Category: History

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Superstates reloaded

We live in an age of superstates. Such is the conclusion of Alasdair Roberts (2023). China(1.4), India (1.2), USA (0.33) and the EU (0.45) in billions of people jointly host about 40% of the world’s population (UN data). The Russian Federation with a population of 0.15, Japan 0.13 rank further behind, for example Pakistan 0.24 and Indonesia 0.27. Nothern, Eastern and Western Africa (0.25;0.46;0.42 respectively) have a huge unfulfilled potential that does not reach the impact it deserves.

These big and populated entities contrast with the increasing number of small states that have become new members of the United Nations. The institution of the United Nations, through its setup as an international rule based governance structure, has facilitated small states to seek voice and influence in the international arena of politics. The UN had 51 members in 1945 and has now a membership of 193 of all listed states of 237 on the globe. The increase in membership is due to many small states joining the UN after independence from big imperial powers. The international power relations, however, are only partially determined by population size but economic and military factors. The so-called superstates reach power through their power of direct and indirect “persuasion. Therefore the relationship between small and big states remains a delicate balance of power. Russia attempted to grab Ukraine and its population of 410 millions to remain in the league of superstates by population size and has suffered a hefty setback which further unsettles the disequilibrium of its male (68) and female (78) population with predominantly male soldiers’ lives lost.

Whereas we have seen the small states’ numbers on the rise in the last few decades, the expansion of superstates from Russia, China, India or Pakistan remain a threat to peace on the globe. The crystallization of a multi polar world order is on its way, but the stakes are high and unsettling in many respects. The fallout of war stalls the adaptation to climate change and increases the millions of starving people on the globe. the attempt to reach superstate status by already big states is probably the greatest danger we shall face for the coming years. Preparing for the instability of the world in transition to an increasing multi polar world order will dominate the political agenda of many intermediate powers as well as smaller states. (Image Globe Moscow 1994, displayed Stabi Berlin 2024)

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Women Advisors

Contrary to many men and clergy advising noble governors, many of them famous as womanizers, there is a long tradition of women as advisors as well. The first woman that received high reputation as advisor is “Christine de Pizan“. She was born in Italy and migrated to France with her father who was a scientist and advisor to  “Charles V” as medical doctor and astrologist, but who died soon after the move to the French court. With the access to a unique library at the time Christine de Pizan benefited from the best of knowledge and her literary and scientific competences made her famous later on. She could even be compared to Clausewitz as a well known writer on war strategies, but has a much broader literary reach compared over centuries.
Christine de Pizan became a writer in her own right, publishing under her own name in the late 14th century already and not only in literary work, but in fields previously thought to be domains of male writers only. One of her writings “Livre des fais d’armes et de chevalerie” is a testimony of her political and strategic thinking and advice. It remains a unique piece of a woman as advisor in military affairs published in 1410. The translation into “Alemannisch” (1460) highlights the importance of her strategic advice beyond France.
Her literary excellence has been widely appreciated not the least in her praise of Jeanne d’Arc in her “Ditiè”, the poem in honor of Jeanne d’Arc. (source with translation). Christine de Pizan also wrote on peace (Le livre de la paix” 1412 and the “Livre du chemin de longue étude“, today we would translate it as a book on lifelong learning.
(Source: Zimmermann, Margarete, 2005: Minervas jüngere Schwester: Die politische Schrifstellerin Christine de Pizan, Stabi Berlin, KulturStiftung der Länder Patrimonia 265 und SPK.
(Image: Extrait Christine de Pizan im Gespräch mit Minerva. BNF, Paris, Ms. fr 603, fol.21r)

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Violence Potential

The book (editor Sabrow 2023) and the exhibition “Gewalt gegen Weimar. Zerreißproben der frühen Republik 1918-1923” need a broad European audience. The violence, which in the medium term destroyed the newly founded democracy of the Weimar Republic in Germany, is linked to the immediate aftermath of the 1st world war. The relatively calm abolition of monarchy in Germany did in no way prevent the eruption of violence within the new democracy. Extreme forces prepared in organized ways (Organisation Consul) and some in open public discourses the potential for the use of violence. Armaments left over from war equipped the Freikorps Movements and the potential to use the weapons was present at all times in the aftermath of WW1 in Germany. The contributions to the volume provide a detailed account of these 5 crucial years when democracy was able to defend itself against all odds. The strategies to take control of the country were built on a violent rhetoric which prepared the ground to put violent talk into action later on. This spiral of violence is hard to de-escalate once started. However, democracies have to foster ways to calm the spirits in periods of high potential violence. Elections as well as the campaigns before are the arms of democratic change. They should be used as such to pave the way to compromise.

