Category: Brain and storming

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Fontainebleau garden

The garden of Fontainebleau is huge. The design by “Le Notre” is splendid in its combination of trees, greens and water reserves. Beyond walking in the park you may enjoy a horse ride ora  tour in a carriage, some even today. Boating is an additional amenity rarely available at other castles. In the Belvedere in the middle of the water basin romantic or secretive diplomatic conversations might take place. Politics and diplomacy have always needed special locations to prepare decisions. This is a historical constant. 

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Fontainebleau library

The “Galerie de Diane” in Fontainebleau has been built during Napoleon’s reign. It hosts the library with a large collection of books. The function of the books seems to be more to intimidate the persons passing by rather than ready for inspection. The globe at the entrance reflects the ambition of the ruler. The fact that you have to walk some stairs upwards increases the impression to be little compared to this universe of knowledge. It is great that libraries have flipped this perspective and today we study the period of Napoleon’s reign with our democratic values in mind. The top-down approach was the incarnation of Napoleon’s style of government. Despite the revival of such governance styles in the 21st century across the globe, they are unlikely to last for more years than Napoleon’s fate. A simple reason for this may be the only representative or intimidating role of knowledge in such forms of governance rather than an open mind approach. 

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Fontainebleau Throne

The French history is full of kings and emperors who have ruled the country. The Chateau Fontainebleau has the longest history of kings who lived there and held office, a pre-modern version of “home office”. The most remarkable and distinguished furniture of a king is the throne reserved for office hours. Napoleon created a special throne room at Fontainebleau which is also the only one preserved in its original form until today. It is just one of the home office rooms of the emperor. The antechambers, council room and study had to be passed before to reach the ear and audience of the emperor. The history of the home office and thrones have been intertwined ever since. 

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Paris Sorbonne

The history of the university on the left bank of “La Seine” dates back to 1257 when Robert de Sorbon an advisor to Louis IX was asked to create a unifying structure of several colleges which provided room and board already. The location on the left bank in Paris allowed these colleges to escape the religious doctrines and archbishop who dominated the right bank. The choice of the name of the advisor rather than the King was already showing early signs of independence which was cherished by generations of students and professors. The Colleges had individual names like “Collège des Bernardins” or “Collège de Navarre” and operated under the title of “La Sobonne”. The “Musée Histoire de Paris Carnavalet” shows an early design of the Collège de Navarre. Independent thinkers and writers were formed there who became very influential later on in their careers. Thomas d’Aquin was one of them.

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Paris Olympics history

The 2024 Paris Olympic Games will go down in history as the event that has achieved to put Olympic Games and Paralympic Games on an equal footing. At least this is the message the  museum of the history of Paris tries to transmit. In the “Musée Histoire de Paris Carnavalet” we find a vase from the Games from 1924 in Paris next to the 2 Olympic torches, one for the Paralympics and one for the Olympics 2024. Both torches are the same only a different logo on them, same message, same spirit. The impact of these games is likely to set an example for many years to come and other hosts of the Games will be measured against this benchmark. Making history is one thing, taking care of the posterior image another one. Paris has taken of this as well.

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liberté urbanité

In the museum of the history of Paris “Musée Histoire de Paris Carnavalet” we find a special place devoted to the commemoration of the terror attacks in Paris in the Bataclan event location and the office of the journal “Charlie Hebdo” (see image below”. The skateboard on the bottom left of the wall raises the value of “urbanité” next to liberté, égalité, fraternité. The attack of an urban living style with youth going out as they like and journalists and caricaturists speaking their minds freely had been attacked, but continues nevertheless. This statement is part of the Paris state of mind. 

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Le Brun Selfie

The great painter and decorateur of the French monarch Louis XIV was Charles Le Brun. He was careful about the way he wanted to be remembered in history. His late 17th century self portrait is exposed in the Musée Histoire de Paris Carnavalet. Rightfully put in front of elegant red “tapisserie”, the selfie is remarkable for its attention to details. The hair is drawn with high precision and not a single one seems out of place. The painter does not focus on the person in front of him, but rather on some detail next to or behind the depicted Le Brun. The dress chosen is rather an ordinary person’s one or a person devoted to his work and artistic craftsmanship. No hands, no arms, no shoulders. The sole focus is on the head or should we say the brain and facial expression. Realistic painting is probably the closest you can get to today’s selfie-mania. Le Brun’s decoration and paintings in Versailles and churches ate probably some of the most popular backgrounds of selfiies even in the 21st century.

