The links between art and science are manifold and run in both directions. Artists challenge science or the outcomes of science and scientist refer to or maybe inspired by the work of artists. If artists challenge scientists by proposing an alternative theory they become subject to empirical scrunity like the unfortunate fate of the theory of colors of J.W. Goethe. The physics of colors has long been established and the theory of colors and light are best represented in science using wave lengths as the unit of measuring different colors. Hence, in this theory of colors or light the spectrum of colors runs from violet, dark blue, indigo (short wave lengths) passing yellow (medium wave length) to orange and red (longest wave lengths).
The painter Ellsworth Kelly has also challenged the science-based view of colors in “Spectrum IX” from 2014 currently part of the exhibition “Ellsworth Kelly. Formes et couleurs, 1949-2015” at the Fondation Louis Vuitton in Paris (extract of image below). As a provocation to the scientifically trained vision Spectrum IX breaks up the running from short to long wave length to take the scientific linear colors of the spectrum and split the spectrum in the middle (yellow) and join the ends upside down. Alternatively, take the spectrum and glue both ends of the color spectrum together to a circle and cut in the middle of yellow to form again a seemingly linear evolution of colors.
Now, let’s meditate in front of this new spectrum of colors and follow your senses. The challenge of the theory of colors is a provocative statement of all those imaginative potentials we exclude through a solely science-based view of colors. Art opens up virtual space and fills it sometimes with abstract reflections on colors. It is raising the question of beauty versus science, beauty in science or beauty through science. (Image: Ellsworth Kelly. Spectrum IX in exhibition Formes et couleurs, 1949-2015″)
Phase Shifting
The Berlin “Hamburger Bahnhof Nationalgalerie der Gegenwart” recently acquired “Phase Shifting Index” by Jeremy Shaw. As part of an exhibition of new acquisitions, Sam Bardaouil, the director of the museum and curator of this exhibition has installed the large-scale video and sound installation at the end of the long corridor of the “Rieckhallen”. The impressive, even overwhelming art work was created in 2020. It was first shown at the Centre Pompidou in Paris. 
The piece consists of seven large suspended screensand creates a space like in dance club, discotheque or dance studio. The visual and sound experience is allmost psychedelic. The near obsessional dancing shown on the screens represent different periods of dancing with their particular patterns of movements and choreographies. The phase of the electromagnetic waves is shifting from one screen to the other and towards the end of the performances it becomes clear, that they all follow a similar wave or rave pattern. Sublimation or ecstasy are the underlying index-like common traits. Each period or decade 50s, 60s, 70s, 80s, 90s, all had their peculiar dance and movement patterns. The video-installation is like a history of art of expression through body movement, amplified and indexed through rhythm and sound.
Electromagnetic waves can be characterized through wave shifting in various forms. This work gives us a feeling for the fascination of movement and phase shifting emotions. Don’t worry, the immersion ends after 10+ minutes and, if you like, you might read up on the physics of electromagnetic waves and phase shifting to calm you down.
Images: “Phase Shifting Index” by Jeremy Shaw, 2020, Berlin, Hamburger Bahnhof, 2024-9
Innovation Painting
Innovations have fascinated painters just as much as photographers. The impressionists have painted trains and steel bridges as well as modern city life. Innovations change the atmosphere of a situation and new forms of transportation have been admired for many decades. Artists and painters have dealt with this phenomenon in various ways. Either the innovations have puzzled the normal vision of people or things or the artists hinted at curiosities or incompatibilities. Gustave Courbet has depicted in a unique style (Realism), as early as 1865, a seated woman with a paddle on something similar to a catamaran. It is maybe surprising that the modern form of stand-up paddling looks a little bit like the „podoscaphe“ painted by Courbet. Innovations in sports continue to evolve and become part of Olympic Games as well. Some disciplines make it into the Olympic canon rapidly, others never make it. The exhibition of „Artists and Sport“ gave ample opportunities to reflect on the the relationship of artists and innovations as well. (Image Musée Marmottan Monet, Paris 2024, Extrait de Gustave Courbet, Femme au Podoscaphe. 1865)
Painter Sociologist
In going to a gallery and exhibition of paintings from the 17th century (Gemäldegalerie Berlin) you do not really expect to attend a class of sociology. However, this is exactly what the Flemish painter Frans Hals does with his paintings of various genres of society of his time. His sociological categories are for example unmarried young persons, married couples or pensioners living in a shared home. Other social categories of interest to him are a caregiver or, more common for the time, persons from noble or wealthy families. His painting „The Regents of the old men’s Almshouse” (ca 1660), the male pensioners home is one of his last paintings when he himself was already about 80 years old. Similar to a College of students the elderly home was run by a house father and house mother who took care of the daily living. The paintings of Frans Hals covered the entire life course with a cross-section perspective of society at his time. From few of his supporters he painted even several images moving towards a kind of longitudinal perspective on a person’s life course. Certainly, with “Oude-mannenhuis” (image below) he was interested not only in individual life courses, but of the conditions, forms or images of aging at his time. He probably was one of the first to challenge the negative stereotypes of aging.
