The history of the typewriter and typewriter is comparatively short compared to the history of literature or other technologies as partners in the creative process. With the advent of AI (here as part of infografix, see image below) the skills of using and mastering a typewriter have become almost obsolete. The original design by Remington (timeline below) has dominated for almost 100 years the technology of typewriters. Then came the electronic IBM technique with an automated correction type, which was not only faster, but also more forgiving of “typos”, short for typing errors.
The craft of handwriting had suffered a tough blow, despite its almost intimate touch to it. Knowing the typewriter outline by heart allowed typing with closed eyes or a focus on another text or image as well as a parallel thought process. Scientists and writers (Claude Levi-Strauss) reported on their creative process as intrinsically being linked to their typewriter.
QWERTY outlines for English language typewriters still dominate the keyboard typing today. With the AI interaction on the rise, we might move away from typing as a “Kulturtechnik” a technology of our cultural era and focus more on human-machine interactions via our voice and microphones. The underlying question, however, remains the same: What is the best technology to enhance our thought process? This, in fact, tends to be a very personal human choice, where technology plays only a subsidiary role. 
Green trade flows
The statistics on trade flows reported by the UN Department of Economic and Social Affairs have a comprehensive data base in the background. The descriptive inspection of the raw data on trade flows comprising solar panels, batteries and electric vehicles shows a stark imbalance of how future-proof the trade between countries is. The New York Times (David Gelles et al. 2025-6-30) has put this information into an impressive graphical design to show the magnitude of the imbalance of how China trades in green products with the world and how the USA is losing out on future-proof low carbon emission trade. Despite the fact that China is still heavily emitting CO2 today due to burning coal for electrical power, the investments at home and trade with the world is moving into the opposite direction. We have seen many of these industries at risk in Europe, like solar panel production, batteries and increasingly electric vehicles, without the western countries getting organized to address crucial business and economic challenges. Falling behind in these industries and trade will shift global balances in the near future. Renovation through innovation is more promising than holding on for another decade to inefficient and more polluting energy sources. Repairs of homes and buildings have long lasting effects, which we can, nevertheless, change today.
Pepper and Nao
We have seen many persons that became somehow emotionally touched when addressed by Pepper or Nao. These 2 versions of a humanoid robot have served for thousands of persons as the first welcoming moving information desk. I have been guided through museums (DTM, Berlin) and exhibitions by this robot guide with a friendly outlook. Beyond those experiences there is a lesson in industrial policy to be learned from this innovative French humanoid robot. The start-up enterprise was founded as early as 2005. With a substantial funding of ½ billion € from Softbank the enterprise could develop robots for the fields of personal companionship, education, restaurant services or personal care for the elderly.
We have seen the robots at international fairs in several countries, but the prohibitive costs have limited the rapid spread of the robots to broader applications. Subsequently, the decline of the enterprise, or not reaching financial targets fast enough, caused the loss of financial support for the enterprise. In 2025, Aldebaran filed for bankruptcy and the patents will be sold to the best offers. The employees received generous packages of departure and will most likely find rapidly jobs in other robotics, IT or AI related fields.
The loss is probably greatest for the persons who were serviced by Pepper or Nao in elderly homes or the Swiss hospitals, as spare parts or updates will no longer be available. The humanoid robot story is yet another case where the social, economic and financial context of technology is overriding the technological innovation process. 
Start-up Winner
The SCCON 2024 has awarded one of its prizes for start-ups to „neuraflow“, which proposes the programming of chatbots for small communities or cities among other AI-applications. The test in multiple languages for the city of Bremerhaven is fun to test and shows that online public services can be witty and fun to use. The incorporation of local dialects gives the impression of a very personalized service. Moving the administration closer to the heart and the location of its citizens is achievable through shifting communication online. Prior information before a first contact speeds up information and administrative processes for everyone involved. Congratulations to the team involved and we look forward to many nice applications of the same technology in other cities. Admin can be fun, even in Germany 😉😂
Administration Online
The public administration is more and more moving online. The electronic identity is becoming a reality for all those with a recent personal identity card and who remember where they stored their pin code which came with the card. Moving houses or apartments or car registrations among other official registrations can be carried out online rather than by joining the lengthy queues at your public administration. The “buergerservice.org e.V.” presented the easy steps at the SCCON 2024 in Berlin again to the audiences. The support by the “mobile citizen’s office”, allowed to do the PIN retrieval or change on site and during 2 minutes. This is going to be a game changer for many people who shun away from lengthy admin procedures and push off such registrations due to the time-consuming queueing systems currently in place. Labour shortages are circumvented by e-administration and citizen’s satisfaction with public services increases. More publicity for such e-services and rapid implementation across countries and the EU should bring a about a new e-dynamic drive to old Europe. Employees or civil servants will be pleased to deal with exceptional cases only rather than the bulk of repetitive registrar work. More time will be available to real case management instead of suffering from impatient citizen clients. “Administration as a service” sounds like the new device of digital public management. 