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Home for dog

The places where some dogs live can be rather big. But even tiny dogs may enjoy a luxury home like their owners. This was certainly the case for the dog’s niche in a Paris home, a few years before the French revolution (1785). The exhibit is a testimony of the tough inequality of the late 18th century in Paris, where some enjoyed far reaching luxury and large parts of the population were forced to live in poverty within Paris or the suburbs with little access to basic sanitary facilities. The discrepancy between the luxurious homes of pets and the average person might serve as an indicator for income and health inequality. The Musée Histoire de Paris Carnavalet has a great stock of artifacts that can speak to the issue. Image: Musée Histoire de Paris Carnavalet dog niche 1785). 

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Paris History

The “Musée Histoire de Paris Carnavalet” is the starting point for visitors of Paris and social scientists to better understand the making of this metropolitan city throughout centuries. The only common factor over the years is the astonishing determination to reinvent the city every 100 years whilst the best features of the previous periods are preserved. It is the concern for the very long-term time horizon that makes the city quite unique. Even a social revolution (1789) unlike most other countries managed to preserve most buildings, churches and royal palaces. Restorations are undertaken with a careful approach to shield its architectural and social heritage. Even the radical transformation by Haussmann over almost 20 years until 1870 to build large corridors in the city is subject to revision in modern visions of the future of Paris. The app of the museum is very helpful to learn more details about each chosen object of the permanent exhibition. The social fabric of the city can be studied further through app’s feature when representatives of local social organizations speak about their personal piece within the huge collection on display. The larger the “fundus”, the more the rationale for selecting pieces becomes an issue. (Image: Musée Histoire de Paris Carnavalet inner court 2025).

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Photographe engagée

Marie-Laure de Decker is featured in the “Musée européenne de la photographie” (MEP) as a photographer committed to capture truth in situations of conflict. She started her career with documentary photos from the Vietnam war. Rather than searching for spectacular scenes, she succeeded in her attempt to capture the more emotional and, therefore, relatable moments for her various audiences. With a firm commitment to the human in her work, the photos by Marie-Laure de Decker reach a level of extraordinary sensitivity to what it means to stay human in violent situations and even military conflict. The portraits of politicians, workers, professions and famous actors applied the same approach. Rather than days or weeks Marie-Laure de Decker spent months or years in the regions of her documentary photo series ranging from Vietnam, South Africa throughout the apartheid regime, Pinochet years of dictatorship in Chile, the 2 parts of Yemen to a prolonged stay in Chad.

The exhibition in the MEP in Paris curated by Victoria Aresheva  raises awareness to the additional fact that photo journalism became an affordable profession only after specialized agencies were created that granted authorship rights to photographers, which ensured later use of their work in edited volumes as well as working for several newspapers or magazines. (Image: Marie-Laure de Decker, self-portraits, MEP Paris exhibits 2025-8). 

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Emotional history

The making of emotional memories of a city is an art in itself. Many cities have professional photographers who accompany all major events in a city over years. Paris has had the chance that artist photographers and film makers have contributed greatly to the emotional history of the city. Agnès Varda was such a formidable person whose images and movies moved people and allowed to share emotions about the city’s busy and diverse neighborhoods. The « Musée Histoire de Paris Carnavalet » combines an autobiographic perspective with the emotional depiction of live in Paris from the 1950s onwards into the late 20th century. (Image: Agnès Varda, 1950 self-portrait, MEP Paris). 

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Femmes Photographers

Paris puts 2 women photographer into the spotlight. The MEP and the Musée historique de la Ville de Paris feature a gender perspective on photography. Both photographers have a common starting point in black and white photography.  Each moved on to develop their art into an additional direction later during their career. Marie-Laure de Decker shifted from the early camera technology from black and white images to color photography in the later stages of her career. Agnès Varda moved from her initial b/w photographic work on to the production of videos for cinema, mainly focused on life in Paris from the early 1960s onwards. An evolution over the professional life becomes evident for both through these retrospectives of their respective work. Technologies evolved and became more accessible for artists’ creative expression. Both moved on to adopt new techniques and challenges. Great personal learning experiences and models for today’s challenges.

