Tag: author

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Intimate housing

The housing of famous persons has always attracted a lasting fascination. The “esprit des lieux” or the experience of the surroundings of an artist, composer, author or otherwise famous person, where most of the work had taken place is of general interest. In today’s language we would describe this as the context of creation. Biographical information and references to specific objects central to the process of creation play a crucial role in understanding what is behind human creation as it is district from AI. There are objects ( compare MAD Paris) and there are the social networks of creators. Modern biographies include both, some even in graphic forms similar to ancestry diagrams. 

The design of intimate living spaces for private life or the adequate environment for creativity are becoming more clear with the consciousness of the importance of dedicated designs of furniture, accessories and even scent. Our brains are multimodal and working as well as processing lots of information even beyond our conscious realizations. This black box of creativity is rather unique to the human brain and AI will probably take decades to emulate such complex processing. The MAD exhibition reveals that intimacy is also related to housing design and interior design. It doesn’t seem to be a random process, but habituation is part of the continued creative process. 

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Theatre Archives

The process of creation in the realm of theatre performances has manifold facets. The French National Library (BNF) in Paris has received the archives of the „Théâtre du Rond-Point” in 2023 and honors the donation with a fascinating exhibition on the immense creativity of the author, scenarist and director Jean-Michel Ribes. (Image below) The professional diaries of Jean-Michel Ribes and the documentation through photographs from the performances and video extracts allow an intimate view into the hard work of producing theatrical performances, popular television shows and comedies. Jean-Michel Ribes took notes of all sorts and kept extensive lists of potential collaborators, actors, daily occurrences and just nice sounding phrases. From just a simple phrase heard on the streets he developed a small piece to be performed in shows. Listening to the people and enriching this with great actors in superb scenery made his popular success. The creativity seems to derive from ample note taking and coming back to them eventually.

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Mangel Armut

Herta Müller hat bereits 2012 in „Das Chinesische Glasauge“ sehr treffend die Funktion von Mangel und Armut in Diktaturen beschrieben. Sowohl der ständige Mangel als auch die Armut dienen als Instrumente der Macht. Sie sind quasi die Fortsetzung von Ideologie zur Beherrschung der Massen. Zusammen bilden sie die Umgebung, den Kontext in dem dort gelebt wird. Die Herrschenden jedoch haben Privilegien, die sie von der Allgemeinheit absetzen. Diese knappe Beschreibung und Einleitung zur Kurzgeschichte haben eine große Portion Allgemeingültigkeit. In Mangel und Armut können kleine Vergünstigungen eine viel größere Wirkung entfachen. Sehnsüchte nach mehr werden nahezu zwingend hervorgebracht. Allein die Aussicht auf ein teilweises Stillen der Erwartungen oder nach mehr entfachen weiteres „höriges“ Verlangen. In Diktaturen werden die Personen, die unaufhörlich auf die Armut und den Mangel hinweisen meist geächtet oder sogar ins Exil gezwungen. Solche Störenfriede sind nicht gern gesehen. Das Russland unter Putin braucht Leute der herrschenden politischen Klasse zujubeln und bereitwillig in den Krieg ziehen oder an der Kriegsmaschinerie mitwirken. Wir sind mehr als eine Dekade weiter, aber diese Zusammenhänge bestehen ebenfalls weiter. Schmuck in der Mangelwirtschaft ist bereits eine Provokation. Das offene Tragen der Provokation kann im schlimmsten Fall das Leben kosten.
(Image: Herta Müller, 2023, Eine Fliege kommt durch einen halbern Wald, Carl Hanser Verlag, “Das Chinesische Glasauge”, S.50-61)

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Puccini Media

In honor of Giacomo Puccini the Media enterprise Bertelsmann features one of its treasures. In cooperation with the “Archivio Storico Ricordi” of Milano, Italy, 100 years of Puccini’s oeuvre is celebrated with this exhibition. Fans of Puccini’s operas will have to visit the archives but the interest of this small exhibition lies in the impressive success story of Puccini and his publisher (part of Bertelsmann). Continuous innovation and adaptation to new media, like disks, accompanied an extraordinary marketing campaign throughout the 100 years. Even today there are cycling tours around Puccini’s hometown for the modern eco friendly tourists. We learn a lot about how the media industry functioned in the 20th century. It was absolutely vital to fighting for the rights of authors, composers and rights to receive royalties for performances as well as for the publishing on media. The exhibition in “Unter den Linden 1” is just next door to the Staatsoper which also gave honor to Puccini’s “Madame Butterfly” in 2024. His uncompleted Opera Turandot closes the exhibition with his rough sketches of the final scene. Merchandising is not an invention of the 21st century, but almost a century old tradition. This exhibition is a great testimony for this. It remains an important effort to allow authors and composers to gain a comfortable living during their lifetime. The gains for humanity as a whole are enormous.

Bertelsmann, Berlin 2024 Puccini.
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Theory Literature

There still is a lively debate at the margins of literature and the commerce around it about theories of literature. Even if the best of years of theories about literature have passed, in 2024 we see several revivals of theoretical perspectives on literature. Travelling in Europe we celebrate, for example, the 100 years of Belgian and international surrealism in Brussels. The French artist and theorist André Breton was preparing in his thoughts the art and literature of surrealist inspiration. Of course, we think of Magritte as one of the eminent figures of the painted surrealism. Franz Kafka, who died relatively young in 1924, was the author in the spirit of the surrealist movement. The powerful impact of literary theory and theory of art to form communities of practice have had lasting effects, which fascinates large audiences in 2024. Exhibitions across Europe reflect the importance of these art movements to understand European culture, inspirations and aspirations.
Not least through this revival of the surrealist artists in the broadest sense we are returning to a more theory-driven view of literature a bit like 100 years ago. I find it remarkable to read in “Le Monde Livre” of 2024-4-12 the article on “Défense de la théorie” by Tiphaine Smoyault (p.8 see quote below) with a comment on the book by Florent Coste on the usefulness of a theory of literature to understand the world around us. Reworking of language is the contemporary concern of literature: pluri-linguistic experiences, re-discovering oral performances, irony in language and digging into archives are the major strands of contemporary literature. Theory of literature reflects on the past and allows to synthesize the present. For some it also enables to project into the near future of what is going to be published. In any case the theory of literature provides orientation in a huge ocean of published oeuvres. Writing or painting with ideas ahead of your time has been a painful experience for most of these artists. Some artists or authors are lucky to become famous during their lifetime, but lots have struggled for years or never learned that their contributions advanced humanity for more than a hundred years.