In modern terminology we could say Edgar Degas has been an influencer for many other painters, gallerists, art collectors and our way to look and interpret paintings or drawings. Max Liebermann wrote an appreciation of the work of Degas for a German audience in an attempt to bridge the gaps in the understanding of modern art between France and Germany towards the end of the 19th century. Cassirer as editors facilitated the publication and jointly they achieved to build a remarkable collection of impressionism before the atrocities of war took over in the first half of the 20th century. Fates can change quickly and painter influencer may become discredited due to more forceful political influences. (Image: Booklet by Max Liebermann 1898 on Degas in Cassirer exhibition in Berlin)