Exhibition at Topography of terror Berlin 2024-6
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Composing Assisted

Before the existence of digital composition tools composers were assisted by “Kopisten”. These persons rewrote the original draft of a composition into a “proper” version of the original document. Musicology has a tough time to deal with deviations from the original. It needs to be clarified which is the final and authorized version. In some instances this is far from evident. Just as an example Robert Schumann made ample use of the assistance of Kopist Otto Hermann Klausnitz (cf Nr 6), sometimes for the preparation of the composition, the finalized versions or the explicit drafting of different voices. Klausnitz himself was a flautist in Leipzig (Gewandhausorchester) and a conductor in Duesseldorf. Overall the debate is still going on, whether the composer’s draft or in many instances the Kopist’s version of the composition (authorized or not) prevails. In the age of AI, which is highly influential in modern music, such questions will most likely be intrinsic to the process of composition as well. AI is influential in evening out rough edges. Anette Mueller (2010) has done a great job to make this work of “Kopisten” much more transparent and her concluding chapter is programmatically entitled “Komponist und Kopist- Aspekte einer produktiven Kooperation”. (Image Mueller, A 2010 p. 340).

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Gas light

Even if it sounds crazy from today‘s perspective gas lights once were the symbol of progress. In the middle of the 19th century gas lights started to lighten and brighten the boulevards of major cities in Europe. The historic evolution of the various designs can still be followed in Berlin in the open space museum of gas light in the Tiergarten area near Zoologischer Garten. These gas lights were brighter than candles or petroleum lights and needed less maintenance. The CO2 footprint was no concern at that time and also safety concerns have been tolerated. Mechanical maintenance was relatively easy and sufficiently qualified personnel still abundant. All this has changed and the lamp posts powered by gas are mostly a part of industrial history now. The image below shows a fine example from Amsterdam. The solid construction shows nice ornaments on steel. The rounded shape remained quite unique.
Unfortunately, the accessibility of the museum has contributed to the loss of many nice examples of gas light designs. Many were destroyed during the football world cup in Berlin in 2006. Let’s hope the Tiergarten survives the Euro2024 better than the previous huge football events and Love parades. Serious precautions have been taken with quite solid fences to protect the inner city wild life.

Berlin Gas Light Museum
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Aussensicht Innensicht

Die Sicht vom Skulpturengarten der Neuen Nationalgalerie auf die laufende Ausstellung „Zerreissprobe…“ erlaubt einen tiefen historischen Einblick in die 1980er Jahre. Die Sammlung von Postern des Künstlers Klaus Staeck zeigen die bewegenden Themen der achtziger Jahre. Frauenrechte, Umweltschutz, Sicherheit sowie Medienwirtschaft. 40 Jahre später beschäftigen uns weiterhin, Lösungen für die plakatierten Themen zu finden. Images können Themen so zuspitzen, dass Anklagen daraus werden. Texte sind im Vergleich zu der Eindrücklichkeit der Bilder ein vergleichsweise stumpfes Schwert. Es ist aber gerade die Verbindung von Bild und Text, die Eindrücke verstärkt. „Meme“ Creators sind ein standard tool das die Kommerzialisierung und die Promotion weiter befördert haben. Kunstformen hatten diesen Trend bereits vorweggenommen.

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Democracy Enemies

Discussions in the social sciences about the fate of democracy have a long tradition. With the results of participation rates in elections for the European Parliament in 2024 weeks need to take up the challenge again. The book by Bryn Rosenfeld “The Autocratic Middle Class …” stated already in 2020 that autocratic regimes tend tp buy off democratic intentions through providing lots of jobs in the public sector which promise stable living standards and pensions to regime conformity. If the public sector crowds out private sector jobs this creates a tendency to lock in the current political system of autocracy. The analysis, however, lacks the explanation of the micro level sociological mechanism that made the “color revolutions” plausible in many parts of the world. Even the recent success of a government change in Poland in favor of pro European Donald Tusk would have been impossible if the buying of the middle class through public sector jobs is the overriding mechanism to avoid democracy to win the upper hand. Withholding funds to make public sector expansion more difficult or risky in for the longer term stability of an autocratic regime might do the trick. Autocrats have many enemies not only externally. The enemies from inside the society have multiple options for opposition as well. The other perspective that there are many enemies of democracy to be found within the public sector is another known challenge to democracy. Low turnout in Elections is a warning signal that we have to take very seriously and continue to act upon. (Image: Neue Nationalgalerie Berlin 2024 Extreme tension, explation on Ewa Partum)

