Difficult times have a long history in Ukraine. However, literature and poetry have flourished since the Ukrainian independence from the Soviet domination in 1991. Periods of hunger under Stalin, Nazi crimes in the 2nd World War, Tschernobyl radiation, Annexation of Crimea and now Russian war on Ukrainian territories, the endurance of hardship is part of Ukrainian culture and society. This has created a strength of resistance and resilience which is exemplary for all countries. The democratic countries stand firmly on Ukraine‘s side and support not only military defense efforts, but also artists and poets in such difficult times.
A collection of translated poems from Ukrainian into English has been published in 2027/2018, showing the horrors of the large scale war that was to come a few years later. In fact from the Ukrainian perspective the annexation of Crimea was the first war initiated by Russia although the Western world did not want to see this as a brutal aggression, which it was. The poems in the anthology are available online for everyone to read and understand that war changes personalities. Suddenly, dying of old age becomes a blessing as many young soldiers and people die on the battlefields (Died of Old Age, by Lyuba Yakimchuk translation by Anatoly Kudryavitsky) .
7 years after the translations where published the poems have kept their sorrow and the reminder for us to continue our support for Ukraine‘s fight for democracy, independence and freedom of speech and the arts. (Image: Front: from War Diaries, Brussels 2025, shown in Gallery of Katarzyna Napiorkowska).
Artists networking
Creating a network between rather idiosyncratic artists is no easy task. The more they develop a unique style separate from other painters mixing with other artists can be a challenge because you might find yourself in the position to continually defend your new style. Therefore, building a network of artists that understands the concept or emotion that drives you is a great advantage. In the catalog of the Caillebotte exhibition in the Musée d’Orsay Paris the map of living and working spaces of Caillebotte and his artists’ friends like Claude Monet is a great way to demonstrate the degree of networking and creative spaces that propelled the impressionist movement. The galleries and greater exhibitions of the impressionists took place in the vicinity of the established art institutions, but were not admitted into the traditional exhibition centers like the Louvre. The map from the catalog provides insights into the cognitive map of Paris which Caillebotte had in mind at his time. Artists see cities as opportunity spaces which facilitate or impede the creative processes. 
Politician Cycles
In a bookstore which sells books in English or American language we find lots of biographies or autobiographies of politicians. As a politician you don’t even have to be out of politics when your biographical account or your own view is published, let alone be written. Publishers seem to hunt politicians who made headlines, no matter good or bad. Outside the EU you can always sell biographies at half price, if the volumes sit for too long on the precious shelves of bookstores. Most of the biographies are found in the history section of shops or libraries, however some show off in sections like politics (if not dead for too long) or in the business and management sections. Leadership is a big issue in the latter disciplines, but the psychological or sociological literature starts to meddle with the received wisdom of how single person leadership is in fact facilitated with the many great people around the sometimes outstanding single person. Maybe the focus on a single person is an easily understood and simplifying concept of leadership. In the case of Obama (2x) two single historical accounts complement the one person focus. In 2025 Michelle Obama skipped the funeral of Jimmy Carter where she would have had to sit next to Donald Trump (according to the Daily Telegraph and probably endure small talk). Politics appears to move in circles and politicians might find themselves encircled. 
Drawing Drafts
The exhibition “Drafts – From Rubens to Khnopff” at the MRBAB offers an art historian’s view on the role of drafts in the creation of art across centuries. You will not be surprised to discover that drafts played and play a crucial role in creative works. With a restriction to drawings, paintings and sculptures, the exhibition highlights the “creative gesture” originating in a sketch of a detail of a body, a face, the body, compositions of forms or perspectives on space. In some instances, infrared reflectographic camera technology or similar techniques were used to reveal the so-called underdrawing of a painting to allow the comparison of a draft with the “finished” or “published” version as an oil painting. The time span across centuries allows to stress the importance of drafts and drawing rather than the spontaneous creation of a unique piece of art. The 20th and 21st century saw this process of creation challenges by several artists and performative versions of art. The basic creative process, however, remains an important pedagogical access to better understand art and its creation.
The curators of the exhibition Bücken and Maréchal (MRBAB) encourage visitors to use pencils and paper to try out the technique of pencilling or just to try to a sketch of something of interest. This certainly contributes to let the message and encouragement to create yourself sink in to the memories of visitors. All in all a very modern view on old and not so old masters.
(Image: Triple view of Jacques Jordeans, Allegory of fertility of the earth, 1623-25 MRBAB).