(Image Marie-Laure de Decker, L’image comme engagement 2025-8 MEP Paris).

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Timeless Nature

The beauty of butterflies has fascinated thousands of generations. It is the boomers’ generation that has increased the risks that future generations will have difficulties to enjoy the simple beauty of nature in their gardens or parks. Preservation of biodiversity is a value that should be ranked much higher than previously. Monitoring of biodiversity needs a generation of people well aware what a rich ecosystem and biodiversity looks like and how to preserve or restore it. Much to do for teaching and learning professionals as well. Curriculum development for biodiversity and sustainability is in urgent need for updates. This has to include the socioeconomic dimension as well.

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Gentileschi Heroine

The choice of a woman as heroine in a painting beyond religious topics was innovative in the early 17th century. Artemisia Gentileschi chose Cleopatra as her character in the ultimate scene of Cleopatra‘s life. The heroic act of guiding the poisonous snake to bite her under her arm is the ultimate act of Cleopatra to have served her country and people. As history books are full of male heros Artemisia Gentileschi succeeded in drawing attention to the biased gender stereotypes in art and art history beyond the 17th century.

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Gentileschi Selfie

Today the production of „selfies“ is all around us. Selfies are shot almost instantaneously and several times a day by use of modern smartphones. About 400 years ago the first woman to produce a selfie was Artemisia Gentileschi. As (one of) the first female painter in art history to have created a painted image of herself (which is transmitted today) Artemisia Gentileschi made history. Her unique biography, style and craftsmanship of the early 17th century in Italy made herself a renowned painter. Her choice to depict herself rather than somebody nobel or rich was quite unusual for the time. The audacious choice of herself as her „sujet“ became even her trademark. Later paintings by her with biblical topics were also subject to her reinterpretation based on herself as the female character in the narrative and image. In this respect her work appears so much ahead of her time that her impressive work speaks to all generations today. (Image: extract of Jael and Sisera by Artemisia Gentileschi 1620, Musée Jaquemart André“ in Paris 2025-8)

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Gentileschi Iconologia

Ever since the publication of Cesare Ripa’s „Iconologia“ (1593) the codes of art had become subject of a coded production and interpretation of art. Attributes of power or wealth like palms, scepters or crowns, decorated with gold and diamonds spoke a language easily understood by onlookers irrespective of time periods. Orazio and his daughter Artemisia applied this Iconologia throughout their work. The apparently simple depiction of bad weather became a sign of trouble ahead in a person‘s life, office or reign. From the success of Caravaggio‘s paintings, the application of light and shadow became another stylistic feature of especially Artemisia‘s work. Whereas the application of these techniques is a sign of craftsmanship, the own contributions like a more emotional and emancipatory repertoire of Artemisia make her an artist of her own kind. (Image Artemisia Gentileschi, Madelaine pénitante 1625, Musée Jacquemart André“ in Paris 2025-8) 

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Women artists

The history of art has been dominated in public opinion for centuries by men. However, recently art historians have drawn our attention to the numerous works of women who took Centre stage with their art during the last 500 years. Flavia Frigeri (2019, 2024) begins her history of women artists with Lavinia Fontana (1552-1614) followed by Artemisia Gentileschi (1593-1652). Both painters produced extraordinary paintings which brought their own touch to the paintings at a time when an independent expression through art was still largely reserved for men. The subjects of Gentileschi were greatly influenced by her experiences as a woman in a male dominated society in the 17th century in Europe. Her choice of subjects for her paintings added a female vision and depiction of biblical and historical narratives that were unique. The „Musée Jacquemart André“ in Paris featured a great retrospective of her art work in 2025. The catalog of the exhibition allows to enter into the art and wit of this early woman artist. 

