There is something cultural about capital. Different cultures use different narratives when they commonly talk about capital. In Western capitalist societies it is common practice to cite “capital is a fugitive dear”, meaning that people who command sizeable amounts of capital tend to flee places once they become to agitated, especially by politicians. The Eastern narrative surrounding capital is more focused on “patient capital”. The newspaper “China Daily” has more than 6.000 entries referring to this term. On 2024-9-26 (p.9) the Japenese economist Kazuyuki Motohashi praised the Japanese economic system and its specific form of patient capitalism as based on” long-term, stable investment, which enables companies to achieve sustainable growth in the long run”. The Chinese economy suffers as Western capitalism from excessive focus on short-term profit seeking and this causes huge market flucturations shifting quickly from shortages to oversupply and back again. Short-term rent seeking is driving whole industries into fluctuations that are hard to attenuate through other economic (fiscal and monetary) as well as labour market policies (training, re-locations, internal migration).
It is interesting to witness that recently in Germany an example of a bank that had benefited from a patient capital approach of the German government for more than a decade (Commerzbank) is now prone to a bit of a hostile takeover from another bank probably more interested in the short-term rent-seeking. After all, banking and the varieties of capitalism approach highlight that at the very heart of economic rationale there remains a little bit of a cultural twist to understand what is happening in international economics and competition.(Image: Musée Rodin Paris 2024, Le Penseur”)
Olympic Criticism
The Olympic Games are, like every international organization, subject to criticism. In democracies this is part of the DNA of democracies that you can voice your criticisms openly without being threatened by persecution or arrest. The Olympic Games have since its beginning in ancient or modern times favored sport disciplines that have a link to warfare. The spectrum of disciplines has been extended recently to blur a bit this belligerent image of the Games. However even the break dance is performed in a kind of battle or competition between two adversaries. This is the reason why totalitarian states have (had) a predilection to show off their state sponsored warriors in the Olympic Games. Nazi Germany and the Berlin 1936 Games were the worst example of how the Games can get abused only to demonstrate a country’s force through athletes. Dictatorships of our times are not much different in this regard. Showing how many successful athletes (soldiers) you are able to produce is somehow an indicator of your professional training system of elite performance. Now, add to it the top performance in the Paralympic Games like Paris 2024 and you can even demonstrate how well you are able to care for and train potentially even also for mutilated warriors. Criticism of preparations of warriors and war masked through sport competitions are maybe unfair or utterly displaced here. It is, nevertheless, much better to compete on the sports-field rather than with loaded weapons. Only in retrospect, we often understand, why some nations made such enormous efforts to demonstrate a commitment to win as much as possible. With a growing enthusiasm for the Olympic Games the critical reflections rise as well.
Sports Game
Each museum in Paris gave its view on sports. There is hardly any perspective that is not represented. The link of sports to soldiers in ancient Greece or the gladiators in the Roman empire are prime examples of this. The Museum Quai Branly added an ethnographic dimension to this view showing sports traditions in African, Asian and indigenous American peoples. The bookshop of the museum added anthropological views and critical literature to the phenomenon of sport. A provocative example of critical cultural literature has in the book title the question: Is sport a game? We all have our opinions on this topic. The idea that sports remains a game is a rather naive one. Most people probably would argue that in view of the high ticket prices, sport has primarily become big business. Listings and comparisons of medals between nations have financial implications in the aftermath for disciplines and athletes. The upcoming Paralympics in Paris reframe the above question. Sports at high levels is a very serious game.
Olympic Competences
The athletes who managed to participate in the Olympic Games dispose of a specific skill set beyond their more narrow sports discipline. The general competence is long-term planning and sticking to training schedules. These schedules involve multiple deadlines with well-defined training goals. Coaches accompany the athletes in this endeavor. The competence to listen to advice from one or more persons to achieve personal goals is an important factor of success as well. Rather than being a personality trait this can be acquired through learning experiences. Coaching helps to achieve targets short and long term. Endurance in mental and physical form are trainable and most Olympic athletes have spent many years to prepare for the singularity of the Olympics like in Paris 2024. The same holds true for the participants of the Paralympic games. Maybe the most important competence of high level athletes is to keep exercising, training and trying despite many backlashes and missing of goals. (Image: Extract from Gustave Caillebotte Le Plongeon, 1878, Musée Marmottan Monet, Paris).