Olympic Criticism
The Olympic Games are, like every international organization, subject to criticism. In democracies this is part of the DNA of democracies that you can voice your criticisms openly without being threatened by persecution or arrest. The Olympic Games have since its beginning in ancient or modern times favored sport disciplines that have a link to warfare. The spectrum of disciplines has been extended recently to blur a bit this belligerent image of the Games. However even the break dance is performed in a kind of battle or competition between two adversaries. This is the reason why totalitarian states have (had) a predilection to show off their state sponsored warriors in the Olympic Games. Nazi Germany and the Berlin 1936 Games were the worst example of how the Games can get abused only to demonstrate a country’s force through athletes. Dictatorships of our times are not much different in this regard. Showing how many successful athletes (soldiers) you are able to produce is somehow an indicator of your professional training system of elite performance. Now, add to it the top performance in the Paralympic Games like Paris 2024 and you can even demonstrate how well you are able to care for and train potentially even also for mutilated warriors. Criticism of preparations of warriors and war masked through sport competitions are maybe unfair or utterly displaced here. It is, nevertheless, much better to compete on the sports-field rather than with loaded weapons. Only in retrospect, we often understand, why some nations made such enormous efforts to demonstrate a commitment to win as much as possible. With a growing enthusiasm for the Olympic Games the critical reflections rise as well.
Paralympic Happiness
It is with great pleasure that we watch the paralympic athletes in Paris compete for Olympic medals. For many the emotions of participation and being applauded by so many people in a sport arena are great experiences. Happiness derives from such great games and audiences. The accomplishments of the athletes and their supporting teams are truly outstanding. The progress towards such high skill levels is remarkable for each of them. The adaptation to what appears to be a handicap with adequate support and technique allows to surpass limitations. Well exercised skills like swimming are possible to be performed with great skill to achieve incredible performances. The Paralympic Games in Paris 2024 are a great reminder that besides the athletes some artists had to struggle with handicaps, but achieved some of the finest pieces of art. Matisse, for example, is called frequently “le peintre-du-bonheur”, the painter of happiness. In his last few years he faced a severe handicap to paint, however the pursuit of abstraction helped him to continue to create masterpieces. The rather radical pursuit of abstraction and maybe simplification are uncovered in the exhibition “Matisse: The red studio” at the “Fondation Louis Vuitton”. This marks an important step in the artistic life course of Matisse and enabled him to continue his work in later life when his health made it very difficult to pursue his artistic work. (Image at Fondation Louis Vuitton 2024-9-1 exhibition Matisse).
Olympic Nature
Nature and its biodiversity can teach us many lessons. This is made very explicit in the small exhibition in the “Jardin des Plantes” in Paris. The treasures of (lost) biodiversity are exposed in the adjacent “Muséum National d’Histoire Naturelle”. In a pleasant environment within Paris you can stroll along rare flowers and trees to pass the posters that demonstrate the astonishing achievements of some species (Les champions of nature). For example ants would surpass us in weightlifting in relationship to own weight. A marathon of 42 km is a very short distance for birds flying across continents with rest. High jump or long jump is rather easy for frogs, but we struggle already to jump a little bit higher than our own body length. Lots of other examples are shown the exhibition and should make us a bit more humble concerning the sport accomplishments of humans. Beyond Darwin and Mendel there is a lot to see and experience in the Great Gallery of Evolution. After the question remains whether we are really at the top of the evolutionary ladder. In terms of marketing our successes irrespective of many species disappearing with rapid speed, we still appear rather unique in the evolution. Learning from other species as in bionics is a powerful strategy which is also quite effective to empower humans compared to other species.