Innovation Painting
Innovations have fascinated painters just as much as photographers. The impressionists have painted trains and steel bridges as well as modern city life. Innovations change the atmosphere of a situation and new forms of transportation have been admired for many decades. Artists and painters have dealt with this phenomenon in various ways. Either the innovations have puzzled the normal vision of people or things or the artists hinted at curiosities or incompatibilities. Gustave Courbet has depicted in a unique style (Realism), as early as 1865, a seated woman with a paddle on something similar to a catamaran. It is maybe surprising that the modern form of stand-up paddling looks a little bit like the „podoscaphe“ painted by Courbet. Innovations in sports continue to evolve and become part of Olympic Games as well. Some disciplines make it into the Olympic canon rapidly, others never make it. The exhibition of „Artists and Sport“ gave ample opportunities to reflect on the the relationship of artists and innovations as well. (Image Musée Marmottan Monet, Paris 2024, Extrait de Gustave Courbet, Femme au Podoscaphe. 1865)
Science Politics
We tend to believe that science is independent of politics. Even if the individual scientist does research and studies free of immediate political influences, there are many ways in which politics has an impact on science. Sociologists refer to Max Weber as a prominent figure in the “Werturteilsstreit” that claimed the need for science to be conducted beyond political interference. Karl Popper is another reference in this respect who proposed the positive science approach which starts from theory, hypotheses and testing in the sense of identifying false statements, hypotheses and underlying theories. Modern science is also linked to publications of results. This has become an industry of its own and it is sometimes quite surprising to see the lengthy delays that scientific results get published. One example, Jackie G. Schneider and Julia Macdonald (2024) had to wait 3 years until their paper finally appeared in print in a scientific journal. This paper was received by the Journal in February 2021 and published only in 2024 in the 2nd issue of the journal but online in January 2023! Reports in Nature on difficulties of Indian, African and Chinese scientists to get their work done and published are alarming as well. Further regionalization and departmentalization work against the fundamental principles of independent science and scientists. It is a big issue of international cooperation as well.
Paper and Pastel
Sometimes the art is in the material. At least this could be a rapid conclusion of the exhibition presented in London at the Royal Academy of Art in 2024-1. From the informative Catalogue the importance of material is demonstrated. The ease of taking your equipment with you, like a sketchbook and out into nature have been an important feature of the impressionists’ movement. With artists challenging traditional techniques of painting and paintings as such even the apparently less noble material as paper had become a statement of being different from the established art academies making use of more noble materials. The impressionists made a convincing point with their additional use of materials accessible to all. Capture the moment and capture your very own impression of it. This is one way to immortalize the emotion and essence of the scene. In the catalogue of the exhibition I spotted “The Swimmer” drawn by Caillebotte with pastel on paper. Freezing the moment, freezing the motion and emotion is evident here, too. Testing different materials is part of the journey to find your artistic impression, expression or materialization of imagination. The ways and means are manifold.
Widmann
Jörg Widmann hat seinen Einstand bei den Berliner Philharmonikern als „Composer in Residence“ gegeben. Die Schwester, Carolin Widmann interpretierte das Violinkonzert Nr. 2 von Jörg Widmann als Solistin. Das war ein ganz besonderer Abend. Die Widmanns haben doch tatsächlich gemeinsam die Einführung in das Programm des Abends mitgestaltet, eine ¾ Stunde vor dem Konzert im großen Saal der Philharmonie. Mit Begeisterung haben die beiden Geschwister von der gemeinsamen Zeit der Entdeckungen rund um die Violine in ihrer Kindheit erzählt. Damit wird die faszinierende kindlich, unschuldige, nahezu naive unbedarfte Herangehensweise an das Instrument verdeutlicht, die so charakteristisch ist für den Anfang des Violinkonzerts. Die Entdeckung eines Klangkörpers (vom einzelnen Instrument bis zum Tutti) geht aber rasch weiter zu einer Demonstration der vielfältigen Gefühls- und Virtuositätsregister der Violine. Paganini lässt grüßen, könnte man meinen.
Kaum klingt eine virtuose Passage an, da hinterfragt der Komponist die eigene Begeisterung. Ist das nicht einfach nur Akrobatik, um dem Publikum zu gefallen? Zweifel stellen sich ein und etwas Distanz zum gefälligen Wohlklang. Reflektierte Virtuosität, der Soziologe würde vielleicht auch reflexive Virtuosität als kompositorisches Element verwenden wollen. Notation von Musik und Klängen hat seit dem wohltemperierten Klavier relativ feste Vorgaben. Daran hat sich Jörg Widmann zu 98 Prozent wohl gehalten. Die anfängliche Erkundung des Klangkörpers Violine lässt sich aber nur anders notieren. Innovativ, mit mehr Raum für Interpretation in der Aufführungspraxis. Das betonte so auch die Schwester, die nun wirklich dem Komponisten sehr eng verbunden ist. Interessant war daher ihr Kommentar, dass diese Anfangsstelle für sie gleichsam die größte Herausforderung darstellt.