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Zadkine museum

In the middle of Paris you will find a small former atelier of Zadkine. Transformed into a museum, the place is a cosy place to learn about sculpture and the different materials used. The preparations in form of designs or smaller trials with other materials are common practice to arrive at the sometimes monumental pieces. The visit of the permanent collection is even free of charge. A splendid experience in a surprising spot of silence next to buzzing city streets. Depicting musicians and musical instruments has been Zadkine’s shared passion with Valentine Prax. Great that he managed to reach the USA in time before the Nazi persecution could reach him. However, exile often means hardship as well. 

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Zadkine Prax

Ossip Zadkine and Valentine Prax once had their atelier next door to each other at art school. This established a lasting link between the 2. Whereas Zadkine became best known for his sculptures, Prax became famous as a painter. It appears that influences from one to the other are present in the works and several sculptures or preparations for sculptures were collected by Prax and found their way into the permanent exhibition of the museum. Intertwined biographies of artists are an inspiring reminder that art is not created only within a single mind, but many references or inspirations come from joint conversations or just working next to each other for some time. The social part of creating art is visible in this exceptional exhibition. Valentine Prax is honored with a presence in the Zadkine museum as well.

Image: Valentine Prax

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Zadkine Van Gogh

Ossip Zadkine has been a sculptor in cubists’ art tradition. He created famous sculptures of Vincent van Gogh after the death of the renowned painter and his friend. The Zadkine museum in Paris allows to get a great impression of these artworks. These sculptures reveal an interesting life course perspective on both artists sensitivity and transformation of their impressions of others or emotions more generally. The first study depicted below by Ossip Zadkine of van Gogh shows how he carefully studied the traits of van Gogh and his personality in order to better understand the evolution and death of the fellow artist. The emotional and broader psychological aspects of a character captured both artists. Doing justice to these inner feelings and society’s judgments about art and artists at their time of creation had strong impacts on both artists. 

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Air pollution dementia

A comprehensive review and update of evidence that indicates a link between air pollution and dementia has been published in “The Lancet” open access on 2025-7-25. Besides a genetic predisposition the environmental impact of our worsening air quality caused by fine dust particles and PM 2,5 and nitrogen dioxide NO2 has been found in several studies. This updated meta study should be an additional warning to take efforts to clean up our air more seriously. The diesel engines amongst other sources of air pollution have contributed a great deal to this evolution. Inner city inhabitants are at greater risks to suffer the consequences as they are more exposed to these pollutants and for longer durations. Clean air is a matter of brain health in advanced age and biodiversity as well.  

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Genetic diversity

Part of genetic diversity is the apparent fact that some partnerships have only girls or only women as descendants. This is the message of a study published in Science Advances by Wang et al. on 2025-7-18. The commonly assumed binomial distribution where each event has an equal chance of occurrence at each new point in time does not necessarily hold for this particular events. Therefore, the search for a genetic explanation has been going on for some years. Therefore, there might be a potential for an epigenetic explanation as well, as environmental conditions might co-determine the expression of genes in both parents. The research will surely continue and the sex and gender diversity offers still a lot of surprises. A sociologist’s perspective would tend to focus on later gender attributes and choices rather than sex at birth. The bio-psycho-social research agenda remains wide open.  

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Water fountain

The design of water fountains is a bit of technology and a lot of art work. The provision of water for larger basins in castles was pioneered by garden architect Le Notre in France as early as the 17th century. He took ideas from Italian designers to integrate them in his French squared designs and surprising perspectives. Vaux le Vicomte is a splendid example and a source of inspiration for many even centuries later. Listening and watching the water fall from level to level downwards calms the spirit. Worth exploring yourself.

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Paris 2024+1

Urban Planning has to deal with the medium and long term time horizon. This is a challenge in a world of short term preferences of financial markets and creditors. The Paris Olympic Games of 2024 demonstrate in an impressive fashion that a balance between these different time horizons can be achieved. The whole of France debates 1 year after the opening of the olympic games what has remained of the investment and the exceptional achievements for the country and its population. The newspaper “Le Figaro” of 2025-7-26 p.12 has published an interview with Tony Estanguet, one of the main organizers concerning the subject. The best of the Paris games 2024 for him was “to see the whole country work together”. The united spirit to make these Paris games a success remains a special experience in an often very divided society. In 2025-7 the “vasque” has survived in “Les Tuilleries” after some debate once the games were over. Therefore, a bit of the Olympic spirit can still be experienced in the center of Paris where the games have become a part of French history. 