Paris libéré
It is with great pleasure to follow how Paris commemorates the liberation of Paris from Nazi-Germany 80 years ago. (Quote from De Gaulle “Paris libéré”.) On the 25th of August 1944 the city of Paris was finally liberated by French armies and the support of the local resistance movement. Similar to the journey of the Olympic flame on the way to Paris, we can follow each city celebrating the liberation from the occupants. Beginning with the landing in the Normandy of the Allied troops, the chasing of the enemy has been a matter of time, but still incurred huge human losses. More than 4 years of Nazi symbols in Paris were finally brought to an end and celebrations on the streets became a symbol for the enormous relief this liberation has meant to the population of Paris, France and hope to many neighbouring, but still occupied territories.
Several documentaries on television and radio allow to empathize with the joy of this time. Enduring the hardships imposed and, for many, risking their lives in clandestine networks of the resistance were honoured by the success of the liberation of the city without the massive destruction, which was to be expected.
A book edited by Ulla Plener (2007) highlights the supporting role played by some women originally from Germany to support the French Resistance movement. It still is not common to understand the retreat of Nazi-Germany also in Germany as the progressive liberation of the country from the terrors of a dictatorship.
Artist Intuition
Artists have a specific kind of intuition. Many artists build their artwork on the competence to sense interesting deviations from standard representations of persons, landscapes, architecture or societal structures. In 2024 the Paris Olympics have demonstrated again the particular strength of American athletes in the competitions. As a renowned sculptor Auguste Rodin had the incontestable intuition that the American athletes had a physiognomy of impressive dimensions. Well worth a sculpture of its own kind. Rodin realised the first bronze statue of the “American Athlete” as early as 1901. In 2024 American athletes are much more diverse, but the impressive strength is documented in the USA still leading the list of countries in terms of gold medals. Rodin’ sculpture of the American athletes is focused on the muscular strength in contrast to most of his other work where gestures, clothing or emotions were immortalized. (Expo: En jeu ! Les artistes et le sport. Musée Marmottan Monet photo below) There is also a stark contrast to Rodin’s famous “ Le Penseur”. The dialectic vision or just visualizing both artworks next to each other reveals the difference to represent simply an athlete or the abstract concept of a thinking person.
Sports Game
Each museum in Paris gave its view on sports. There is hardly any perspective that is not represented. The link of sports to soldiers in ancient Greece or the gladiators in the Roman empire are prime examples of this. The Museum Quai Branly added an ethnographic dimension to this view showing sports traditions in African, Asian and indigenous American peoples. The bookshop of the museum added anthropological views and critical literature to the phenomenon of sport. A provocative example of critical cultural literature has in the book title the question: Is sport a game? We all have our opinions on this topic. The idea that sports remains a game is a rather naive one. Most people probably would argue that in view of the high ticket prices, sport has primarily become big business. Listings and comparisons of medals between nations have financial implications in the aftermath for disciplines and athletes. The upcoming Paralympics in Paris reframe the above question. Sports at high levels is a very serious game.
Paris Experiment
The Olympic Games 2024 were prepared years ago. Already the application procedures to prepare “un dossier” has to bring in lots of ideas and imagination what is desirable and feasible. Paris opted for a celebration of sustainability in a city proud of its medieval heritage and the Haussmann tradition of radical transformations of a city with large boulevards and representative buildings. From the “Arc de Triomphe” the major axes of communication between “arrondissements” become visible. 100 years ago the city had already been transformed according to this master plan. At that time sanitation of a city meant different things than today. The invasion of inner cities by Diesel-driven cars made life unhealthy again. Now, the Olympics gave reasons to restrict cars and lorries passing the inner city and the great boulevards. More tourists need more space and shall keep a much better memory of how pleasant Paris was during the Olympic Games. This could be a game changer for urban development in general. The proportion of pedestrians versus cars has to be shifted in favor of the walking population for many reasons. Tourists will flock to the city, if the overall and shopping experiences are great. Back to the future sounds crazy, but it has an interesting flavor to it for urban renewal and residents as well. (Image Paris 2024-8, b/w color filter applied, enlarge to see vasque)
Digital Museum
Paris has lots of museums to visit. At times, this can lead to a kind of mental overload. The ” Musée Marmottan Monet, in Paris allows to take home a digital and printed copy of your preferred, your own curated collection of images from the museum. This is a great learning experience. You scan the number of the item you want to include and a specialized application retrieves the image of the painting or object from their database into the App. After the visit you take a break in the café in the garden and sort your collection and if you like have it printed within a couple of minutes after you paid for the print or digital version. Upon special request I was told that I am allowed to share the link to the small booklet even on the web (Link to pdf below).
