Q Q Utopia

Projections into the future, the painting of a futuristic image or an utopian narrative can be based on a quantitative or a qualitative approach. A quantitative projection into the year 2100, for example, is form of creating an utopian vision of quantitative developments. Projecting the small reduction of working hours into a very distant future will eventually approach zero hours (tous sublime). Alternatively, utopian scenarios for qualitative characteristics of work and employment range from full health and safety or “cure yourself by work” (?really, “Arbeit macht frei”) to AI and robots designed to solve major laborious tasks and challenges for us. It is important to differentiate between the qualitative and quantitative forms of utopian visions. The time frames matter, too. In politics various combinations of utopian perspectives have frequently been combined. The human mind’s capability to project itself into the future explains our tendency to come up with utopian ideas or scenarios irrespective of our ability for rationality. We better acknowledge these human characteristics rather than insist on an either, or image of ourselves.  

Positive negative Utopia

We have been used to distinguish between a positive or a negative utopia. The idea of a paradise is usually associated with a positive utopia, however, from the perspective of mankind being unable to live together without the idea of God being the ultimate arbitrator, this is more like a negative utopia. The industrial revolution and communism as the utopia to spread wealth equally across generations and all people, have been turned into negative utopia by dictatorships and authoritarian regimes. The fascist ideas of superiority of a race has also turned into negative horror and Nazi-terror. Hence, skepticism is in order, if either form of utopia is advocated. There are numerous examples of unintended or not explicitly stated consequences that have to be considered as well. (Image: Extract from Salvador Dali, Looming Danger Alarm, 1934, Neue Nationalgalerie, Stiftung Pietzsch)