More Battles
In 2025 we continue with the same battles as in the previous year. However, the way armies fight military battles has evolved. New types of weapons like drones have entered the stage. These precision weapons (Horowitz, 2024) have the advantage to be not only less costly than other heavy mass and costly artillery, they can also be guided in swarms to their targets. A further advantage is the steering of drones needs differently qualified persons rather than advancing with heavy armored vehicles on battlefields. Upskilling of defense forces is an important side effect. Jamming technology of radio frequencies was applied before, nowadays this has turned into a crucial defense strategy to intercept and derail drones and rockets off their intended targets.
Other than heavy weight arms, even laser beams enter the arsenal of weapons, if targets are sufficiently static in nature. These high-energy beams are still more in the research and testing realm rather than used on the battle field, but it becomes clear that research capacities play and played an important role throughout military history. The next generation of robots, not only in production processes, but more those walking on the battlefields is likely to change wars to less manned interventions. The technological innovations shall further move the spiral of new generations of weapons forward. Fewer soldiers, but more robots in the air, at sea and on the ground might increase the risks of “restrained”, less costly, but longer duration conflicts across the globe.
I always thought of robots as rescue robots to save lives. The flip side of the coin, however, is destruction before rescue as well. Technology can be put to both purposes. It is us who decide, which one takes the upper hand. 
Career Criminals
From a life course perspective it is not easy to define a colloquial term like career criminal. A person who has been convicted for a single crime and has served his/her sentence should be allowed full integration into society. Even a repeated offender should not be stigmatized or labeled as career criminal. However, this is exactly what the NS-state did (traveling exhibition across Germany and Austria: „Die Verleugneten“). These persons were subject to targeted charges for criminal offenses they „might“ commit eventually. The term „community alien“ or „asocial“ were also used to refer to persons that did not fit into the dominant Nazi doctrine of „Volk“. It took 75 years until these persons could receive a recognition and a recompense for their unfounded discrimination and incarceration. In concentration camps the so-called asocial or career criminals were at the highest risk of further prosecution and death. Great that the stumbling Stones include these victims as well, as a way to remember these crimes against humanity. Beware of definitions of social groups which are based on totalitarian ideologies. 
Zerreissprobe
The term „Zerreissprobe“ has been chosen by the curator team of the Neue Nationalgalerie In Berlin for the Retrospective of „Art between politics and society“ in the years 1945-2000. In this time period after the 2nd World War until the other „fin du siècle“ the politics of creating a new world order, the cold war and the liberalization of societies had profound impacts on art as well. The positioning of art in the dynamic context and conflicts of these decades is quite well reflected in the title of the exhibition. The English title „extreme tension“ suggests somehow that these years were rather extreme compared to ?, probably today? Although on the territory of Ukraine we witness a hot war rather than a cold war initiated by Putin‘s Russian imperial illusions. The cited work of Günter Brus „Zerreissprobe“ is translated as „stress test“. And maybe, this translation characterizes the post war period even better as these years are a forerunner of what happened after 2000. We continue to be put to tests in politics and societal developments. Accomplishments from the last century are put to crude tests again. Solidarity of people and nations are under pressure to demonstrate their reliability under extreme tension or stress. Art throughout the 5 decades of the last century was a precursor of stress tests for politicians and challenged society in its basic understandings. The comments on the notice board next to the exhibition show the themes of tension in the 2020s. Tensions in families and partnerships, often more extreme around christmas trees, have taken center stage for younger visitors of the exhibition. Sociological research has observed such trends and coined this societal phenomenon „individualization“. Art embedded in society seems to be part of that evolution as well. Art movements are less visible as collective movements. Artists appear more individualistic or ideosyncratic nowadays, just less inclined to be part of a defining larger group. If artists are no longer avantgarde but rather followers of societal trends, the whole „raison d‘être“ of art changes as well. We are likely to witness yet another „ Zerreissprobe“. Cuts to art and culture budgets constitute an additional „ Zerreissprobe“ in the original sense of the word and of art between politics and society in 2024/2025. 
Art Physics
Art is a matter of perspectives. In physics the change of perspectives and even theories about perspectives using optical instruments or illusions enlightens our understanding of the universe. 2D or 3D perspectives by V. Vasarely add yet another dimension through the oppositional hanging facing the Hollow Mirror Objects (convex and concave) by A. Luther (see images below). The curators succeeded in putting both art works with their incorporation of physical principles in an enriching dialogue. Art speaks to us in many languages. In more general terms, there is an underexploited aspect of exposing art. Rather than focusing on a single artist or school of artists in particular, exhibitions may focus on the interrelationships and new ways of combining or communicating images. This is human intelligence. Artificial intelligence will do this without prejudice and my own private collection of images of art works as a similar fountain of innovation as well. (Image Exhibition Neue Nationalgalerie Berlin 2024-12). 