Since the visit to the Musée Marmottan Monet we have come back to the digital and printed versions several times and reading of accompanying texts and perfect quotations of origin make learning about art a fun experience. Going back to lived experiences makes more lasting impressions on our memories. Knowledge coupled with emotions is a powerful way to memorize. Sharing the experience with other persons like the readers of this blog is an additional advantage. Attentive readers of the blog entries will find references to many of the themes dealt with over the years in this series of blog entries. Such topics are: gender and art, technology and society, reflections on time, life courses, inequality, art history, funding of artists, lifelong learning or beauty.
(Booklet below in German LINK-pdf of 6MB. The app allows many language versions. You can produce those yourself from you collection within the App) 
Commemoration Paris
The cemetery “Père Lachaise” is a spacious area of commemoration in the 20th arrondissement in Paris. Many famous people have been buried there or moved to this cemetery eventually. Edith Piaf, Gustave Caillebotte or Frédéric Chopin are known across borders. You find also a small monument for the controversial founder of homeopathy 200 years ago “Hahnemann” there. He spent his last 8 years in Paris before he died at the age of 88 in 1843. From a social science perspective it is interesting to note that commemoration is much more decided by the descendants like in the case of Hahnemann or the popularity of the person, like for Piaf, than the person her/himself. The tradition of joint graves for families holds for the Paris born painter and collector Gustave Caillebotte despite his movements to other places. The freshly cut flowers on the grave of Piaf show that the performances of the artist have made deep and lasting impressions.
Olympic Travel
Paris 2024 made it necessary to travel between Paris and Marseille for some sports. This can be cumbersome if you miss a train. Waiting time is usually not perceived as a comfortable time. The Paris Gare de Lyon, which was built for the Expo Universelle 1900, however, can make your waiting time a rather comfortable experience. The Restaurant “Le train bleu” offers breakfast French style, lunch or dinner. The time passes by living like 100 years ago when traveling by train was still a luxury form of getting from A to B. The comfortable train stations of that time have become busy hubs of mobility and commerce. Missing a train or just acting as if you missed one becomes an almost historic, impressionist or maybe surrealist journey in itself.
Sports International
Beyond the Olympic Games the practice of sport has been widely spread across cultures. The meeting of cultures through athletes is also a worldwide phenomenon. The “Musée du Quai Branly” offers an opportunity to delve into the different cultures of the world. With abundant water resources Oceania has developed boats that ensured survival, work, art and leisure. The image below is a fine piece of art which is exposed in the permanent exhibition of Oceania. Even a turtle appears to be rowing next to the others. Most other depictions or objects with reference to sports have fighting as a feature or refer to it. The Olympic games have similar historical depictions. Martial practices, sometimes also called martial arts, have been the source of decorations and special designs in all cultures. The ethnographic collections of this museum offer a glimpse into the rich cultural heritage of all continents. We have so much in common across continents that it is still hard to see mankind captured in many wars across the world. Paris 2024 Games with the “Musée du Quai Branly Jacques Chirac” give hope that sustainable development (70% of the museum is green space!) and peaceful living together is feasible with a focus on joint cultural heritage with enriching diversity.
