Tag: Narrative

Posted on

Paper and Scissors

In order to produce art it is not always necessary to have expensive materials at your disposal. Henri Matisse has demonstrated that paper and scissors can go a long way. With this in mind, the work by Johanna Beckmann, shown in the upper hall of the “Kulturforum” in Berlin, is quite astonishing. Beckmann relied on just paper and scissors, in addition to her paper and pencil work, to illustrate her own texts as well as collections of fairy tales. Her paper cuts of some hobbit stories might be remembered by a whole generation of children and even some of today’s world. Paper cuts and theatre based on such figures have been a cross-cultural treasure. The illustration of stories, but also the creation of own characters might be derived from such cuts using just paper and scissors. The “Kunstbibliothek” and the “Lette-Verein”-academy in Berlin joined forces for this exhibition and they both continue to transmit this creative craft to students actively involved in this “intergenerational exhibition”. Please bring your (grand 😉 children.
All those who travelled to Paris recently will be well aware that at “Montmartre” you can still have your profile cut these days. At this exhibition there is a “do-it-yourself” section, not only reserved to children.

Posted on

Xmas as information sharing

In modern theories and tests of the importance of information sharing, social learning in groups and the spreading of information in social networks are known to be powerful mechanisms. Hierarchies and survival might be at issue. In the animal model based on mice it the scent that is the byte of information. For humans thinking of information or narratives are probably more appropriate. The story of Xmas has been spread rapidly and the kings arriving to bring presents testify to this powerful mechanism of information sharing in social networks even before the so-called social media existed. Ever since, written accounts of the story were added in addition to regular meetings of persons who continued to share the story. Add music and theatre to the transmission of the story and the mechanism reaches even broader audiences, and maybe devoted believers. As behavioral flexibility might increase as well, more than one interpretation or ritual of the same narrative is likely to arise over time. In the animal model food is the major reward system. For humans the reward systems are more complex with forms of delayed gratification. Information sharing about the importance of delayed gratification takes us into new spheres of humanity versus rational choice. (M-P Brussels). 

Posted on

Good or bad

We have been taught by Shakespeare “to be or not to be, that is the question”. In political science we have pondered the question in a slightly augmented form. “to be good or bad, that is our question”. The basic image of women and men in society has been a subject throughout the history of ideas. For those who believe in the good nature of mankind, they tend to find reasons to believe that eventually mankind will find a way towards a peaceful cohabitation on our planet (there is no planet B yet for humans). On the other hand, each outbreak of violence and war are considered as a confirmation that mankind will always recur to some form of violence, even after extensive periods of peaceful cohabitation. According to the evidence presented by Meller, Michel, van Schaik, referring back to Kant, trade between people and nations is likely to prevent more violent relationships (p. 330). One of the major conclusions over the long term view of mankind is, that the periods of war have been far shorter and more rare than a focus on the last 3000 years seems to suggest. Maybe, “to be good or bad” is just a question of demographics of being too many at the same time in the same place.  Population growth and population density might be a powerful driver of “being good or bad”.  (Image: Delacroix, Last words of Marc Aurel)

Posted on

Headless Saint Dionysius

Denis of Paris stands for the Saint Dionysius, who is reported to have walked after being decapitated as martyr for his christian beliefs by the Romans in the 3rd century, all the way from Paris to St Denis in the suburb of Paris. We do not only find such a statue at Notre Dame in Paris, but also a medieval version in the Bode museum in Berlin. The cathedral of St Denis in Paris became subsequently the place for the coronation and burial of many French kings. The last king who lost his head through the guillotines was Louis XVI. It took almost another 200 years to abolish capital punishment altogether in France. Robert Badinter devoted his career to fight for this appeacement within the nation. (Image: Statue St Denis in Bode museum Berlin).  

Posted on

Cut it short

The “Revue des sciences humaines” (Demanze and Gleizes, Nr. 355, 2024 pp. 7-16) provides an interesting reflection on the widespread practice to find (new) ways to cut long stories or insights short. Short by itself, this introduction to a longer special issue on the topic “Faire court” stresses 4 elements of the contemporary impetus to cut it short:
(1) The creative process may be subject to condensation of content, similar to the process of a “reduction” in the culinary vocabulary. The speed of creativity, inspiration, freedom of expression are exemplified by the twitterization of and aphorisms in literature. Roland Barthes, in his analysis of the “haiku”, raises awareness to the different associations of the short text forms in different societies.
(2) The observed shortening of time spans of attention and the competition and economy of attention have raised the stakes for longer formats and explain to a large extent the success of shorts in the digital age.
(3) The short format works to increase the intensity of the literary experience.
(4) In deconstructing the associations of long formats as “monumental” versus short formats as ephemeral, the “cut it short“ tendency serves to “demonumentalize” the big shots of literature, science and the humanities. Well, about time to cut it short, “hic et nunc”, here and now!