Cumulative Mandates
Since 2010 and with 18 volumes the documentation of perpetrators assistants free riders during the Nazi rule in Germany has been valuable and reliable source of information (Kugelberg Verlag). The book series defines the perpetrators as the persons excuting crimes themselves or were in command of those who committed the crimes or gave orders to do so. It is not surprising to find evidence of many crimes, but rather that it took such a long time until the documents were published and the descendants were confronted with the facts and the difficult heritage. There are still many who undertake all efforts to deny the facts or try to minimize the guilt of perpetrators. With the real dangers of new right-wing extremism on the rise across Europe and even beyond, it becomes more important to uncover the strategies and biographies of the perpetrators. Certainly the members of the SS were executives and in command of atrocities, so-called NSDAP party officials were also mostly convinced followers of Nazi doctrines and instrumental in the implementation of crimes. Additionally, several professions (line soldiers or medical doctors) were key in the process to ensure the power of the totalitarian regime until the final days. Some persons were cumulating roles and became thereby inescapable spiders in a web of control and crimes. The lessons for today consist in hindering excessive cumulation of mandates, political, professional, military and in other work or civil society related functions. Distribution of power is one form to safeguard the survival of democratic structures. 
Conducter Careers
The careers of conductors during the 1930s and 1940s have been propelled by joining the NSDAP on Germany. Even if not too outspoken as conductors on Nazi discriminatory policies many openings arose only due to banning Jewish conductors and musicians from performing in public. The acceptance of vacancies due to such restrictions advanced the careers of Karl Böhm as well as Herbert von Karajan. A theatre play Böhm at the Deutsches Theater in Berlin takes up this topic and puts the professional career in perspective of an anti-humanist leadership style. Karajan has also come into critic, because of his role in selecting musicians who were conform to the prevailing Nazi-antisemitism. It is important to work on these biographies and their implications for hundreds of lives of other musicians. Many careers have been destroyed due to these two prominent conductors ready to do almost anything to advance their careers. It puts their interpretation of music in a different light knowing about their instrumentalist approach to music, their own careers and the disrespectful Nazi doctrines. Image New Berlin Philharmonic, View from Kunstgewerbemuseum 2020. 
Nazi Doctors
The role of medical doctors during the Nazi domination in Germany has been revisited by the professional organization of statutory medical doctors (Kassenärztliche Bundesvereinigung KBV) in collaboration with the Center for Research on Antisemitism (ZfA TU Berlin). The exhibition entitled „Systemic Disorder“ first shown in the main entrance hall in front of a conference room offers a thorough review of the role of medical doctors throughout the Nazi period. Politically undesirable physicians were rapidly banned from the profession and promotions given to NSDAP party members. The totalitarian approach transformed the whole apparatus of the medical profession into a politically streamlined organization ready to commit crimes like forced euthanasia or selecting „insane“ persons for special medical treatments in other institutions. Selection of forced laborers for firms or declaring them unfit for work, which in many cases sent those persons to concentration camps, was part of the streamlined medical doctors. It took decades after the „Wehrmachtsausstellung“ in Hamburg that another profession has done its homework. Great to know that this important exhibition, documentation and catalog is traveling now across Germany for at least a year. It is another milestone in coming to understand how presumably intelligent people were part of a highly efficient selection and killing machine during the Nazi domination in Germany. (Image, Berlin KBV 2004, catalog p73, SystemerkrankungSystemerkrankung) 
Famous Neighbors
Sometimes people believe they can catch a bit of fame, if they live in a prominent neighborhood. Next to a famous person or the glamor surrounding such a place is inspiring. In Berlin the honor or fame is transmitted for example with the street names of composers. Everybody knows Johann Sebastian Bach and around Christmas time many of his compositions will be performed again. Directly next to Bach street we find Flotow street. It needs a bit of info about music and music history to identify the honor for Flotow to appear next to Bach. Well, Berlin you are „wunderbar“. You have made my day just on one of the first few days of the direct train connection between Paris and Berlin started. We grow together in small steps. 
Reconciliation
European history is a long history of atrocities committed against humanity. The Documentation Centre for Displacement, Expulsion, Reconciliation in Berlin (Image below) captures this history in a comprehensive manner. We are quickly overwhelmed by this weight of history and the implications this has for the understanding of the people on the globe. This relatively new learning centre has, beyond the memorable permanent and temporary exhibitions, a room of silence to recover from the hard work of remembrance, always in view of reconciliation.
