Book Performance

Some texts are written in view of a performance, a theatre performance or an opera in mind. We have had dance performances and choreographers emancipate themselves from the music to claim dance is an art in its own right. Books are books in their own right. However, the hybrid forms of performance of a book was on display in the 2024 edition of the Wiels Art Book Fair in Brussels. It is common practice to invite speakers and authors for a book launch event. It is more rare to invite a choreographer and dancer to perform a book. This is exactly the what the publishers of A.R.D.V.L. did. Garance Debert put the editorial work and conceptual work on a book into a moving performance. There is much more to a book than just the letters and paper. The „mise en page“ turns into a „mise en scèene“ by an artist. The Wiels Art Book Fair has raised our attention to the larger creative potential of books, certainly art books, but also beyond books on art. Performative readings and book performances will enrich our repertoire of interacting with printed materials. Just before we might believe this is the next big hype, remember the bible is probably the book with the most theatrical performances linked to it.

Olympic Democracy

It is interesting to follow how the Olympic Games follow a moderate version of how to run a democracy. Paris 2024 takes pride in making this a little bit more visible. It is the people in democracies who decide whether to host Olympic games in their country and the many executive branches of governments have to coordinate their actions, budgets and planning accordingly. The National Assembly in Paris 2024 is showing its commitment to the Games in front of the building as well. Beyond the ancient discipline of archery, new disciplines like surfing is turned into a piece of art like a statue honoring the athletes. The IOC follows the division of powers with an assembly of states, an executive and the judiciary. In each discipline it is evident that without a well established and accepted independent judges the Games would become a farce and would no longer attract such huge crowds. It is a steep challenge to ensure that doping and other illegal activities do not destroy the peaceful spirit of the Olympic Games. Science has a role to play in advancing and controlling the athletes and their teams acting under cover. All in all, we find democracy in a nutshell including the necessary trust in institutions to ensure a fair running of the Games in Paris 2024.

AI or I

Generative AI receives a lot of attention. One of the main issues is, to study how AI interacts with humans. The hiring decision by managers or an AI algorithm is an interesting application. According to Marie-Pierre Dargnies et al. (2022) the preference for human decisions remains strong despite reasonably unbiased performance of an algorithm. The main issue is with the transparency of the algorithmic decision-making. As a worker or as a hiring manager the preferences continue to sit with the person rather than the AI. It is a worrying outcome, however, that if the rule of gender equality is removed from the algorithm both workers and managers tend to prefer the algorithmic outcome. I interpret this as a latent preference of study participants for gender bias, which could lead them to expect a more favoured outcome in case the AI makes the decision. Knowing what decision-making rules have gone into the hiring algorithm has an impact on all persons involved.
A new managerial competence is to be able to assess tasks carefully, whether you should perform the task yourself or delegate to AI. In this sense the old question: to do the task yourself or to delegate has simply been enlarged by an additional delegation option. The decision-tree goes from (1) To delegate or not to delegate, and (2) if I want/need to delegate, should I delegate to AI or somebody in person (not allowed to use AI).
I opted to use AI for image creation rather than to take a photo myself or by one from a professional photographer. (Image creation: NEUROFLASH AI – Image-Flash 2024-1-26)

Books

Some say, a book is a book, is a book. This is to reiterate the lasting effect a printed volume might have. Many books are a form of a documentation of facts. Creative writing in whatever form finds most of the time some way into a format of a book. For centuries books have facilitated the diffusion of myths and stories throughout societies including translated versions of the content. 2 aspects are constituent here (1) form and (2) content. Annual book fairs receive most attention for new content within more or less the same rectangular format. There are, nevertheless, interesting variations of the form to be discovered as well. Traditionally book binding was the art that gave shapes to the content. Images in form of film are yet another representation of the book content. All this is “dealt” with at the Frankfurt book fair #fbm23, particularly in form of dealing in and with copyrights. New forms of delivery of content, online or as e-book, have added to the variety of books. Pay as you go or as abonnement with monthly delivery is the old and maybe fashionable new way to digest abundant content. People trust in books. The format as book in general seems to remain an authoritative form to present content, irrespective of the truthful or fictional kind of the content. The more we live in insecure circumstances, the more we tend to be willing to hold on to a pile of paper nicely woven or clued. It is still a very powerful tool to guide imagination for all ages. It allows us to learn at our own rhythm as far as we are willing to go. We are, or seem to be, in control of the process as well as the likely outcome. And yet, the spice of life is the surprise. Book it.