Posted on

Musician Historian

Musicians are usually perceived as “part of history” rather than being historians themselves. However, recent research on Bob Dylan has extended that view to portray Dylan in his role as historian as well. The issue here is more with the historical periods and references the musician, composer and song writer builds on and interprets historical events. Thereby, his thoughts and impressions on living through historical events enter into his work as an artist. Dylan is literally “doing history”. He puts events of past and present into perspective of his own making and reached authority through the non-conformist perspective, which connected him to as a performer to his various audiences. His approach to doing history consists in the re-presentation and re-creation of historical narratives. Nina Goss (2024) in her book review highlights the “irruptions of the past into the present unique in popular culture”. The re-arrangement of fact and fiction encourages us “to inhabit, question, and revise historical narratives and tropes” (p.399). Several musicians have specific ways of reflecting, sometimes critically, on history in their artistic work. Bob Dylan certainly is a very prominent example of this an has been honoured for this by the Nobel Prize for literature. It remains an interesting perspective to review composers and their choice of libretti for operas as a way of doing history. The shifts from royal drama to revolutions and popular scenes are in this line of interpreting musicians also as historians.

Posted on

Top 5 Things T5T

Dealing with Elon Musk is a must these days (WSJ 2025-2-26 A4).
So it happened that on his way to Mars, Musk met God the almighty on his way back to heaven. Musk asked, whether he could join the ride.
God, not amused, asked Musk about his T5T (top 5 things) he accomplished in his life. Musk questioned God‘s right to ask this question and said he would tell the other T about this. God gave him just another day to come up with a response.
So here we are: the T5T Elon Musk might put forward:
(1) I created a million fancy electric cars.
God: Well, but there were already too many tin boxes on 4 wheels on earth.
(2) I created rockets that propelled billionaires into space and back again.
God: Your carbon footprint has exceeded a million people of the poorest countries on earth.
(3) I created a network of satellites that facilitated communication.
God: Nobody spoke to me yet using it.
(4) I bought Twitter and transformed the platform to spread evangelism of various sorts.
God: This has become a hoax spreading more lies than truth.
(5) I reformed the public sector employees to share my beliefs or leave.
God: This will ruin a lot of services like USAID, which have assisted me for many years in my caring and charitable service.
With all these T5T of yours in mind I am not sure I should let you return to that planet earth. Maybe I‘ll find another assignment for you where you can cause less harm Elon. Maybe, try “Waiting for Godot“.
(Image: instead of T5T try T4T (tea for two))

Posted on

Hugo intergenerational

Well, this entry is not about Hugo Boss, whose name is probably known to more people worldwide nowadays than the French poet and writer Victor Hugo. The latter Hugo, however, is likely to be known to more generations to come than the former one. In his 19 years of exile with his family he had the unique chance to get to know his grand children a bit closer, which was rather unusual for the late 19th century. The romantic poet was charmed to an extent that he could help it, but to express himself in a longer poem. „L‘art d’être grand-père“ (The art of being grandfather)“. Victor Hugo experienced the death of own children and his wife before and his grandchildren surely gave him reason to believe in a more joyful tomorrow. Comments on this poem mention the idealised vision of the romantic regard on children and even more so on his own grandchildren. « Leur front tourné vers nous nous éclaire… … Ils trébuchent, encore ivre du paradis. » 

We forget all earthly quarrels just listening to the soothing sound like children’s rhymes. Hugo is a master of all literary classes and he ensured that his intergenerational legacy would be part of this.  (Image: Maison Victor Hugo, Paris, writing desk ro stand in front of)

Posted on

Text to Image

Long before everybody started to discuss Artificial Intelligence, which in many applications takes the form of transformation of a textual prompt into an Image, Photographers have had literature or quotations in their mind that shaped their images. This was a kind of poetic imagery not always easy to recognize. The exhibition in the „Institut de France“, Bibliothèques Mazarine (LINK), with photographs by Nicolas Fève (LINK) offfers a great insight into this way to conceive of an image and its realization through photography. Exposing the sources of inspiration as well as the photo is like adding textual citations to an image in a much more inspirational and transforming manner than AI is doing these days in 2025. 