The library allows personal search and research of migration documents and biographies. All centuries have their history of displacements, but the Nazi terror surpassed all prior records and forced millions into displacement or death. We are still working on this heritage and the enlightenment of how these atrocities could take place. Full consciousness of the terror and horror of the 30s and 40s is necessary to guard against the many attempts to falsify historical events or discard the sorrow of millions of people and their families.
Reconciliation remains a continuous challenge. A large part of diplomacy has to deal with reconciliation beyond concerns of daily affairs. It is not just a matter for head of states and days-off during a year. Stillness helps to deal with the challenge, especially if it is very difficult to find adequate words. 
Air Concept
Well yes, this is the latest fart in design and architecture. The Berlin International University of Applied Sciences composed an exhibition on “Air Architectures” which takes air seriously. The international group of 7th semester students took Air Architecture seriously and developed their ideas in the context of a curated exhibition. Nice semester project.
Air is a fundamental precondition for humans to (co-)exist. The biology of air (breathing) or the chemistry of air (fine particle matter) have been studied extensively. The physics of air flows in cities receive more attention as well in architecture. Interior design has yet a lot to contribute in the age of heat pumps and air conditioning.
Let’s think architecture from the perspective of air and air flow. Depending on our cultural background we might have very different associations with air. Indian or Chinese practices like yoga or Tai Chi teach us to take air more seriously than Western practices. Most architecture in cold countries of the northern hemisphere aim to keep air to the outside of buildings. Yet, the percentage of humidity of air is a serious concern of architecture as well. Air flow and quality then becomes a key issue of construction and architecture, somehow through the back door.
Maybe in approaching architecture we might think first of what is or has been the architect’s concept of air or aerodynamics. 100 years after the death of Gustave Eiffel and the Olympic Games in Paris, we still gain from thinking about air (not only air pollution) and its dynamics. Looking forward to the next generation of air architects.
(Image: Exhibition, Air architectures, at Berlin International, University of Applied Sciences 2024-12) 
Chinny Trait
In evolutionary biology there is still a discussion about the functional explanation of why humanoids developed a chin. A recent paper by Meyer-Rochow adds a new functional explanation for the evolution of the chin to the literature. Across cultures and sufficiently distant populations of humans, similar patterns of the use of the chin have been observed. In comparison to other species under the superfamily “Hominoidea”, our bites are only of minor strength and apes, Orang Utans have not developed a chin quite like us, homo sapiens. Origins of the chin as “weapon” in fighting and broader social selectivity remain hypotheses without sufficient proof of evidence.
In addition to the functional explanations of easier “mastication” or formation of words, chins might serve as an additional part of the body to hold items to the chest. This function, of holding tools or stuff could have been an advantage for our ancestors and became a favoured trait. During the pandemic our chins became a supporting or hindering reason in the struggle to wear masks for extended periods of time (see image below).
Nowadays, we ask ourselves about the social selectivity into becoming a violin player with this important function of the jaw and chin to hold the instrument. A rival hypothesis is, of course, that holding things with our mouth, like needles or screws, in sewing or handicrafts could eventually make the chin disappear. The bipedalism of hominids, freed our hands for other tasks and the evolution of a chin could similarly reinforce the efficient use of our hands.
Novel use cases for the chin, like holding your smartphone while typing on a keyboard or while opening doors, might enhance the chinny trait of hominids.
Over hundred of thousands of years the interaction of the bio->psycho->social (BPS) spheres of life may have interesting traits for us down (or up) the evolutionary line.
(Image: European parliament, Brussels 2020-7-23 address by Ursula von der Leyen in “masked assembly”).
Book Annotation
For most people book annotations are considered a nuisance. However, most pupils or students mark their so-called textbooks, which contain many images nowadays anyway. A good mindmap, summary of text, highlighting or critical comments may be part of their day-to-day working with a book. Some editors facilitate this using broad margins and more space between lines. Working through a text can take multiple forms and books have allowed over centuries different kinds of their usage.
There is yet another underexplored usage of books. On printed volumes annotations of previous readers may serve as a guide to a script of places, thoughts or material of particular importance. I have always found annotated copies of other readers interesting in their own right. Reading an annotated copy felt like reading another person’s mind, thought or learning process.
A modern view of books as a tool of communication might extend this perspective to study annotations of several readers on the same copy. Just like we comment today in word processing on texts from collaborators or students. Books are a means of communicating with other people or machines (AI) usually with the aim of spreading ideas, content, horror or pleasure.