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Broken Promises

In a library catalogue, the entry of « broken promises «  returns more than 3000 times that the title has been used. « Promises kept » is almost as popular. A rapid inspection of titles reveals that the former titles suggest more factual analyses, whereas the latter is frequently used in the form of an imperative in combination with “should be kept”. The book by Fritz Bartel “The Triumph of Boken Promises …” (2022) demonstrates the importance of the concept of broken promises in the social sciences. The rivalry between socialism, capitalism and the rise of neoliberalism is strongly influenced by the way they handle the breaking of promises made to their respective societies. The promises of increasing wealth and wellbeing have been part of all political regimes. To keep these promises is a completely different story. Especially since the first and second oil crises and many other kinds of crises, it has become much harder to keep these promises. Working hours, retirement ages or minimum wages are all at risk to no longer live up to the promises made in earlier periods. This has put welfare states under pressure that millions of voters perceive politics as a “game” of broken promises. Socialist political regimes like Russia are ready to use physical violence to shut up people that remind leaders of these broken promises. In democracies the ballot box is often used to sanction governments that do not live up to expectations of previous promises. A lot is about public infrastructure which is failing people. Migration, education, social and labor reforms are on top of the political agenda if it comes down to broken promises. The elections of the European Parliament gave many a chance to express their discontent about various broken promises. Maybe democracy is better in providing forms of letting off steam early and protracted protests rather than the Russian way to suppress any critical analysis, let alone opposition movements. Just like the move from industrial production to services as production models, with AI we are likely to see similar problems and probably also broken promises. The challenge is huge and promises should be made with an eye of what promises could be kept.

Public swimming pool closed for reconstruction 2024
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Schostakowitsch Revival

Je mehr Putin sich unablässig in seinem Angriffskrieg gegen die Ukraine und gegen seine eigenen Leute versteift, umso mehr werden die musikalischen Werke von Dmitri Schostakowitsch aktuell. Schostakowitsch hatte viel unter Stalin zu leiden. Sein Werk konnte kaum Gefallen bei der stalinistischen Führung finden, aber dennoch haben voele der Russen seine Werke geliebt. Insbesondere die sogenannte „Leningrader“ Symphonie, die das Volk einte vor den Radioempfängern, selbst mitten im Krieg gegen Nazi-Deutschland. Die Berliner Symphoniker haben diesem Werk eine neuere Ehre erwiesen mit einer Aufführung in Berlin 2024-5. Das Interview dazu mit dem Dirigenten Yannick Nézet-Séguin wurde geführt von Matthew Hunter, Bratschist der Berliner Philharmoniker. Es beschreibt diese eindrückliche Auswahl hervorragend. Die Berliner Philharmoniker haben eine lange Tradition, Werke von Schostakowitsch aufzuführen und einzuspielen. Die Digital Concerthall hat eine umfangreiche Sammlung mit Werken von Schostakowitsch. Oftmals etwas schwere Kost, aber durch das Ausspielen des ganzen dynamischen Spektrums von pp bis ff nie langweilig. Eine kleine Filmmusik „Volksfest“ (Sylvesterkonzert 2022) ist leicht beschwingt oder gar etwas beschwipst. Der musikalische Nachwuchs hat die Tiefe der Werke erkannt und gewinnt international anerkannte Preise mit Vorträgen von Werken Schostakowitschs. So geschehen zum Beispiel beim „Concours de la Reine Elisabeth in Brüssel 2024-5. Der Ukrainer Dmytro Udovychenko würdigte Schostakowitschs Leben und Werk inklusive des Existenzkampfes und gleichzeitig seine Heimat die Ukraine mit dem Belgischen Nationalorchester mitten in Europa. 

Example Audio Playlist on Spotify or Videos on DCH
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Marketing bicycles

The marketing of bicycles has changed considerably over the course of history. Today’s narrative is more about the eco friendly impact of it. Historically the freedom aspect of free movement and emancipation of women was at the forefront. The collection of images in poster formats presented at the DTM in Berlin is impressive. The focus on women on bicycles is quite surprising for this early time around 1900. Few of the companies from the early days have survived until today. Bicycles are still fascinating children and adults today. The experience of a fragile equilibrium, your own strength and weakness in muscle power, cardiac or pulmonary strength is always challenging. It is you who is in control of speed and direction. This should be easy to sell to the masses, and it was and still is. “Bikenomics” is here to stay. Artists had the same impression and created a whole universe of promises for riders of bicycles. The long run health benefits were not even known at the time, but it was unthinkable that humans would spend most hours sitting in offices, cars and on their couches. The biking story needs to be retold to encourage people to take up the emancipating storyline again. Get on your bike again!