Text to image is only one out of the many ways texts might guide imagination, but it is a powerful and gripping one. The history of literature is full of other forms like videos based on novels, comic strips to make classic texts in Latin more accessible. As we shall ask AI products like texts and images to cite their sources and honor authorship, photography as art and science might enhance the literary experience by adding citations to an image. This has the additional advantage that more people will follow up on the sources of inspiration.

Posted on

Artists Intergenerational

Generations influence each other. That’s a very simple general statement. Biographies, auto-biographies and life course research have all established sometimes more, sometimes less direct influences between the generations. The exhibition “A partir d’elle. Artists and their Mother“, curated by Julie Héraut, combines literature, photo and video that speak to the rather complex psychological or sociological issue. Visits in 2025 available at Stichting A, Brussels.
The starting point of the inquiry into the nature of photography by Roland Barth is chosen like an investigation into a crime. Sophie Létourneau had written an essay which proposes to read the original text by Barthes from this perspective. The artists in the exhibition seem to follow this process of asking themselves what their relationship to their mother is like and how to represent this in an artistic form.
A life course perspective, which takes images or videos with 10 or about 20 years difference, offers a kind of analytical as well as artificialized vision of the evolution of the artists’ relationships with their mother. Realistic images with a morphing backwards from old to young is presented next to images confronting young and old next to each other. “Words don’t come easy to me” could be the title of one of the videos where a young artist has a particularly hard time to talk to his/her mother.
Just after the celebrating Franz Kafka last year and his famous “Letter to my father”, the inquiry into artists and their mothers complements the analytical and artistic vision and interpretations of the child and parent intergenerational relationship.

Posted on

Happy Maths

The link of maths and happiness is not straightforward. Individual accounts of a happy (euphoric) or unhappy (dismal) life are mostly referred to psychologists for treatment. The biografies (documentaries) or fictional biografies told in novels or cinema allow to trace the changing moods of the personalities over time. This resembles life course research. In happiness research social scientist ask questions like “Overall, how satisfied are you with your life“. Measured over time or coded from biografies this allows to reconstruct happiness trajectories. At this point the maths of happiness enter the stage. Long periods of observations yield interesting patterns of curved lines, rarely simple linear trajectories. Social scientist speak of within person variability in contrast to between persons variability. After all, the (short-term superior) happiness of your neighbor might simply be due to the fact that they are doing drugs.
Whatever, try to remember a bit of your high school maths and the bore to deal with “curve discussions or sketching” beyond the manifold shapes of your classmates. Lots of interesting information derives from growth or decline rates, tangent lines, stationary or inflection points. Different starting points or so-called intercepts vary between individuals as well as he potential  to cross the Zero-line on one of the axes. Additionally, in geometry you would compare syncronicity of curved lines as well as forms of symmetry for the curve(s). This will simplify or comlexify your perspective on the happiness trajectories of people or characters in a novel.
We are so used to narratives or videoss with a happy end, yet we appreciate the complex trajectories and (multiple) troughs main characters have to pass. Novels teach us about tricky inflection points and subsequent trajectories as well. The maths of happiness, however, is rather simple in comparison.
(Image from Toronto District Christian High School -pdf p.207).

Posted on

Narrative Object

Objects tell stories. Stories get condensed into narratives. Narratives become objects. Yes, we are going round in circles here. Artists have transformed an old splendid atelier and factory building into a new gallery space for “Objects with narratives” in Brussels. We construct, reconstruct and deconstruct narratives almost continuously. However, if narratives are transformed into an object or objects they will become something tangible or a fixed expression of the moment or process. The concept of art objects with narratives invites us to look for the narrative linked to the object. Just like in other disciplines like economics we have ample dominant and heterodox narratives. It is important to reflect on narratives and empirical evidence in their support. When we look at the mountains of plastics and garbage on our planet we see how an economic narrative has been turned into nasty objects. Objects with narratives is also how future generations will confront us with the pollution and waste objects we left and still leave behind us. (Image Bussels Gallery Objects with narratives 2024-7-13 Exhibition Marius Ritiu.)