Olympic Flame
The Olympic Games 2024 have started to attract attention long before the actual games. The arrival of the flame on the many stops on the way to Paris is each time an event of its own. The choice of persons who carry the flame and the parcour are carefully chosen and sponsors contribute to finance the ceremonies. With the tradition of the “Tour de France” which started in 1905 in Montgeron, the city in the vicinity of Paris knows how to organize popular events. Like for a marathon large crowds are waiting and watching along the track. Police and life guards watch over participants and spectators. Many volunteers participate to make the event an enjoyable experience for all. The sports competitions of the very specialized athletes make much more sense if many people are encouraged to exercise as well. It is fun and the spirit of the Olympic Games should encourage more people to stay fit. Just a little bit at times helps to improve your health. Daily exercise is a challenge but even more beneficial. The idea of a relay is also stimulating continuity.
Chapelles Sportifs
In Paris the “Chapelle Notre Dame des Sportifs” was benedicted in 2023 in view of the Olympic Games 2024 in France. The catholic church is following the popular Olympics to call for “Holy Games” with subtitle “L’évangile c’est sport”. The chapel can be visited in the splendid church “La Madeleine” in the middle of Paris. You can buy candles with inscriptions like “the last ones, will come first (Mt 20,16)” or other citations from the bible. On Friday 2024-7-19 a special ceremony was held where you could jointly pray to win in your discipline or, of course, for other noble causes. The whole service was recorded with multiple cameras from a professional television team for a worldwide dissemination. It remains an open question, whether the church sponsors athletes as well or whether the athletes sponsor the church through their followers on social media. in any case it is a bigger media event accompanying the Olympic games in Paris.
Sport Fashion
Sport is fashion and fashion is sport. Not only in the Euro 2024 the teams make a big fuzz about the design of their sportswear, but certainly the Olympic games in Paris 2024 will demonstrate the close links between the 2 worlds. We might say playing football is a bit like a fashion catwalk. Keep going right on target, despite obstacles, when thousands of people are watching your performance and potential failures very closely. Making a “bella figura” is a must in both spheres. There is also a strong tendency for “the winner takes all”, that s/he takes the trophy and the jackpot.
Both worlds are also big business in their own right. It is at least 100 years old that sport and fashion got married. The “Musée des arts décoratifs” in Paris had an excellent exhibition on the combination of sport and fashion (booklet link). According to the curators both spheres have always been interlaced. High-level performance and specialized fashion just made for a splendid combination. As the rich and wealthy had more than a penny or two to spend on their leisure activities the combination of sport and fashion soon became itself a big business, beside the visible beauty of the bodies, movements and dresses. Just watch the breakdance fashion as the latest addition to the repertoire of olympic disciplines. In a recent article in “Le Monde” (2024-7-11) the value of the market of sports including its fashionable merchandising is estimated to reach a turnover of € 500 billion in 2022.
The competition of sports has been turned into a competition of the best images and videos. Fashionable as well as functional clothing can assist in climbing the podium. In the Euro 2024 Football Final the teams equipped with Adidas (Spain) and with Nike (England) compete for the trophy. Changing equipment sponsorship from one to the other can raise substantial amounts for a team (€ 100 million/year for the German national team). Big business seems to take over sports and fashion after the century-old marriage of sport and fashion. Since then, they have jointly been on an extended honeymoon. (Image from www.emptyspacetm.com 2024-7)
Jury Competition
We can enjoy a lot of competitions in the field of the arts. In each of these competitions there is a different kind of rationale about how to judge the performances of candidates. The composition and competence of the members of the jury are of particular importance. We all tend to agree on this. However, the basic aim or direction of the competition needs to be defined or even redefined from time to time. Some perceive a competition useless if for example nobody takes notice of the results or the event. A good fight or drama within the jury helps to attract attention to it even if candidates suffer at times. The Belgian Music competition „Concour de la Reine Elisabeth“ has an annual major competition of young musicians competing for the beginning of a career as soloist. All phases of the competition are up for streaming so we all can watch and form our own opinions on the many candidates. It is not just the solo performance which counts but also the team performance with orchestra and the openness to new compositions in the realm of classical music. There is no vote of the public (yet?) like in the widely followed „European song contest“ but public acclaim does not leave a jury unmoved I believe. Tough work for jurors to single out small differences of fairly high standards to even enter the competition. The success of a jury has probably another evaluation criteria which consists in the follow up of candidates 5 or 10 years after the event or the awards. The making or destroying of careers as solo performers might hinge on very small differences on a single day. One competition with several prizes awarded is an encouraging way to promote musicians or other artists.