DTM Berlin 2024-6
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Portable Grundgesetz

Celebrating democracy in Germany is rare. We take it for granted that democracy persists, as most of us have not experienced it otherwise in Germany. This is grossly mistaken as the opinion polls show repeatedly in recent years. Therefore, it is welcome to find the “Portable Grundgesetz” at the “Demokratiefest” in Berlin and Bonn at the event to celebrate 75 years of democracy in West Germany and 35 years in East Germany.
The century-old tradition to produce miniature books has been revived and the miniature books have been widely distributed at the event. A side effect consists in the eco-friendliness of this version, which saves a lot of paper. It is fun also fun to turn pages rapidly and discover some paragraphs which we would not have read otherwise. “Daumenkino” is the German word for versions that contain many images. Maybe next time, an illustrated and/or animated version of the Grundgesetz could encourage youth to celebrate using the texts, §s and images to discover the fundamentals of our constitution.
325 years ago, Weigel the Elder has illustrated, edited and published such a tiny edition of the Bible. It is currently exposed in the treasure museum at the “Kulturwerk” in the “Stabi Ost” in Berlin. “Back to the Future”, lots of ideas we get by taking archives seriously. By chance inspiration is undervalued. Search algorithms have a hard time to replace this in an effective way so far.

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Competence Nature

Nature can be approached without competence. Emotional attachment is fine. If we delve deeper into the issue, we realize that a lot of processes that have evolved over years or even centuries are hard to study. The learning about nature is manifold and many scientific disciplines deal with nature in the broad sense of the word.
Today the study of nature is scattered across so many disciplines that an overall view of the field seems hard to achieve. This creates a problem to teach a competence to deal with topics around nature. Water, air, species, soil, climate or reproduction are all topics in which we have to make far-reaching individual and collective choices. This requires adequate competences to allow judgments about opportunities and risks involved.
For more than 100 years now we have researched education systems and processes, but the competences to talk and explain basic processes in nature are still scarce. Classification systems are a static way to sort nature into categories. Processes of evolution and development have more or less human input.
We all gain if we keep an eye on education and learning processes that have been applied years ago. The field of the history of education provides clues about some forgotten approaches. Learning about nature and how to acquire competence in the field has been an issue in this field for at least 100 years. It is time to test some of these approaches again to see what went wrong in learning about nature. Man-made climate change is only at the end of a causal chain of things and people moving in the wrong direction. We probably have to press the reset button and start from scratch with the learning and the tracing of wrong decisions. Maybe, the start is the appreciation of a splendid bouquet of flowers. Want to know more? Try to grow and assemble them yourself.

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Mangel Armut

Herta Müller hat bereits 2012 in „Das Chinesische Glasauge“ sehr treffend die Funktion von Mangel und Armut in Diktaturen beschrieben. Sowohl der ständige Mangel als auch die Armut dienen als Instrumente der Macht. Sie sind quasi die Fortsetzung von Ideologie zur Beherrschung der Massen. Zusammen bilden sie die Umgebung, den Kontext in dem dort gelebt wird. Die Herrschenden jedoch haben Privilegien, die sie von der Allgemeinheit absetzen. Diese knappe Beschreibung und Einleitung zur Kurzgeschichte haben eine große Portion Allgemeingültigkeit. In Mangel und Armut können kleine Vergünstigungen eine viel größere Wirkung entfachen. Sehnsüchte nach mehr werden nahezu zwingend hervorgebracht. Allein die Aussicht auf ein teilweises Stillen der Erwartungen oder nach mehr entfachen weiteres „höriges“ Verlangen. In Diktaturen werden die Personen, die unaufhörlich auf die Armut und den Mangel hinweisen meist geächtet oder sogar ins Exil gezwungen. Solche Störenfriede sind nicht gern gesehen. Das Russland unter Putin braucht Leute der herrschenden politischen Klasse zujubeln und bereitwillig in den Krieg ziehen oder an der Kriegsmaschinerie mitwirken. Wir sind mehr als eine Dekade weiter, aber diese Zusammenhänge bestehen ebenfalls weiter. Schmuck in der Mangelwirtschaft ist bereits eine Provokation. Das offene Tragen der Provokation kann im schlimmsten Fall das Leben kosten.
(Image: Herta Müller, 2023, Eine Fliege kommt durch einen halbern Wald, Carl Hanser Verlag, “Das Chinesische Glasauge”, S.50-61)

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Democracy celebrates

With all the bad experiences of Nazi-Germany and the failure to defend democracy in Germany against its fascist enemies in the 1930s, it was a pleasure to celebrate democracy in Germany together with a huge crowd. 3 days of information and party around the major institutions of democracy Parliament, government, federal governments, constitutional court and all ministries joining in with pavilions in the parks nearby allowed a bottom up feeling of democracy. Visiting the chancellery as well as the parliament in a single day shows the openness of these institutions and the ease of access to our political system. People of all ages and all walks of life strolled around and enjoyed the day. Freedom to voice your opinion was easy and many took their time to do it. Civil society organizations were a natural part of the show. We seem prepared to stand up for our democratic values and principles. This will be tested in all the forthcoming elections.