Posted on

Family Kafka

100 years after Franz Kafka’s death nearly all facets of his life and writings have been analyzed. The archives of the editor Wagenbach and the publishing house have now opened an exhibition at the “Stabi Ost” in Berlin adding a family picture book description of Kafka’s life (Curator Hans-Gerd Koch). This is of interest because Kafka himself had written an extensive letter to his father (Brief an den Vater) in which he tries to understand his intricate relationship with his father and other family members.
Nowadays, some people would try to analyze Kafka’s life through the parapsychological technique of family constellations. The far-reaching and pan-European family networks of the Kafka (father) and Löwy (mother) families were more than just an excellent source of inspiration. 2 younger brothers died in their first year. 3 younger sisters followed more traditional evolutionary patterns within families. The television series on Kafka’s life add to the understanding of his sources of inspiration and “parallel worlds” he created and lived in. The exceptional “fictionalization” of his own life and existence in the spirit of André Breton’s surrealism remains a milestone in the history of literature.
Kafka himself thought he was not really “instagrammable”at the time, but his image has reached and still reaches millions of people (Link to Picture archive). He himself would probably have defended the thesis that the most powerful images are within us. … and they are hard to escape from.
(Image from Exposition in Staatsbibliothek Berlin 2024-4, QR-code links to reading in originals!)

Posted on

Heroines

In youth we are open for a wide range of influences. Heroines in children’s literature, picture book or cartoons look back on a long history as successful influencers. Creation, transmission and criticism of stereotypes are all part of the scientific reflection on heroines and heros. Nowadays, influencers have taken over picture books through the use of more compelling videos.
In the 1950s,1960s and 1970s picture books or cartoons dominated the influences before mass media like television became more absorbing, addictive and powerful influencers. Children’s books are passed on from one generation to next generation. The French-speaking world (and beyond BBC reference) has witnessed the success of the illustrated booklets of the young “Caroline” (Hachette) and “Martine” (Casterman) exploring the world. Parents passed on their collection to children and had their own parents read the stories to their grand children.
Well, that’s how intergenerational transmission of cultural heritage has worked for a long time. It describes the basic social mechanism. Nevertheless, new forms of influencing emerged with new technologies. Successful illustrated narratives like “Caroline” and “Martine“ were adapted as television series as well. In France you could chose your side of either explorations with Caroline and her group of animals or the adventures of Martine.
Ideally it would be an occasion for the families and friends to discuss pros and cons of each character and, thereby, become aware of what is a stereotype, at least at a later stage of the life course. Gender stereotypes have evolved and to observe 2 boys colouring Martine images in public (Brussels book fair 2024, image below) was a positive surprise. It almost felt like a real world experience of the AI-enabled Barbie explorations.

Posted on

AI and text

The performance of large language models (LLMs) with respect to text recognition and drafting texts is impressive. All those professions that draft a lot of texts have often decades of experience with using word-processing software. The assistance of software in the field of texts ranges from immediate typo corrections to suggestions of synonyms or grammatical corrections in previous word-processing software.
The improvement of AI stems for example from the potential to suggest alternative drafts of the text according to predefined styles. A very useful style is the “use of easy language”. This rewriting of texts simplifies texts in the sense that longer and more structured sentences are split into shorter ones, lesser-known words or acronyms are replaced by more common or simpler words. Some languages like German have a particular need to use easy language when it comes to administrative regulations and procedures. Public services that aim for inclusiveness of for example older persons or youth can become much more accessible if the use of easy language is spread more widely. Just keep in mind the large numbers of so-called “functional illiterates” (OECD study “PIAAC”) in all OCED countries.
AI can do a great job in assisting to reach a broader public with texts adapted to their level of literacy and numeracy competences. Webpage Designers have made use of Search Engine Optimization (SEO) for years now. The most common way is to use frequently searched keywords more often on your website in order to be found more often by search engines like GOOGLE et al. Additionally, AI allows to explain keywords, sentences or even jokes to you (Spriestersbach 2023 p.111). This may help in situations when cross-cultural understanding is important.
We have made use of optical character recognition (OCR) for a long time now in public services as well as firms and for private archives. AI is taking this “learning experience” to the next level by making use of the content of the recognized text. Predicting the following word or suggesting the next sentence was only the beginning of AI with respect to texts. AI can draft your speech to plead guilty or not guilty in a court. But we shall have to live with the consequences of making exclusive use of it rather than referring back to experts in the field. AI please shorten this entry, please!

Posted on

Cinema D

In terms of statistics cinemas are almost back to the pre Covid levels of spectators. The sector is worth in Germany close to 1 billion € in 2023. The price level has risen as well but many cinemas have upgraded their cinema experience as well in terms of comfort, audio and visual quality. Traditional houses provide chairs that compare well with home comfort and for a little more you can put up your feet as well after a long workday. Drinks and food may be served directly at your seats so the time to relax is guaranteed. However, this depends a lot on what type of movie you have chosen. The movie industry has adapted to modern technology and comfort. The turnover of a movie theatre is supported a lot by the consumption of beverages on site and they make huge efforts to prolong the visit beyond the screening of the movie. The competition for the time and money of the consumer is intense. The quality of the whole experience will determine the survival of the cinema. It is worth much more than a second best solution for rainy days or the cold season.