Books
Some say, a book is a book, is a book. This is to reiterate the lasting effect a printed volume might have. Many books are a form of a documentation of facts. Creative writing in whatever form finds most of the time some way into a format of a book. For centuries books have facilitated the diffusion of myths and stories throughout societies including translated versions of the content. 2 aspects are constituent here (1) form and (2) content. Annual book fairs receive most attention for new content within more or less the same rectangular format. There are, nevertheless, interesting variations of the form to be discovered as well. Traditionally book binding was the art that gave shapes to the content. Images in form of film are yet another representation of the book content. All this is “dealt” with at the Frankfurt book fair #fbm23, particularly in form of dealing in and with copyrights. New forms of delivery of content, online or as e-book, have added to the variety of books. Pay as you go or as abonnement with monthly delivery is the old and maybe fashionable new way to digest abundant content. People trust in books. The format as book in general seems to remain an authoritative form to present content, irrespective of the truthful or fictional kind of the content. The more we live in insecure circumstances, the more we tend to be willing to hold on to a pile of paper nicely woven or clued. It is still a very powerful tool to guide imagination for all ages. It allows us to learn at our own rhythm as far as we are willing to go. We are, or seem to be, in control of the process as well as the likely outcome. And yet, the spice of life is the surprise. Book it.
Jury
The are many forms of a jury. In many judicial processes a jury accompanies judges or the president of a jury in the preparing and voting on the verdict. In sports competitions or arts contests it is also common practice to have a jury of several persons to assist in the decision-making process. In academia we are also used to sit on juries to award Ph.Ds or academic positions or fundings. From famous film festivals (Cannes or Berlin) we know the tricky part to select jury members and supervise the proceedings of the jury to follow the official rules of how to accord prices according to a set of predefined rules. The basic proceedings are very similar irrespective of field of application, academia, film, music. Decision-making of the jury is usually based on some voting procedures, attribution of scores and summarising across jury members (to avoid or minimize the effect of corruption for example). Of course, there is a scientific literature on fallacies to avoid for juries themselves or in the selection of jury members.
The Concours Reine Elisabeth in Brussels 2023 has large jury. This year the enlarged diversity of the jury included the amazing lyric soprano Sumi Jo. The slightly more diverse jury (compared to 2018 song competition) might have contributed to the impressive participation of Asian singers in 2023. In competitions the quality of the jury has already a role in the number of international submissions you are likely to receive. Signalling diversity in the jury, therefore, is an important element of diversity of participants and probably intensifies competition through a broader reach. The winner of 2023 Baryton singer Taehan Kim performs a repertoire of Lieder and Arias in at least double the required 2 (European) languages. The impressive performances in the Demi-final with piano accompaniment and then the Final with the full Orchestra were cheered by the jury (in points) and the audiences as well. The repertoire of Taehan Kim ranges from Beethoven, Donizetti, Poulenc, Schubert, Verdi, Tschaikovsky to Schoenberg in the semi-final and from Wagner, Mahler, Korngold to Verdi in the final performance. Born in 2020, he certainly has a steep career in front of him, in addition to a potentially genetical predisposition as researchers just published in Science Advances 2023.
Praise goes to the accompanying pianist, the orchestra and the jury as well, which has encouraged diversity in applications and throughout the competition. An important training in cross-cultural competence for all performers involved. Rather than having a contest behind a curtain, for performers and/or the jury, the whole competition is an excellent piece of daring far reaching transparency of a jury’s work. Everybody online can still listen to the competition performances and judge (or train judgement) for themselves, because “the jury is still out”. 