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Competence Handwriting

The acquisition of handwriting as a competence has been important for centuries. In primary schools this technique is exercised as a foundation for the performance in other cultural techniques like language writing and even calculus. Therefore, it has been beneficial to make sure children acquire basic competences in handwriting. This has not changed much, although the time devoted to perfection of the technique has been reduced over generations. We still have some memories of people who have made the handwriting or the pencils used a case of distinction. At the enlightenment period a lot of authors drafted their thoughts and manuscripts in handwriting and our museums or biographies are proud to show off handwriting of authors, artists or composers. In some of those we are able to retrieve the thought process behind the writing. The editing, crossing out, adding sentences or correcting words are traces to dive deeper into these creative processes.
Currently, we are less sure, whether in the age of AI we should still rely much on this old technique of handwriting. If we just treat it as one of many competences to be or become creative yourself, we are on the right track. The PISA studies by OECD include problem-solving as a crucial competence. Handwriting or drafting first steps of a solution might still be useful. A handwritten sketch of a solution might guide the elaboration of the more encompassing solution.
Another interesting feature of handwriting is the cross-cultural element of it. We feel easily compassion for a handwritten document. The psychomotor competence of handwriting is fascinating across continents. It has distinguished us from other species as well. The evolutionary steps are important elements of a learning process. Nostalgic feelings about handwriting do not help anybody, but children are well-advised to still keep an eye on their handwriting competence as part of or first step in problem solving, even if it is just to formulate the question they are interested in.

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Schinkel Winkel

Was wäre Berlin ohne Schinkel. Die Berlinerin sagt sogar, „in jedem Winkel steht ein Schinkel“. Das trifft das historische Berlin schon recht gut. Am Charlottenburger Schloss mit seinem schönen rechteckigen Parkanlagen, ganz nah, steht das sogenannte „Schinkel Palais“, genauer heißt es das Neuer Pavillon. Wenn Könige reisen ließen sie schon mal ganz gerne eine Kopie einer schönen Architektur in ihrem Park anfertigen. Das Vorbild eines italienischen Palazzos war hinreichend eindrucksvoll, um Schinkel mit einem Nachbau zu beauftragen. Viele rechte Winkel ließ der Schinkel mauern. Die verhältnismäßig kleinen Innenräume sind heute mit zeitgenössischen Bildern ausstaffiert. Da darf der Caspar David Friedrich natürlich nicht fehlen. 200 Jahre nach Beginn des Bauens am Schinkel Pavillon lässt sich noch recht gut sozusagen in die Epoche eintauchen. In einem etwas abgelegenen Winkel vom großen Schloss lässt sich somit die Zeitreise architektonisch Fortsetzen und mit weiteren Kunstgegenständen verknüpfen. Es ergibt sich so eine „dichte Beschreibung“ der Berlin prägenden Epoche.

Schinkel Pavillon 2024-5
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Dietrich Gabin

In French cinema Jean Gabin is a much adored person. Equally, Marlene Dietrich had, probably an even more far reaching international career. Both were accomplished and successful actors long before the 2nd world war broke out. In the U.S both fell in love and had a long lasting romance together. Their war time activities and “engagement” in fighting Nazi-Germany were extraordinary. It meant that both took active roles to use their charisma to mobilize people and soldiers to fight for freedom.
Shortly after the war then, both made a last attempt to work together in a movie production, but it could not unite the couple again. The “Deutsche Kinemathek” displays currently a page from the Diary of the “Diva” to underscore to what extent “Dietrich” was depressed about the break-up of their longer lasting love affair. Some say Gabin was the only person who quit her, all (most?) other relationships were terminated by the Diva. The junctions of biographies are hard to predict. The circumstances of the 2nd world war and internalized civic obligations to fight for freedom and democracy were wholeheartedly shared by both, but eventually they grew apart nevertheless. Tough experiences even for the much adored persons on the forefront of the stages worldwide. There seem to be many instances of repetition of the same story not only in movies, but also in real life.
Image: Deutsche Kinemathek Museum 2024-5