Posted on

Opportunity Costs

Skiing in winter is a pleasure that has become more elitist. The downhill skiing has always been an expensive sport, but affordable school holidays gave the sport a more accessible touch. The cheaper version of long distance skiing or skating on larger trails involves much more endurance. The report of the French Cour des Comptes in 2024 questions the sense of the huge investment that is still devoted to save the pleasure of the few. I
nstead of investment to the benefit of relatively few persons, these funds could put the money into a more sustainable, socially and ecological productive purpose. Installations could be used all year round rather than in the few weeks at best months with snow. It is remarkable that the court has highlighted this kind of opportunity costs of such installations. Instead of investing in soon to be obsolete infrastructure at lower altitudes like water reservoirs and water canons, this money could already start the eventually necessary transition process. Each € spent is not only lost for the transition, but might create additional environmental liabilities and damage.
From economists it is to be expected that they mention competition in their arguments. Not all stations of skiing will survive. Put more dramatically, in the process of closing skiing at lower and middle level altitude, competition intensifies between stations and of who can survive. Public funds should not be misused in this endeavour. Lobbying is strong and political incumbents tend to favour the merit and legacy of digging for the white gold. Changes of mind sets, investment narratives and decisions are tough. From much downhill skiing we might soon remember only the downward slope before the healthy aspects of climbing a slope takes the upper hand.

Posted on

POSSE

for a German speaking audience POSSE stands for a farsical popular drama of the 18th and 19th centuries. Nowadays POSSE has particularly in the English speaking world a completely different meaning. POSSE is short for Publish on your Own Site, Syndicate Everywhere. In other words publish your own creative work, text, tech or melody on your own website first before spreading the content on other platforms. By this strategy you make sure your content stays your content even if a platform like eXitTwitter disappears or the hype has passed like with facebook. And if at any point in time you decide the whole internet is a farce, you will be able to edit the content from your own webpage as a book or audio version as an edited volume. Do not make yourself a modern slave of tobacco, drugs, alcohol or platforms for whom you create (mostly unpaid) content they use to sell advertisements with huge untaxed profits. With POSSE you can make an end to this farce. We still rely on search engines like QWANT, Ecosia, duckduckgo or Mozilla’s Firefox, to name a few less well known web searching tools. They ensure that other people find your webpage beyond the elephant in the room called Google.

Examples of search engines of the internet
Posted on

Priming

Nicht nur PsychologInnen müssen über den „Priming Effekt“ Bescheid wissen. Ein vorhergehendes Wort, Bild oder eine kurze Geschichte oder eben ein Blog-eintrag können in der Erinnerung Assoziationen hervorrufen, die das Verständnis oder die Einordnung der neu hinzukommenden Information (Wort oder Bild etc. ) wesentlich beeinflussen.
Bei dem Blog-eintrag zu „Barbie“ kann das relativ einfach nachvollzogen werden. Mit einem Bezug auf die Zeit des Nationalsozialismus, über Täter und Opfer sowie Strafverfolgung und Gerichtsbarkeit als Vorgeschichte oder Vorlektüre wird bei dem Wort „Barbie“ schnell die Assoziation Klaus Barbie in Erinnerung gerufen.
Ein anderes Priming im Kontext von Geschichten zu Geschlechterrollen, Kinderspielzeug, Kleider anziehen, Schönheitsideale sowie Mode erzeugen mit dem nachfolgenden Wort „Barbie“ unmittelbar Assoziationen mit dem Konsumartikel der Barbie als weiblicher Spielfigur bei den meisten Personen. Unser Gedächtnis oder vorherige Informationen lassen uns nicht mehr unabhängig oder unvorbereitet neue Information aufnehmen. Dieser psychologische Effekt auf unsere Meinungs- und Informationsfreiheit kann rhetorisch oder strategisch zum Beispiel in Zeitungen genutzt werden. Wird Ökologie im Politikteil, Wirtschaftsteil oder dem Wissenschaftsteil einer Zeitung aufgeführt, wird bereits eine vorher bestimmte Erwartungshaltung der Lesenden erzeugt, der dann einfach entsprochen wird. Die transdisziplinäre Natur des Begriffs geht dabei schon weitestgehend verloren. Priming ist überall, das fängt wohl schon mit dem Wecker morgens an. Wie gut, dass die Snooze-Taste schon erfunden wurde. Zumindest kurz können wir uns der Illusion hingeben, noch für eine kurze Weile, dem allgegenwärtigen, alltäglichen Priming zu entkommen.