Sports Beauty
Since the days of ancient Greece the combination of sports and the ideals of beauty has been praised. The many representations of mainly sportsmen at the time were copied by many artists to represent ideal forms of bodies and beauty. Only more than 2000 years later the female sportspersons find equal admiration in sports and the imagery of beauty. The Académie des beaux-arts in Paris 2024 has chosen this as a topic to guide visitors of the Olympic Games through the vast collections at the Musée Orsay (imaga below). The depiction of Hercules, for example, has idealized the strength of men. The beauty of sports movements reaches levels of dance or ballet. The precision of performances highlights the not only the physical qualities, but also the beauty of the body in motion. The popular appeal of performance and perfection contribute to the admiration of ideals. Reaching these ideals is a completely different story. The training and preparation may take years mostly invisible to the one time spectators. However, the glory stays for decades or until a closer match to the ideal is achieved by another athlete or another person. Even ideals are time dependent and rarely eternal.
Olympic Democracy
It is interesting to follow how the Olympic Games follow a moderate version of how to run a democracy. Paris 2024 takes pride in making this a little bit more visible. It is the people in democracies who decide whether to host Olympic games in their country and the many executive branches of governments have to coordinate their actions, budgets and planning accordingly. The National Assembly in Paris 2024 is showing its commitment to the Games in front of the building as well. Beyond the ancient discipline of archery, new disciplines like surfing is turned into a piece of art like a statue honoring the athletes. The IOC follows the division of powers with an assembly of states, an executive and the judiciary. In each discipline it is evident that without a well established and accepted independent judges the Games would become a farce and would no longer attract such huge crowds. It is a steep challenge to ensure that doping and other illegal activities do not destroy the peaceful spirit of the Olympic Games. Science has a role to play in advancing and controlling the athletes and their teams acting under cover. All in all, we find democracy in a nutshell including the necessary trust in institutions to ensure a fair running of the Games in Paris 2024.
Park Le Nôtre
Landscapes and gardens maybe occasions of splendid design. Paper and pencil designs or oil on canvas have left us with great imaginations of gardens as well as parks. The garden designer Le Nôtre in France has left us unforgettable, fantastic landscapes that have been originally realized 300 years ago, but has still many people you are impressed when looking or walking in them. One of the earliest projects is to be admired in Meaux just next to the cathedral. The design of the “jardin Bossuet” is attributed to Le Nôtre who later designed the park in the “Chateaux Vaux-le-Vicomte”. These accomplishments earn him the invitation also to design the gardens of Versailles. As part of the Paris 2024 Olympics the whole world was able to watch some of the horse mounted competitions there. Architecture leaves us impressions over centuries. Gardens are the most natural part of this cultural heritage.
UNESCO Art
The UNESCO building hosts fine examples of modern art. For example “L’homme qui marche” by Giacometti (Image 1 below, focus on shadow of the figure) is one of the treasures exposed next to the conference center. The statue is very fitting as introduction to the exhibition “Fit for Life” during the Olympics, although it has been there for many decades. Taken on a photograph from a specific angle, the marching man appears like a crucified person without the crucifix. Each athlete has a long march behind him or behind her to reach the landmark of participation in the Olympic games. The media attention puts the spotlight on the winning persons albeit the many splendid performances of all other athletes. The cultures of the games is to be found in the millions of people who are inspired by these outstanding performances to also try their best in whatever conditions are encountered locally.
The strive by each athlete to achieve the highest goals, possible or even impossible, is reflected in the big wall painting by Picasso, 1958, which was especially commissioned by UNESCO as the new building was inaugurated in Paris. The title of Picasso’s painting is “The fall of Icarus”, an ancient narrative of mankind reaching for the sun, but ultimately failing. Let’s keep waling despite the risk of falling short of ideals. A reasonable vision for diplomacy as well.
Olympic Equality
Of course, first of all the Olympic Games are about making a difference with respect to your opponent. However, there has been a thrive to achieve an equality of genders for more than 100 years as well. Women had to battle such a long time to achieve the right to participate in the Games in the same disciplines as men. For the first time in Paris2024 men and women are represented with the same amounts of athletes. Each gender is participating with 5.250 athletes and astonishing progress has been made to ensure that male and female athletes perform in the same or similar disciplines. Even if it took decades for women to run a marathon at the Olympics, the inclusion of a triathlon for women was already much more rapid.
