In Budapest we can visit one of the longer living places of Franz Liszt or Ferenc Liszt as some Hungarians would insist to call him. The Beethoven trained Carl Czerny offered piano and music classes free of charge to the young Franz Liszt in Vienna at the age of 11. In the biography by Klára Hamburger she describes the Paris years of Liszt from 1823 until 1839 as the most important ones for the pianist and particularly for his later compositions. Born in Hungary, the son of 2 Austrian parents he was trained in Paris by amongst others the Czech professor of the Conservatoire de Paris Antonin Reicha just like Chopin, Flotow or Offenbach. Writing an opera was the “must do” for a composer who aimed for the highest possible career at the time. In a letter to George Sand, Liszt (published 1937) complained already about the social status of musicians in society as servants to the higher ranks of society. Similar to Ravel many years later Liszt was rejected as official scholar by the Conservatoire de Musique and his wish to marry a daughter of noble decent was rejected early in his career. Such experiences probably contributed to his leaning towards the romantic form of expressions in music during most of his compositions. Literature, paintings of the French romantic period and the traveling artist “voyages et pèlerinages” became influential in his creative process. The competition between composers must have been fierce at the time and despite ample opportunities to perform in public and private venues making a living from music wasn’t always easy at the beginning. More than 100 years after his death his compositions are still a challenge for all pianists and the Hungarian Rhapsodies probably his greatest homage to his early childhood.
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