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Sedentary Lifestyle

There seems to exist a correlation between a more sedentary lifestyle and the level of industrialization. Industrialized countries have attempted to beat the running of time by faster modes of transport. From horses to cars, trains and airplanes. As a corollary of wanting to go faster the number steps walking has decreased compared to countries with less private or public means of transportation. The the time you spend sitting in transport the less we tend to walk or cycle. Obesity has become a dangerous consequence for large parts of those sedentary individuals and sedentary societies. The contribution by Paul Klotz in “Le Monde” from 2025-7-26 (p.24) highlights the bio-psycho-socio co-determination of the sedentary lifestyle. Societal developments to build entire cities more suited to car and train traffic has made walking the city a stressful task. Rebuilding our cities with a focus for a society on the move again is a challenge for more than one generation.

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Electric Fun

The 60s, 70s and 80s have been fantastic precursors of the “All electric society” because of the electric music 🎶 industry that became a mass phenomenon. First of all the electric guitar allowed a wave of new music to take hold of a whole generation and probably keeps its adepts until today. E-pianos, keyboards, drum machines and synthesizers made music playing more accessible as well. You just need to plug in your instrument and you were able to produce an overwhelming sound. Other electric pleasures might include water pumps for water heaters and sprinklers. Electronic games and gadgets soon took over in children’s rooms. Of course, calculators as precursors of mobile phones and computers were another step in the progress towards the “All electric society”. Electronics are about to govern large parts of our lives and society. We better take a serious look at what we gain and what we might lose. 

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Just walk

The benefits of walking for several health outcomes is well known. The evidence is in favor of 7000 steps per day as a reasonable baseline. Some outcomes improve further if we walk even more steps, but not all. Probably, the effects of being accompanied while walking will enhance outcomes as well. Every summer the step threshold may be pushed a little bit further. Goal setting can help along to overcome eventual barriers to leave the home later in the evening. Nature rewards us with changing daylight and seasonal changes. We just have to get started to reap those health benefits.

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Work time reduction

One of the major elements of social progress in the 20th century consisted in the reduction of work time. Reductions from 48 hours per week in the first half of the century were largely reduced to 40 hours per week or less in some industries with strong trade union representation. State regulations also pushed in this direction with positive implications for physical and mental health as well as wellbeing. Advances in longevity of employees may be attributable to this social progress agenda of the 20th century. In the 21st century we witness a new thrust of enterprises and employees striving to implement a 4 day work schedule by at the same time organizing a further reduction of work hours. The scientific evidence which is based on pre- and post trial assessments of workers satisfaction shows rather positive results (Fan, Schor, Kelly, Gu 2025). More studies are due to accompany this potential of further health and wellbeing effects of reduced work time and the reorganization of work time in enterprises. 

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Roof under snow

The painter Caillebotte has captured Paris roofs under snow. Hundred years later this will be a rare event. The original painting we can still admire, the original scenario will be a rather rare event. Snow changes city life as everyone walks slowly and traffic as well as other noise is softened by snow as well. Mankind is changing the course of history through global warming while ignoring the consequences for later generations. The links between art and science are closer than we tend to believe.

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Climate Awareness

The Musée d’Orsay has prepared a wonderful walk through its permanent exhibition of late 19th and early 20th century installations to reflect upon climate and climate change. Raising awareness about the treasures lost and those we are about to lose in the next few years. Impressionist painters have depicted landscapes, cities and monuments covered in snow, which the next generations will no longer be able to enjoy the same way. The roofs of Paris covered with snow has become a feature of a distant past. Additionally, the impression of the massive steam trains crossing metal bridges appear as the daunting future of technical progress. Mixed feelings of fascination and risk associated with those machines were captured by those painters’ eyes. Nowadays we are aware of the consequences of this technical progress for our planet. The walk through museum with a focus on climate related paintings is eye opening indeed. (Image: Extract of Éduard Veuillard, Le jardin des Tuileries, Musée d’Orsay, Paris)