Time is passing, or is it? We tend to confound time, with passing of time or an occurrence at a specific point in time. Time has a static use, which refers to a date of birth or date of death. Time refers to durations like the lifetime or time in office of a person or a political leader. In most such cases time is considered as a continuous and linear process. The concept of temporality questions these common perspectives on time to allow additional time perspectives in the description and understanding of time.
Temporality is linked to a more flexible view on the periodization of history. The time before and after the 12 years of Nazi-terror will then be part of the extended periodization of the Nazi-Regime in Germany and Europe. Similarly, temporality widens the perspective on social phenomena by linking historical events to the time before and maybe even to what follows, seen as a consequence of the temporal and spacial co-evolution.
A deviation from the static view of time and a rigid periodization of fascism allows to study the Russian male dominated political authoritarianism as a new wave of fascism in Europe, which negates the right of existence of the state of Ukraine in its neighborhood.
Temporality expresses the need to go beyond a simplel periodization to include a spacial dimension in the defintion of time, much like modern physics does in relativity theory. Temporality, therefore, opens up a “thought space” beyond just the timing of events, which may challenge many of our day-to-day experiences. Cultures with a different understanding of time or the pace of time become a “sound board” for our way of considering and being captured in a time space. Probably many artists are forerunners in playing with time and the way time is “treating” them. Most of them face(d) hardship during their lifetime, but have an extended “after life” in terms of reputation. Some contribute to the perodization in the arts and of their time. They all shape(d) temporality.
(Image: extract from Hans Bol, 1593 Ring Jousing in front of a pond inan imaginary city, MRBAB, Brussels)
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