The documentation centre in Munich of the National Socialist time and crimes has an encompassing collection of documents on display. As the prime centre of the Fascist movement in Germany in the 1920s and early 1930s Munich was the home to party elites from the first months of the movement that became the epicentre of the dehumanizing policies we can follow throughout Europe (Topography of Terror, Berlin). The historical research in both documentation centres complement each other in many respects. Understanding the beginnings of the Fascist movement remains important to today. Fascist movements need to be stopped before terror even against neighbours takes hold. Records of the evolution of membership, men’s and women’s movements later on, attacks of the parliamentary system all have to be taken into account to be able to stem the Fascist tide at that time and today again.
“Materializing” is the current exhibition, which can be visited in part online. How can we deal with the “Shoah“? Polish artist have a long experience to cope and deal with the unimaginable horrors, the Nazis and the “Wehrmacht” committed in Poland.
Memories have to find a place, a piece, a word, a sound or an emotion to materialize. In that sense yesterday joins today and is preserved as learning and warning for tomorrow.
In addition to the much discussed “Wehrmachtsausstellung“, the work by Jochen Böhler provides ample evidence to debunk the myths of war without crime. This holds for the past and for the present. (Source: Böhler, 2019, S. 59-68, Die Wehrmacht und die Verbrechen an der Zivilbevölkerung während des deutschen Überfalls auf Polen 1939, Image below). 
Research Teaching Consulting