Therefore, I am always happy to find annotated versions of a book, especially of prominent authors. It sometimes feels like reading a “partition”, a transcript of music which contains the comments or fingering of the reader or the performing musician. The BNF has a lot of such special copies in its archives, usually found in the donations of persons or prominent authors and their families to the archives. This can be put together to make an interesting exhibition of the process of thinking and writing and of special treasures – annotated books.
Image Bibliothèque nationale de France BNF, collection, “Annotations by Jean Racine on Homer “Ilias“.
Democracy in Korea
For all scholars of the theory of democracy the writings of Alexis de Tocqueville (1835) “De la démocratie en Amérique” are a major point of reference. The comparison of the democracy in America with the French king and both constitutions reveals comparative strengths and weaknesses of political systems. Korea after the 4th of December 2024 is yet another warning of what are the dangers to democratic systems. The attempted “coup d’état” by the president of Korea together with a former defense minister and several hundred soldiers has failed due to the speedy reaction of the elected members of parliament and an attentive and reactive public (Korea Times reports).
Tocqueville (p.130-131, French edition online) states, beyond the separation of powers (John Locke), the importance of the right to nominate key positions in a society also public opinion for the survival of democracy. Modern social media have increased the “reaction time” of public opinion and the “time to action” if need be. The combination of both elements of public opinion ensured that parliamentarians in Korea rushed to parliament and used their potentially last chance to vote against the imposed martial law, which started to seal off parliament already.
Several lessons for democratic systems derive from this. Separation of power remains key for democracy. The distribution of state functions on many shoulders under the control of parliament are essential. Legal mechanisms, in case of a spontaneous attack on the system, have to be able to react fast in order to avoid spreading fake news about legality/illegality of interventions. Public opinion, the people at large, should have their opinions distributed rapidly as well. This is necessary even beyond the traditional media of TV, radio and print. In Korea 2024 the attempted “coup d’état” tried also to block traditional media and prominent figures of the opposition with high power of influencing and reach on social media.
Tocqueville stated already that kings are threatened by revolution. Elected presidents have to fear public opinion. A lesson still valid beyond the US., France and Korea in the 21st century.
(Image: joint exhibition at “Traditional Korean Painting”, Korean Cultural Centre Brussels, 2024) 
Degré zéro
As all of us use GPS systems to navigate across the world or just in your city, “degré zéro” might nowadays be associated first of all with the prime meridian 0° longitude, which runs through Greenwich near London and around the globe.
In « Le degré zéro de l’écriture », Roland Barthes (1953) challenges the bourgeois kind of writing of literature. He introduced the pertinent distinction of the verticality of writing styles in the sense of social classes as well as the horizontal form of spoken language He further distinguished écriture as a person’s style which is embedded into the historical and social context of her/his time. As a radical change, Barthes proposed to use scriptor instead of writer as the latter expression is too much loaded with the historical package of the person. Barthes inserts the scriptor as écrivain into her/his time and insists on the intellectual and social context of writing or the author.
As the scriptor (p. 26) does not escape to become a writer « écrivain «, the degree zero de l’écriture postulates a homogeneous society, which obviously is an ill-conceived vision of reality. Language and texts, therefore, are not universal in kind, but bound to situations, which are defined in historical time and space (p. 67). Semiotics was a major field of his analyses of literature and language.
Whereas in a talk you might focus on the person you are talking to, in a written text the other person is « the many » readers, wherever they are and maybe at a much later time as well. There is a qualitative difference and yet modern “voice to text” transcription makes all spoken words immediately available as written document or “compte rendu”. (Source: Roland Barthes: De la parole à l’écriture. in Le grain de la voix, Entretien 1962-1980. p. 12).
Let’s watch our language as we follow the longitude or latitude around the globe and even small deviations from degree zero matter a lot. 
Société du Spectacle
In 1967 Guy Debord published “la société du spectacle”. The content of the book and Debord’s original thoughts are presented in 221 numbered paragraphs, just like blog entries, with a table of contents with 9 chapters each introduced with a quotation. The first paragraph reads: “Toute la vie des sociétés … s’annonce comme une immense accumulation des spectacles. Tout ce qui était directement vécu s’est éloigné dans une representation.” Modern societies are conceived as a huge accumulation of events. What used to be experienced directly, has become only a distanced representation. The spectacle or the events society has moved beyond the state of being just a part of society to become the defining element of society. At the same time, events in the broadest sense are an instrument of unification (para. 3). Events constitute social links between persons, which are mediatized through images (para. 4). It is a “Weltanschauung, which has become effective and through the force of images (including faked ones) creates an “objectivation”, a kind of imagined reality.