This constitutes a real milestone in the progress towards equality in Olympics. Equal numbers of athletes is a quantitative form of inclusion, the qualitative level of inclusion remains to be accomplished. The qualitative dimension consists in the inclusion of women at equal footing in media reporting and sponsoring. On the organizational level of the IOC the organizing committee is still dominated by men and statistics on the accompanying teams of coaches, therapists and representatives a lot of progress still needs to be accomplished. Paris made already a huge difference and several exhibitions of the “cultural games” around the city during the Olympics 2024 make this point quite forcefully.
The sociology of the Olympic Games has a lot of topics. It is great to see the progress made in Paris on Olympic Equality, after all “égalité” figures prominently in the definition of modern France.
(Image: BNF 2024 exhibition “A History of Women in Sport” own translation) 
Olympic Visits
The Olympic Games 2024 in Paris are celebrated in the Stade de France and the Nautical Stadium which are both situated in nearby Saint Denis. There are fast trains and a Metro station to reach the venues.
Just one stop further you may visit the historic site of the Basilica St. Denis where most of the French royals were buried. A dive into history with the crypt of graves and splendid church windows will compensate for the additional effort to walk to the site. Quiet places are rare during the Olympic frenzy of cheering spectators and buses rushing sportspersons between venues and the newly built Olympic village. Security can feel intimidating at times but preventing bad situations is in the interest of everyone. The small historical center allows to start a visit off the busy calendar of events with a walk around the city center and the basilica.
Segregated Estonia
In cities of Estonia the segregation between the majority of Estonian speaking persons and Russian speaking persons has a long tradition. The Russians built new housing as part of their occupation of Estonia and housed their own persons there and sent their children to Russian speaking schools in these neighborhoods. The paper by Kadi Kalm et al. (ESR, 2024, 208ff) demonstrates the persistence of this “colonial” segregation over generations. However the authors show that desegregation of schools is a remedy to such previous housing and education policies. Learning the majority language is a definite step towards later integration into society just as (marital or household) union formation or labor market success do. The Baltic states have managed to escape from the Russian occupation but the Russian neo-imperialism is not entirely tamed. This explains a great deal of the anxiety of Estonia and other previously Russian occupied Eastern European states of a Russian backlash. Military commitment and a strengthening of the European Defence Union is a consequence. (Image Medieval Town Hall Tallinn Estonia 2024)
Impressionism 150
How many impressions made impressionism? Too many to be expressed in a single number. 150 years after the movement started with a spectacular exhibition in Paris the admiration of the paintings still attracts huge crowds. As a kind of revolutionary movement the artists mounted their own exhibition as they were not allowed to expose their paintings in the official exhibition of the Academy of arts in 1874. They accumulated a sufficiently large group of artists to form their own distinctive style of paintings. Painting outside in the countryside was a joint predilection. The regions, nowadays in the suburbs of Paris where many people daily commute to Paris has discovered the attraction to review the original scenario of the paintings as well as their living environments. Yerres, for example, hosts in 2024 an exhibition to show paintings from Claude Monet and Gustave Caillebotte which highlights the inspiration both painters took from the surroundings. Nowadays it is also interesting to see that the agglomeration makes efforts to make more people aware of the treasures to see in their own surroundings. Even if conservation of nature is hard to achieve the parks of yesterday have remained visible today. For us to transmit the cultural heritage and landscape to future generations as well. An affordable booklet that documents the cultural heritage allows people to dig deeper into the subject also for those who live in the region only because of a job nearby in Paris or Orly airport.