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Image History

The archives of the history of movies and/or television show to us the multiple ways how images capture our attention and memories. Visual narratives are an own category of our personal and collective memory. The wide range of visual experiences are a powerful way to influence. Not only the movies and stories matter, but the whole range of images associated with the cinema world. Poster collections, newspapers and today the so-called social media multiply the original images. The Deutsche Kinemathek allows a special, critical understanding of image history as Germany has been using and abusing images and movies in a very manipulating manner historically. The message is: do not take images for face value. The ways and techniques to manipulate images have been widely used and are all around us today. Whereas the mass media in previous decades have dominated the collective memories we have entered into an era with many more subcultures that evolve within their own bubble of images. An original attempt to cut 65 movies of German film history into less than 4 minutes is presented in the exhibition (Milkowski and Simbeni). It focuses on gestures and “les regards”, “Blicke”, how the actresses and actors seem to look at us. Eyes capture attention, and this as soon as we open our eyes as children. Our brain works as image recorder and our memory algorithms tend to favor image recognition while processing images continuously. We do not know much about our own image sorting algorithm or algorithms yet. Research on aging of the brain gives some hints. With declining short term memory the images stored in long term memory take the upper hand. This makes an understanding of the history of images even more important.

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Deutsche Kinemathek

Just in the vicinity of the Potsdamer Platz in Berlin you’ll find the Deutsche Kinemathek, the museum movies, actors, actresses, directors and the history of cinema in Germany. There is a small specialized library in the Kinemathek that allows to dive not only into journals and books, but also video material, scenarios and accessories. Of course, you will find a lot of material on all sorts of movie stars (heroines) over more than a hundred years. The “Divas” of the industry take up a large part of the exhibition. “Marlene Dietrich” much more than “Hildegard Knef“, the former born and the latter lived for a long time in Berlin-Schöneberg (Berlin-Pretty-Hill as some locals call it nowadays). The 2 Divas probably caused the funny translation. Anyway, the hall in the Kinemathek which is exclusively devoted to Marlene Dietrich impresses with a lot of glamour and mirrors around.
For those with not only a biographical, but also life course interest in cinema cherish the public access to the library. The most impressive table there is the desk with access to the Ukrainian movies and about cinema in Ukraine. A list with QR-codes allows you to readily approach the recent developments before and during the Russian aggression on Ukraine (See image below). After all Potsdamer Platz in Berlin was a hot-spot of the cold war period in the divided Berlin. A little bit of a “Metropolis-atmosphere” can still be felt. The Kinemathek explains well what this is all about.

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Deutsch Deutscher

In English grammer we use comparative adjectives to express that something or someone has changed or undergoing change. Germany might have become more German. The second usage is to make comparisons not only between two points in time, but between two statuses or of two artefacts more generally. The statement “Deutschland wird deutscher”, therefore, intends to describe an ongoing process or the transition process from one state to the other. This statement as such does not offer any explanation or definition of the original state, nor of the second point of reference. It might just describe the dynamics or the direction of the dynamics. In this example it deals with social dynamics. Germany in the 21st century is posing more questions about its identity and future directions than some time ago. The artist Katharina Sieverding has put up this reflection as a poster on walls to provoke discussions about the way to identify and deal with German identities in the early 1990s, shortly after re-unification of the 2 parts of Germany (Image below from “Nationalgalerie für Gegenwartskunst, Hamburger Bahnhof, Berlin” 2024-5).
30 years later we are scared by a ruthless right-wing extremist and brutal movement that takes to the streets and commits crimes.
It is no surprise that the Higher Administrative Court in Cologne has confirmed that the “BfV’s classification of the party AfD and of its youth organisation as a “Verdachtsfall” (subject of extended investigation to verify a suspicion) as well as the publicising of this classification to be lawful“.
It is a step ahead to become “deutscher” if we battle out such decisions in courts rather than by force on the streets, although this has failed once in German history already. The poster action by Katharina Sieverding is a reminder to monitor and deal with these topics continuously, albeit the knifes may be coming in closer than before. Being frightened is no option in order to defend democratic values. 

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Puccini Media

In honor of Giacomo Puccini the Media enterprise Bertelsmann features one of its treasures. In cooperation with the “Archivio Storico Ricordi” of Milano, Italy, 100 years of Puccini’s oeuvre is celebrated with this exhibition. Fans of Puccini’s operas will have to visit the archives but the interest of this small exhibition lies in the impressive success story of Puccini and his publisher (part of Bertelsmann). Continuous innovation and adaptation to new media, like disks, accompanied an extraordinary marketing campaign throughout the 100 years. Even today there are cycling tours around Puccini’s hometown for the modern eco friendly tourists. We learn a lot about how the media industry functioned in the 20th century. It was absolutely vital to fighting for the rights of authors, composers and rights to receive royalties for performances as well as for the publishing on media. The exhibition in “Unter den Linden 1” is just next door to the Staatsoper which also gave honor to Puccini’s “Madame Butterfly” in 2024. His uncompleted Opera Turandot closes the exhibition with his rough sketches of the final scene. Merchandising is not an invention of the 21st century, but almost a century old tradition. This exhibition is a great testimony for this. It remains an important effort to allow authors and composers to gain a comfortable living during their lifetime. The gains for humanity as a whole are enormous.