This society of events, following Debreu, creates a positivism with a reflexive structure. Only things get attention that are great events (instagramable, make headlines, clicks), and only great events will receive broader attention (para 11). The result is a tautological character of the events society and it has become self-referential. Society shifts from the definition of (1) être = to be, (2) avoir = to have, to (3) paraître = to appear. It is the appearance that counts. A person’s individualism becomes socially mediated by its ways to appear in front of others (para 17). Social power then derives from the form of representation that can be achieved.
The final entry of the 1st chapter (para 34) states. “Le spectacle est le capital à un tel degré d’accumulation qu’il deviant image”. Events form a kind of capital, which through its accumulation becomes an image or the image of society. 
Parallel Universe
Sometimes, it might well be before during or after presidential elections, you feel like living in a parallel universe. Especially after the U.S. presidential election many people beyond the U.S. have the impression that millions of people have rather strange views of how our living on earth could be worthwhile for all, rather than a few. In a crude and rude election campaign many people in the U.S. must have been alienated from what they imagine a peaceful living together in a country or on our planet. Faced with the brutal language it is soothing and comforting to read books again. Already in 2023 adult fiction has outperformed on the book market in the U.S. “Romantasy” and narrative non-fiction (are the new bestsellers beyond travel books, cooking, children books and comics according to circana.com.
Uncertainty, complexity and plurality, apparently, have destabilised many persons to the extent that foundation texts of religions, predominantly the bible, have become bestsellers again with more than 14 million book sales in the U.S. in 2023 and up to November in 2024. Printed copies as well as specialised editions for children go to new first time readers and buyers as well as replacing older copies. The need to find simplifying answers to basic questions of humanity is on the rise again.
Some persons might wish to find the existence of a parallel universe in studying the bible, others just a retreat from the horrors of daily news on TV and social media, we all consume more than ever before. We are no longer surprised to find the first church in Switzerland, which offers an AI in church which listens and answers to your confessions. Bible apps offer detailed search functions and reading aloud in case you prefer listening.
There are even unauthorised historical translations of the bible on the market in antiques book shops, which achieve exceptional prices.
Of universes, there seem to be many, overlapping and in parallel.
(Image: Reading Magritte on surrealism)
On Complexity
The famous quote from Marc Bloch on complexity with reference to history states that history is always more complex than a single perspective or interpretation suggests. Therefore, it is advisable to consider several perspectives on the same subject and, maybe, add another one. In maths the term complexity is probably primarily understood in the sense of complex numbers that go well beyond the arithmetic of counting. Many dimensions of a complex problem might, first of all, necessitate a thick description of the problem to then identify (scientific) disciplines that might contribute to disentangle the intermingled lot. Most of the time it is assumed that a single discipline could resolve the issue, but as in the example from Marc Bloch on complexity in historical research, different perspectives like the cubist art movement practiced a complex approach to painting and depicting a figure. Accept complexity as the rule rather than the exception and here we are in the middle of today. Unfortunately, too many people want to escape from the complexity around us by pretending to have easy answers to complex issues. (Image: Le Penseur by Rodin, background paintings by Monet, Berlin Alte Nationalgalerie, 2024)
Comprehensive Conflict
In a recent paper Mara Karlin (2024 Foreign Affairs LINK) has stated the need for the Western World to understand and even prepare for comprehensive conflict. Particularly in response to Putin‘s war on Ukraine’s territory and the threats and potential use of the full range of weapons including cyber warfare, destruction of energy resources and military production sites the current war comes close to total war. Several European countries have made significant steps to increase budgets for the new forms of comprehensive conflict management. This starts with adequate discussion in public on the dramatically changed security situation after the „Zeitenwende“ caused by Putin. The forceful Ukrainian response with much financial assistance from the West has pioneered drone counter strikes and by this put an end to the Russian progression into its territory. In order to match the total war ideology Putin is implementing in Russian society the Western world will have to rethink production models and strategic defense capabilities in all areas to match the rather real threats by Russia. The prevention of the spreading of comprehensive conflict is of utmost importance since the risk of an expansion of Russian influence and suppression of any internal resistance in Russia has devastating consequences. The 2024 book by Tatjana Tönsmeyer „Under German Occupation, Europe 1939-1945“ (own translation of German title) demonstrates what it meant to live under the domination of an inhuman dictatorship which is ready to use all out war and violence at any occasion. We have to confront this, even if we don’t want to face it. Nevertheless, the Russian aggression is also strongly targeted on its own people not to take risks of separation from Russia as this would mean devastating destruction to those regions and people who dare to do so. External explosions are therefore for Putin a prevention of implosion of the Russian Federation similar to the Soviet Union previously. Comprehensive Conflict extinguishes any remaining internal opposition as intended collateral damage. In Western countries, however, we shall have to argue with opponents and build majorities through understanding the issues at stake not through silencing opponents and opposition. The debate about comprehensive conflict is only about to start, but it is likely to last for several election cycles. (own image, Contemplation on infinite landscapes, Berlin 2024)