Animal Victims
Animals, like birds, dogs and horses are more than just good pets for people. In previous wars like WW1 and WW2 they have served the armies as messengers, logistical support and detectives. This is yet another tragedy of war times that is rarely told. Dictators, just like Hitler, like to show off in the company of animals, although the record to be responsible for millions of killed persons and animals is rather striking. The disrespect of life, be they humans or animals, is an underlying theme. Beware of persons in power who try to soften their public image with the presence of animals at political events. A faked show of care for subordinates and a romantic relationship with animals can be used as an “image-washing” of a cruel personality. A pet-loving image attracts views and attention, sometimes for the wrong purposes. The commemoration of animals that served the French army and people is an important lesson about the extended horrors of war of the past and present. (Image Parc Caillebotte, Yerres France)
Credit donations
“credit” stems from the original latin word “cedere”. In the 1st person you write “credo”, which means I believe. If said in a religious building or church you show with this pronunciation that you believe tbe narrative of the religious community. In the 3rd person “credit” stand for s/he/it believes. In the financial sense it is the receiver of money from your credit card who believes or trusts you that you made an honest payment. Now, banks take commissions from each of these exchanges of trust. You are credit worthy or not. In some churches you now make donations using your credit card to facilitate business. Credit card companies also charge you on your donation. Win win situation we call this. I keep asking myself, whether I still “believe in angles” or only business angles. (Image Église Notre Dame des Victoires Brussels 2024-7)
Sport Fashion
Sport is fashion and fashion is sport. Not only in the Euro 2024 the teams make a big fuzz about the design of their sportswear, but certainly the Olympic games in Paris 2024 will demonstrate the close links between the 2 worlds. We might say playing football is a bit like a fashion catwalk. Keep going right on target, despite obstacles, when thousands of people are watching your performance and potential failures very closely. Making a “bella figura” is a must in both spheres. There is also a strong tendency for “the winner takes all”, that s/he takes the trophy and the jackpot.
Both worlds are also big business in their own right. It is at least 100 years old that sport and fashion got married. The “Musée des arts décoratifs” in Paris had an excellent exhibition on the combination of sport and fashion (booklet link). According to the curators both spheres have always been interlaced. High-level performance and specialized fashion just made for a splendid combination. As the rich and wealthy had more than a penny or two to spend on their leisure activities the combination of sport and fashion soon became itself a big business, beside the visible beauty of the bodies, movements and dresses. Just watch the breakdance fashion as the latest addition to the repertoire of olympic disciplines. In a recent article in “Le Monde” (2024-7-11) the value of the market of sports including its fashionable merchandising is estimated to reach a turnover of € 500 billion in 2022.
The competition of sports has been turned into a competition of the best images and videos. Fashionable as well as functional clothing can assist in climbing the podium. In the Euro 2024 Football Final the teams equipped with Adidas (Spain) and with Nike (England) compete for the trophy. Changing equipment sponsorship from one to the other can raise substantial amounts for a team (€ 100 million/year for the German national team). Big business seems to take over sports and fashion after the century-old marriage of sport and fashion. Since then, they have jointly been on an extended honeymoon. (Image from www.emptyspacetm.com 2024-7)
Olympic Games 1924
100 years after the Olympic games were held in Paris, they will take place there again. Each time for the Olympic games new locations (Colombe) were built. For the 1924 games for example the first 50m swimming pool was built (Stade nautique des Tourelles, Porte des Lilas, Paris 20th), but a new one will host the 2024 competitions. However, the old pool will still serve in 2024 for the preparation of the competitions. The successors of Johnny Weissmuller (5 gold medals in swimming 1924) and star in many Hollywood films, the access to the stadium has become much more secured these days. In fact, security has turned into a crucial issue to host the “peaceful games”. In 1924 Germany was still not allowed to participate in the Olympic Games in Paris as the security of participants could not be guaranteed. Some competitions at the time turned rather violent as the example of the rugby competition, in which the converted American football team as rugby players had beaten the Fench rugby team.
The idea of alternative games has also been around for decades. There were already in the 1920s international competitions of worker associations (for example Frankfurt 1925) and the Olympic idea had to defend itself against the accusation of a Western countries’ domination. The set of disciplines in the competitions is always up for discussion and negotiations. We shall see interesting new additions in 2024, like break dance, to broaden the understanding of Olympic disciplines.
Even 100 years after Pierre de Coubertin steered the modern Olympic games, the idea is to bring more to the games than “Faster, higher, stronger”, notably to be together. To be together in a peaceful way remains the biggest challenge for humanity. The inclusive turn is, however, a challenge to host the games, particularly to host paralympic games in inner cities that have abundant barriers of access for impaired persons. Inclusiveness for many countries is another challenge that goes beyond the simple participation in the games, but consists in training facilities and equipment for many disciplines.
