Some programmers and artists would have been a great sociologists. As many social sciences embark on their experimental reorientation, many artists and programmers design and experiment already with new forms of social interaction. It is not only that sociology leaves the classroom, research labs or policy advice. Sociology is taken into museums and exhibitions. Learning about society through the lens of artists nicely complements the more boring form of teaching in the classroom. What is normal practice for art historians could benefit learning about sociology as well.
Virtual worlds of games and particularly so-called serious games take people into virtual worlds to learn, practice or exercise new forms of social interaction. This is indeed an additional form of experiments that can enrich our social practices. Medical applications start to spread to train persons to overcome phobia of all sorts.
In usual games we tend to defend the hypothesis that persons can uphold the differentiation of playing with arms in the virtual world and the real world. In medical or social games, we defend the hypothesis that it is easy, normal or natural to apply the learning in virtual constellations to the real-world-experience.
From a scientific perspective it is difficult to defend that a mechanism works in one direction and the opposite as well. Racing cars in inner cities seems to show that certainly not all of youth is able to make that distinction between virtual and real-world dangers for example. Alternatively, the mechanism at work might be that the virtual experiences lower thresholds of inhibition to take risks, to kill or to be exposed to spiders.
These examples are a starting point for a sociology of virtual experiences. Who gets locked into virtual worlds? Are virtual worlds an escape room or a realization of virtual freedom which is restrained in real life. Authoritarian regimes might lead more people to emigrate into virtual, free worlds. The inner-exile has been a refuge for many artists in the past. A lot we shall need to hypothesise and explore with empirical data. Dance with a virtual stranger might be the beginning of a new experience and virtual interactions. (Image: Wiels, Shezad Dawood, Night in the Garden of Love 2023-6, Game car race).