Bertelsmann, Berlin 2024 Puccini.
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Infinite Landscapes

The “Alte Nationalgalerie” celebrates the 250th birthday of Caspar David Friedrich in Berlin. With a considerable effort to unite in one exhibition many paintings and drawings that stem from other collections of public and private origins. This particularly remarkable as a section of the exhibition is devoted to paintings that were intended originally to be seen next to each other (compare catalogue p. 233). Comparing 2 images from the same painter evolve into a narrative. This raises curiosity as in some instances the 2 paintings do not treat the same subject. Your very own interpretations and associations will make for an individual journey through the sheer endless spaces. The exhibition allows to grasp some of the many questions posed by the period of enlightenment not only in Germany. After “God is dead” what will happen? How is mankind defined? What is its relationship to nature? Are we just left alone or what comes after individualism? Even for painters, much like scientists, it is just as important to pose the right questions. Leaving the exhibition with more questions than answers will put you in the “Berlin state of mind” of 200 years ago. Greiswald, Dresden, Rügen and Copenhagen as well as nearby mountains were influential locations and landscapes for Caspar David Friedrich. Berlin 1906 „Jahrhundert Ausstellung“ made him famous again, despite decades of being forgotten. Yet another question to ponder and wonder about. An additional merit of the exhibition is the section on painting techniques and the use of his sketches and drawings for the preparation of the oil paintings. The final riddle to be solved is the price differential between the German and English version of the catalog in the bookshop next to the usual merchandising props.

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May 1st

More people take to the streets on the 1st of May in Germany. The costs-of-living crisis with high inflation has increased the claims for pay rises for workers and adjusted wages for employees. We all have observed “greedflation”, i.e. excessive company profits in several sectors. Additionally, “shrinkflation” has affected consumers in their daily shopping experience. Political efforts to curb inflation have taken a long time to come about and most initiatives have ended already (Energy sector). This spurred a new drive for trade unions to come out in huge numbers to protest and claim adequate wage increases to cover the increased costs of living. In Germany the DGB informed on the annual 1st of May demonstrations across the country about a strong new entry movement of members of 400.000 persons. It is higher than the loss of members of the large baby boomer cohorts who retire.
Through a broad and engaged membership the pressure on higher wage settlements will persist. Companies have used the crises to generate extra profits. It is only fair that those employees who largely contribute to the success of a company will claim their share as well.
For society as a whole it is important to consider that the discrepancy between managerial pay and shop floor wages do not increase further. The social fabric of societies is in danger if perceived injustices grow. More radical forces can all to easily exploit this causing a severe danger for democracies. Meeting people on the 1st of May and joining forces across sectors and trades ensures that a society continues to build and rely on solidarity. High inflation times are a great reminder of the economic basics of societies in history as well as today.

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Comparative Advantage

In economics all students go through the calculus of comparative advantage. People, regions or whole countries tend to apply comparative advantage to their production systems and ensuing internal or external trade. The basic  rationale developed by David Ricardo has not changed that much over 200 years. The fields of application, however, are continuously expanded. Lindsay and Gartzke (2020) have applied the comparative advantage rationale to military strategy. The paper quotes 26 times Clausewitz and demonstrates the links of strategy to the basic economic and social rationale of comparative advantage. It is the politics of production that even the presence of trade may override the rationale of comparative advantage to favour local production of “operational domains” or military equipment.
In Russia’s aggression and war against Ukraine own production and trading of weapons has returned to the forefront of the concerns. In addition to the production of ammunition, the provision of drones has dominated the international arms trade related to the Russian aggression. Resources and time for production are additional factors that have an impact on availability of weapons at the right time at the right place and with the sufficiently trained persons to operate them.
The strategies that cross domains or combine domains seem the most promising. The careful analysis of your own comparative advantages or disadvantages needs to be the basis of any strategic decisions. This has been known for 2 centuries at least and is still valid in many fields of application. Additional considerations for “home production” might add to the complexity of the issue. Sustainability has also found its way into the field of comparative advantage at last. This may alter the analysis of comparative advantage of operational domains as well. Lots of unresolved puzzles still around. It will need years to sort this out despite the urgency of the Russian aggression on Ukraine.(Image: AI Copilot.2024-4-30 2 political leaders deal weapons. One has a comparative advantage in ships. The other one has a comparative advantage in aircrafts. they deal together)