History’s Weight
The artist Damien Deroubaix is currently exposed at the BNF.fr in its historic site Richelieu. Together with and next to some of the historic treasures of the BNF collections the unique exhibition allows to experience history’s weight on our current existence. The work of Deroubaix is following and pursuing historic art trajectories with a special historical and ethical consciousness. Techniques of art are insensitive to the moral compass of the painter in history. The collections of the BNF like all major European collections have to handle their colonial past and immoral depictions throughout history. Deroubaix accomplished to liberate techniques of art of their colonial linkages and imagination of emperors focusing on humanitarian values. War is horror, in the past and in the present. Genocide in Rwanda is war crime and dealing with the memories of people an honorable way to look forward conscious of the past. Hybrid forms of art allow multiple contextualizations of his work. In the Galerie Mansart and Pigott of the BNF the historical embedding enriches the art and vice versa. Art allows us to rise beyond the ashes mankind has and continues to inflict on us. (Images: extracts of Damien Deroubaix at BNF, Paris 2024)
Theatre Artists
Performances in the theatre are called pieces. The artists performing are actors of a play. The « Théâtre de la Madelaine », which celebrates its 100th anniversary in 2024 puts on a new production in celebration of the biography of the famous painter Claude Monet.
«Dans les Yeux de Monet » is the inspirational title of the play written by Cyril Gely and scenario by Tristan Petitgirard. Looking through the eyes of Monet puts you into the sometimes tormented head of the great artist. The challenge Monet faces is his very own perspective on a new vision for painting. In order to capture the impression of the cathedral of Rouen on him, he experiments with colours and lighting to capture just the right moment in time. Interesting to remember, there is not just one single moment he paints, but many versions of it with each realization offering a special insight or impression. Just on the sideline we learn about the importance of plurality rather than the one and only unique moment in time.
His own personal difficulties of sufficient funding for his art work and the depression he struggled with are well represented in the script and by the actors.
Galerists as well as donors (Mäzene) encourage artists, but somehow may also contribute to the pressure on artists to produce more creative work. Precariousness of living and living conditions are often a corollary of creativity or the creative process. This is a usually forgotten part of the biography of many past and present artists. Artists have and still contribute so much to humanity, but in most countries the public or private support for artists is sketchy. This remains a societal challenge particularly during times of employment and skill shortages in OECD countries.
Masculinity Photos
After the turn of the millennium we keep questioning us about basic principles of humanity, previously called mankind as well. The Zeitenwende has occurred through Putin and other male warriors and warmongers 2 years ago. This is reason enough to keep asking us what is behind the male visions of life and living together. Any hints from social sciences, biology and media studies are helpful to broaden and deepen our understanding of what constitutes masculinity and how it evolves over the life course and within or between societies. The collection of photographs from Jérôme Prochiantz currently exposed at the BNF enlightened the issue. Ever since Max Frisch wrote „Homo faber“ we are aware of the technological transmission process a man might be subjected to. Capturing single moments or arrangements with a lot of care for details shows maybe otherwise hidden male predilections and leaning towards abstraction. An idea or undefined vision, maybe an illusion are depicted in this revelation of masculinity at the turn of the century. Creative and destructive forces are jointly presented in this continuous questioning of masculinity. (Image: BNF, exhibition 2024-11 Jérôme Prochiantz)
Forced Living Space
The „Topography of Terror“ hosted the book launch of the research project on „Zwangsräume“ (forced living space or forced homes). The cooperation of an impressive network of organizations (Aktives Museum Faschismus und Widerstand in Berlin e.V., Koordinierungsstelle Stolpersteine Berlin, Alfred Landecker Foundation, Metropol Verlag) has achieved to uncover the forced relocations of thousands of German jewish people from rented place to another one, thereby regrouping and cramping Jews into ever smaller living spaces in predetermined houses within Berlin. Through this horrible step by step expropriation and extermination terror was present and visible all over Berlin. The online documentation and data access allowed citizen science projects to accompany the research and actively contribute to enlarge the data investigated, analysis and dissemination of the findings. The continuation and extension of the project is already in preparation and seeks additional funding and volunteers. The traditional book publication helps to provide an insight into the thorough historical research which started with a more adequate definition „Zwangsräume“ than the previously used term of so-called „Judenhäuser“, since the houses had and kept a mixed population sharing the living spaces until deportations of the jewish persons forced into ever smaller living spaces before. The property of the deported persons was recovered by officials from sealed apartments and sold mostly as bargains on auctions or just redistributed among officials in need or with special merit for the Nazi-movement. This adds an intergenerational dimension to the project that is also worth looking into in the next phase of this extremely valuable project based on large online archives from original register information and other documents. (Image: The map shown below in the presentation has blue signs that have already been traced and hundreds of red signs where the histories are not yet retrieved).