(Image: BNF Gallica) 
Couch Cottage
As vacation time is approaching, we ask ourselves, whether to choose the comfortable couch or the remote cottage. This is the proposition of Roger-Pol Droit in “Le Monde Livres” (“Sagesse 2024: cabane ou canapé“, 28.6.2024 p.36) based on the reading of “Ma cabane sans peine” by Alain Guyard and “Philosophie du Canapé” by Stefano Scrima.
The couch stands for the lazy life or “vita contemplativa“, thinking about philosophical topics that need a certain form of laid back behaviour to allow your brain to sort out tricky questions or to ask yourself, what is, was or will be important questions. Many academics shut themselves away from the busy life outside to reserve more time for couch thinking. The usual products of this activity practised on chairs and couches is more or less digestable books. Some make a comfortable living out of this active inactivity.
The cottage approach follows another longstanding philosophical tradition associated with Dionysos. Living a simple life in a remote place, but full of life’s enjoyment allows to exalt in the dithyrambic atmosphere of the countryside.
Rather than the either, or issue: couch or cottage, I go along with the dialectics of Hegel, who forms out of thesis and antithesis the synthesis. In our example this is obviously equal to “take the couch to the cottage“, problem solved. Additionally Nietzsches version of “Die fröhliche Wissenschaft” seems to prolong the dialectic experience of going beyond the “neither, nor” dichotomy to combine both couch and cottage.
You sensed it. It will be a rather exciting summer break to pursue on the many roads to “Sagesse 2024” (Wisdom 2024). 
Art or Profession
In political science it is a long tradition to discuss, whether politics is an art or a profession. The idealist tradition, going back as far as Plato in ancient Greek history of ideas, puts the exercise of politics near the exercise of a divine art to do justice. Much later in the history of ideas Max Weber rather bluntly defined politics as a profession (original in German) that requires to master a set of competences.
Recent elections in Europe (EU, France, UK, Belgium) and around the globe (India, USA) in 2024 add interesting case studies to the old question. Is politics an art or a profession?
In modern politics the life course or life cycle of a politician consists of at least 2 phases: (1) the electoral campaign before and (2) the potential of governing or opposition. Each phase requires a different set of competences. In phase 1 it is important to propose a new or different ideal from the previous government. Charismatic presentation of an ideal set of policies is asked for. In phase 2 it is required of the politician to forge compromises, either within the own political party or beyond boundaries of political parties. Certainly, in multi-level governance systems like the European Union additional forms of coalition building across countries is required, intercultural competence or language skills are an advantage here.
The 2 phases of the life cycle of a politician require different sets of skills. Charisma as mentioned by Plato and Weber can get a politician into power and charismatic leadership can get you through a lot of coalition building. On the other hand, modern campaigning in repeated elections is a specialized competence that resembles marketing expertise as well as “reading of statistics” and in-depth analyses of shifting or stable preferences of electorates and to succinct conclusions on this basis. Running a political party or a parliamentary group is yet another leadership skill just like communication skills that, beyond many prejudices, can be learned.
In a nutshell. Politics is an art and a profession. The art consists in the variable combination of different sets of competences. Art requires competences just as professions can be turned into art. Welcome to the hybrid world of modern politics. (Image extract from MAD Paris, Picasso, Schiaparelli) 
1Person Nation
One single person can stand for a whole country. At least that’s what mass media have tried to make us believe. Whole countries or even empires have been associated with single personalities. Maybe for simplicity we start with Caesar, Cleopatra and the like. These personalities reach historic status through the literature that has reported on their achievements and fame. Mass media of today copy that strategy to create fame out of images. The American journal “Cineaste” has recently exemplified the making of an idol with the popular actor “Jean Gabin”, who happened to be the representative not only of French cinema, but the image of France across countries and even continents. Identification with an actor or the projected image of a person are common goals in politics as well. The actor Ronald Reagan became elected as president of the USA. Zelensky in Ukraine has followed a similar trajectory. The examples are manifold, but the underlying mechanism remain pretty similar. Before we had the concept of influencers, not influenza, popular spreading of messages is key. Only the technology changed. New ways to prepare a 1person nation have been added over time. Followers are the new political currency. Beware of signs “Follow Me”, even if it is the police asking you to do so. (Image: Deutsche Kinemathek Exhibition 2024)