Die folgende „Fantasie für Klarinette solo“ von Jörg Widmann passte daher gut zu dieser Erkundungsreise von Instrumenten des Symphonieorchesters. Die Klarinette hat in allen Musikepochen und Stilrichtungen ihren Platz behauptet. All diese Anklänge lassen sich in dem Solo, welches der Komponist selbst dargeboten hat, wiederfinden.
Nach dieser aufregenden Reise durch die Jahrhunderte der Musikgeschichte stand die „Reformationssymphonie“ von Felix Mendelssohn-Bartholdy auf dem Programm. Spannend war die Umsetzung „dieser Art von Teufelsaustreibung“ (Worte von Jörg Widmann) mit dem „2. jüdischen“ Satz und dem „3. protestantischen“ Satz der Symphonie in denen Felix Mendelssohn-Bartholdy seine beiden Wurzeln in den Gesängen und Liturgien in Andeutungen aufnimmt. Mit Klängen und Fängen der ausgehenden Romantik wurden wir in den weiteren Abend entlassen, samt Eindrücken aus der Ausstellung zu der Entstehung (60 Jahre) und der Architektur der Berliner Philharmonie und dem Scharoun Ensemble (40 Jahre) der Gebäude einschließlich der Stabi West. Das Mendelssohn Archiv hat in der benachbarten Stabi West einen kleinen, feinen Ausstellungsraum mitten im großen Lesesaal. So haben wir einen umfassenden Rundblick und Ausblick genießen können, die dem Kulturforum in eindrücklicher, dennoch unaufdringlicher Weise, eine hervorragende Stellung einräumen.
(Image: Jörg Widmann jenseits des Schattens von Furtwängler 2023-9-9)
Books
Some say, a book is a book, is a book. This is to reiterate the lasting effect a printed volume might have. Many books are a form of a documentation of facts. Creative writing in whatever form finds most of the time some way into a format of a book. For centuries books have facilitated the diffusion of myths and stories throughout societies including translated versions of the content. 2 aspects are constituent here (1) form and (2) content. Annual book fairs receive most attention for new content within more or less the same rectangular format. There are, nevertheless, interesting variations of the form to be discovered as well. Traditionally book binding was the art that gave shapes to the content. Images in form of film are yet another representation of the book content. All this is “dealt” with at the Frankfurt book fair #fbm23, particularly in form of dealing in and with copyrights. New forms of delivery of content, online or as e-book, have added to the variety of books. Pay as you go or as abonnement with monthly delivery is the old and maybe fashionable new way to digest abundant content. People trust in books. The format as book in general seems to remain an authoritative form to present content, irrespective of the truthful or fictional kind of the content. The more we live in insecure circumstances, the more we tend to be willing to hold on to a pile of paper nicely woven or clued. It is still a very powerful tool to guide imagination for all ages. It allows us to learn at our own rhythm as far as we are willing to go. We are, or seem to be, in control of the process as well as the likely outcome. And yet, the spice of life is the surprise. Book it.
Put People First
Put people first is a natural claim of human beings. We tend to abstract from the fact that we implicitly rely on a sufficient biodiversity for our survival. Therefore, the natural claim to put people first has many preconditions itself and severe implications. The most obvious implication is related to our world of production and consumption. We need to build an economy that serves its people rather than one that uses up human resources and discards people to an inferior rank of importance. Externalising health and safety at work to save money in the process of production will only cost society much more later on. This needs to be part of the balance sheet of companies not only “national accounts” or relegated to some health statistics hardly known to the public.
Put people first in consumption, has come to our attention recently. With energy prices rising due to Russia’s war on Ukraine territory we have learned that energy prices may be grossly distorted. Firms’ versus consumers’ energy consumption became a thorny issue. Even legislation, like in Germany, that put people’s energy consumption before companies’ consumption of energy became subject for debate.
Same issue with artificial intelligence. Let’s put people first here as well. Discriminating use of language or biased conclusions due to wrong data input to train AI is not acceptable as excuse. AI may serve humans in their work or leisure, improve production lines through error detection or early onset of disease, but it cannot replace the human verification of a just or otherwise justified human intervention. Humans are not perfect, never will be either. This is a tough rule to teach the algorithms that guide AI. Put people first has a strong interpersonal or solidarity element enshrined in it. This is what matters, now, in the medium term as well as the long run. 