Nazi Reinterpretations
Even almost 80 years after the end of Nazi terror and the 2nd World War started by Germany, we witness attempts to reinterpret the lives and careers of many Nazi officials. In the same realm, the crimes committed to pull out „Stolpersteine“ try to negate the horrible crimes committed by the Nazi leadership and their followers. The special exhibition at „Topography of Terror“ on „Reinhard Heydrich. Career and Violence” allows to study the biography of this high ranking and convinced Nazi official. After the usual career trajectory of a marine soldier he entered the Nazi secret police and made his career moving up the ranks showing readiness to use above average violence. This seems to have been a precondition to qualify for fast career trajectories. These personality traits have been demonstrated for thousands of Nazi officials in their professional life. This exhibition has additional merits to provide shocking evidence that the wife of Heydrich even many years after the end of the Nazi terror and 2nd WW does not show any signs of regret for what were her husband’s crimes against humanity. They had a splendid life and lived in a palace near Prag before her husband died after an attack by partisans. This is a great lesson to sharpen our awareness of those trying to reinterpret the lives of Nazi leaders and many of their followers. It is a timely reminder to not focus on rosy pictures of the Nazi time without the acknowledgment of the responsibility for millions of people who died. (Image: Extract of exhibition on Heydrich, Topography of Terror, Berlin 2024, book publication).
Nazi SS Terror
The permanent exhibition „Topography of Terror“ in the middle of Berlin is always a place that receives a lot of attention from tourists. This is great news. The central location is certainly part of the success story. The Brandenburg Gate and the boulevard„Unter den Linden“ nearby allow to combine historic interests and site seeing. Many groups from schools gain a visual impression of the terrorism the Nazi dictatorship and its para-military organizations have exercised during the years 1933-1945. The years after the 1st World war until the full dictatorship were crucial to attempt to stem the Nazi tide rolling across Germany from the original Munich-based headquarters. The information on the „Establishment of the Führer‘s Dictatorship“ (image below) is a warning to all of is today to guard against the beginnings of similarly extreme movements and parties today. We shall always remember and we shall never surrender.
Book Performance
Some texts are written in view of a performance, a theatre performance or an opera in mind. We have had dance performances and choreographers emancipate themselves from the music to claim dance is an art in its own right. Books are books in their own right. However, the hybrid forms of performance of a book was on display in the 2024 edition of the Wiels Art Book Fair in Brussels. It is common practice to invite speakers and authors for a book launch event. It is more rare to invite a choreographer and dancer to perform a book. This is exactly the what the publishers of A.R.D.V.L. did. Garance Debert put the editorial work and conceptual work on a book into a moving performance. There is much more to a book than just the letters and paper. The „mise en page“ turns into a „mise en scèene“ by an artist. The Wiels Art Book Fair has raised our attention to the larger creative potential of books, certainly art books, but also beyond books on art. Performative readings and book performances will enrich our repertoire of interacting with printed materials. Just before we might believe this is the next big hype, remember the bible is probably the book with the most theatrical performances linked to it.
Of or about
There exists a fundamental difference between taking a picture of something or someone as opposed to taking a picture about someone or something. With the term about we denote or refer to a more abstract category of trees, animals or human beings. The use of of, however, refers to a specific realization within a specific category. Painters or photographers have applied this distinction for a long time. It is similar to social scientists who consider persons or relationships as belonging to more general categories. Gender is such a category which has preoccupied us for years before concluding that just 2 gender categories are not enough to come up with reasonable descriptions and predictions of behavior. The realizations of gender are manifold and not necessarily or only binary in nature as well appearances. Eventually social categories are enlarged to fit empirical patterns in more adequate ways. The image of someone/something therefore is something very different from an image about someone/something. (Image of: Children’s corner at Musée Rodin Paris. Image about: Pedagogic approaches to art, here sculptures « Le penseur », Rodin 19th century)
