human vision is shaped over generations or according to social background. We know that in some images different people see different things. What appears as a splendid opportunity for some, is a very risky situation for others. Eyes are so closely wired to our brain that inscriptions of vision on the brain functioning are quite likely. The plasticity of this process over the life course remains a crucial topic to understand the process(es) of how a person’s social background shapes her/his vision.

Posted on

Digital Visions

Urban planning has been digitalized for a long time. 3D modeling of places and buildings including their interiors are state of the art. As urbanization is also about investment, speculation and anticipation, digital imaging has entered the public spheres in form of cover up of building sites behind fences and in form of large digital prints for information, curiosity and advertising purposes. The inner cities are frequently an avantgarde and microcosm of societal developments. Some dream of full or total flexibility for office spaces (see image below), others experience the inner cities as the spotlight of inequality in society. The best paid executives are catered for by the worst paid delivery personnel. The photographers of the Landesarchiv Berlin, Grönboldt and Wunstorf, brought together a documentary exhibition entitled „Pixel aus Beton“, pixel made of concrete.

With a bird‘s eye view they reveal past, present and future details of how Berlin is experienced and envisioned by investors, architects and people living through the seemingly endless construction going on in the city. The keywords list as part of the exhibition creates a link to scientific literature and to the TU Center for Metropolitan Studies. Photography and even more so digital photography offers a social science perspective to the digital images exhibited. Cities are data spinning areas and a formidable place for digital visuals and visions.

Posted on

Phase Shifting

The Berlin “Hamburger Bahnhof Nationalgalerie der Gegenwart” recently acquired “Phase Shifting Index” by Jeremy Shaw. As part of an exhibition of new acquisitions, Sam Bardaouil, the director of the museum and curator of this exhibition has installed the large-scale video and sound installation at the end of the long corridor of the “Rieckhallen”. The impressive, even overwhelming art work was created in 2020. It was first shown at the Centre Pompidou in Paris.
The piece consists of seven large suspended screensand creates a space like in dance club, discotheque or dance studio. The visual and sound experience is allmost psychedelic. The near obsessional dancing shown on the screens represent different periods of dancing with their particular patterns of movements and choreographies. The phase of the electromagnetic waves is shifting from one screen to the other and towards the end of the performances it becomes clear, that they all follow a similar wave or rave pattern. Sublimation or ecstasy are the underlying index-like common traits. Each period or decade 50s, 60s, 70s, 80s, 90s, all had their peculiar dance and movement patterns. The video-installation is like a history of art of expression through body movement, amplified and indexed through rhythm and sound.
Electromagnetic waves can be characterized through wave shifting in various forms. This work gives us a feeling for the fascination of movement and phase shifting emotions. Don’t worry, the immersion ends after 10+ minutes and, if you like, you might read up on the physics of electromagnetic waves and phase shifting to calm you down.
Images: “Phase Shifting Index” by Jeremy Shaw, 2020, Berlin, Hamburger Bahnhof, 2024-9

 

Posted on

Cinema D

In terms of statistics cinemas are almost back to the pre Covid levels of spectators. The sector is worth in Germany close to 1 billion € in 2023. The price level has risen as well but many cinemas have upgraded their cinema experience as well in terms of comfort, audio and visual quality. Traditional houses provide chairs that compare well with home comfort and for a little more you can put up your feet as well after a long workday. Drinks and food may be served directly at your seats so the time to relax is guaranteed. However, this depends a lot on what type of movie you have chosen. The movie industry has adapted to modern technology and comfort. The turnover of a movie theatre is supported a lot by the consumption of beverages on site and they make huge efforts to prolong the visit beyond the screening of the movie. The competition for the time and money of the consumer is intense. The quality of the whole experience will determine the survival of the cinema. It is worth much more than a second best solution for rainy days or the cold season.

Posted on

Special HK

The Special Olympics World Games are special in many respects. The broad range of people with special abilities is only one of them. I had the chance to ask permission to take a photo of the athletes from the team from Hong Kong when the took their team photo at Berlin Alexanderplatz. This is indeed special as the all wore proudly their team dress showing in big letters Hong Kong on the back (participant example). Hong Kong is the unfortunate island that was passed on from Imperial phase from the United Kingdom time to the Chinese rule. Despite an official 1 China, 2 political systems promise, Hong Kong’s democratic movements were soon threated and imprisoned. It was a special moment to me to witness the spirit of the Hong Kong athletes at the beginning of the special games in Berlin.
Other athletes whom I congratulated on the way to the competition were proudly asking me, whether I had seen them on TV yesterday. Beyond the 2 weeks of competition, special athletes are part of our public images of sports persons. This enlarges our perspective of what a sport’s person presumably has to look like. The SOWG question our traditional stereotypes and put inclusion and integration into practice. At least some of the disciplines should go mainstream and be part of the next Olympic games in Paris 2024. But, as we all know the official, not so special, Olympic games are primarily about big business and merchandising rather than inclusion and diversity. Hong Kong athletes remain a unique experience reserved to the special Olympics.