The exhibition of multimedia artist Nan Goldin at the Neue Nationalgalerie (New National Gallery) in Berlin presents a retrospective of her work using slideshows of stills including soundtracks (Image below). The topics and narratives range from autobiographical work on own traumatic experiences to works entitled „memory lost“. The sequences of stills are a form to deal with trauma through art like overcoming the suicide of a family member. Drug or sexual dependency enter the stills and it becomes clear that stillness is part of the coping mechanism she employs. It is hard to watch, sit still and endure the films of stills. However, there is a kind of therapeutic experience to be gained in coping with trauma through art. The installation in several tents increases the reclusive atmosphere and entering the still rooms invites is, somehow including a warning of what kind of chilling experience we are up to throughout the exhibition. The almost therapeutic experience needs to be handled with care and a visit with friends or family is highly recommended in my view. Community and communication are key to coping with these experiences and even still images contribute to building resilience. 
History’s Weight
The artist Damien Deroubaix is currently exposed at the BNF.fr in its historic site Richelieu. Together with and next to some of the historic treasures of the BNF collections the unique exhibition allows to experience history’s weight on our current existence. The work of Deroubaix is following and pursuing historic art trajectories with a special historical and ethical consciousness. Techniques of art are insensitive to the moral compass of the painter in history. The collections of the BNF like all major European collections have to handle their colonial past and immoral depictions throughout history. Deroubaix accomplished to liberate techniques of art of their colonial linkages and imagination of emperors focusing on humanitarian values. War is horror, in the past and in the present. Genocide in Rwanda is war crime and dealing with the memories of people an honorable way to look forward conscious of the past. Hybrid forms of art allow multiple contextualizations of his work. In the Galerie Mansart and Pigott of the BNF the historical embedding enriches the art and vice versa. Art allows us to rise beyond the ashes mankind has and continues to inflict on us. (Images: extracts of Damien Deroubaix at BNF, Paris 2024)
Beer Temple
Brussels has recently opened a new attraction. A splendid temple-like building devoted to the unnamed God of beer-drinking. The renovation over several years of the centrally located “Bourse” has created a new popular attraction right in the centre of Brussels. From the outside the building reflects the classical temple architecture from Greek and Roman times. Although the building was for a long time the trading place of shares, obligation and currencies and thereby very closely linked to a country’s wealth and economic fate, it has found a new destination to represent the diverse and spirited culture of the people or peoples of Belgium through the lens of a beer glass. Of course, this is surrealism à la Magritte et al. (Museum and galleries within walking distance). The shifting fate after a financial crash to transform the “Stock Exchange” into a temple of surrealistic experiences is great idea and its realisation as popular move to transform the stock market into a temple to worship beer, beer drinking and conviviality a great idea. Without joking, the restaurant in the temple proposes good food that can be matched with a selection of 30+ kinds of Belgian beer (including 4 non-alcohol-containing beers).
Framing beer drinking culture differently from the image of beer and football hooligans is hard to achieve. Public images of beer drinking on television are all around us, anew every weekend. The Brussels stock exchange is a great place to reflect on shareholder versus stakeholder issues. Brussels has opted for a popular conversion of the building. Paris has gone for the upmarket more exclusive transformation of the previous stock exchange (Bourse commerciale) into a gallery of modern art from the private Pinault foundation.
The museum of beer in the upper ranks of the building in Brussels offers even tastings we were told. Well, beer drinking and stock trading (gambling) have both addictive potentials. Ruining yourself, the one or the other way, is equally disastrous not only for yourself but potentially others.
Know your limits is easier said than done. It is a behavioural phenomenon for individuals as well as regions or whole countries. With the apparent “Limits to Growth” for our planet or our ways to trade, even praying in the renewed beer temple is unlikely to solve the bitter-sweet issue. Perhaps discussions in the new Brussels temple will spur new coalitions and stimulate new ideas to overcome the locked-in political trading positions. Maybe the European Parliament should have a futuristic surreal session in the historic site. The only problem is, they would no longer want to return to their usual forum for debates. 
Art to People
It is a timely move to not only rely on people to come to exhibitions or a museum, but for art and artists to go towards people. Advertising exhibitions is a first step in this direction. As photography and selfies are all around us, it is a small step to get more people interested in art through photography. The treasures of archives and libraries complement the markets for art and photography. Susan Sontag has taught us the social sciences related to photography. Learning by looking is just like the well-known learning by-doing.
The BnF in Paris is advertising at the Gare de l’Est in Paris. Passing by the board might inspire thousands of travelers and commuters to stop for an instant. Eventually being bothered and to take notice of the intriguing image or images in this reproduction of a photograph or maybe 2 blended ones. A few might note down the address or take a screenshot with their mobile camera to remember. All these instances enlarge the audience for the exhibition or motivate people to go beyond the quick shot with their smartphone camera. The artwork related to photography mostly starts after the first shot. It is in fact sometimes quite a long journey to come up with the final image. Just go for it.