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Family Kafka

100 years after Franz Kafka’s death nearly all facets of his life and writings have been analyzed. The archives of the editor Wagenbach and the publishing house have now opened an exhibition at the “Stabi Ost” in Berlin adding a family picture book description of Kafka’s life (Curator Hans-Gerd Koch). This is of interest because Kafka himself had written an extensive letter to his father (Brief an den Vater) in which he tries to understand his intricate relationship with his father and other family members.
Nowadays, some people would try to analyze Kafka’s life through the parapsychological technique of family constellations. The far-reaching and pan-European family networks of the Kafka (father) and Löwy (mother) families were more than just an excellent source of inspiration. 2 younger brothers died in their first year. 3 younger sisters followed more traditional evolutionary patterns within families. The television series on Kafka’s life add to the understanding of his sources of inspiration and “parallel worlds” he created and lived in. The exceptional “fictionalization” of his own life and existence in the spirit of André Breton’s surrealism remains a milestone in the history of literature.
Kafka himself thought he was not really “instagrammable”at the time, but his image has reached and still reaches millions of people (Link to Picture archive). He himself would probably have defended the thesis that the most powerful images are within us. … and they are hard to escape from.
(Image from Exposition in Staatsbibliothek Berlin 2024-4, QR-code links to reading in originals!)

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Opera Politics

We know that sports and international politics have ample links. This holds true for Opera performances, either due to the way they are presented or due to the content of the libretto. The opera Jeanne d’Arc (Giovanna  de Arco, Jungfrau von Orléans) by Guiseppe Verdi was composed in 1844 and had its Premiere at La Scala in Milano 1845. The libretto is based on the drama written by the playwriter Friedrich Schiller. Later in the 19th century musical pieces followed that dealt with the court judging Jeanne d’Arc. The opera by Verdi creates a strong female voice and character which outperforms men around her. Obviously, she was and remains for many a quasi-mythological heroine. In short, this constitutes great plots for drama and operas. This is centuries old despite the rare occasions of more recent performances of Jeanne d’Arc in form of Verdi’s opera or other forms.
The Opera as arena of politics is currently tested in the Opera at Tallinn Estonia. Due to the aggression and occupation of Ukranian territory by Russia the plot of Jeanne d’Arc regained another European location of potential application. Ukraine pushed back the Russian invasion and struggles to win back its territory from the invaders. The performance of the Opera recreates an impressive Jeanne d’Arc in the person of Elena Brazhnyk who was trained at the National Tchaikovsky Music Academy of Ukraine. The evening inspired hope in many respects. Talents from Ukraine or trained in Ukraine reach out into to the world. Similarly, we have much reason to be inspired by courageous acts. Operas do politics. “Bravi”, as they say in Italian.
(Image: Opera Tallinn-Estonia2024-4-18)

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Electricity

We all use electricity, not only daily but continuously. But do we really know or remember how it works? Surprisingly, we care very little about the energy provision or the physics behind it. Therefore, from time to time it is useful to dive into the details of generating electricity and thereby energy and how it arrives at our doorsteps or desks. In science museums you can literally walk through the history of power generation. A fine example is the Energy Discovery Centre in Tallinn, Estonia. Even for those you did all at school turning the handles of generators is a playful reminder of the basic principles of electric power generation. The efficient use of it, is a topic that needs to be covered as well. Searching the web for demonstration videos is fine as well, but the physical activity of moving induction coils and releasing sparks is difficult to rival. Opening up your mind for the physics of our lives yields a better grip on the challenges of electricity grids and local production of electricity. Are you already a prosumer? Combining electricity production and consumption in one household is surely a forward-looking strategy. Raising awareness for these topics concerns all generations. Take time for a power play, it is truly enlightening. For teaching professionals or want to be there are exciting programs out there, too. Just one suggestion for 2024 in Colorado, US.

Energy Discovery Centre Tallinn
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Schachliteratur

Es gibt sie noch, die Personen, die Schachbücher lesen und kaufen. In vielen Sprachen existiert die Niche der heimlichen Strategen. „Teaching old dogs new tricks“ oder ist es eher „teaching young dogs old tricks“. Das ist eine empirische Frage. Nicht nur Zeitungen für sogenannte BildungsbürgerInnen haben noch kleine Spalten zumeist mit Schachproblemen. Manchmal findet sich Schachspielen sogar als Schulfach. Lesestoff zum Schachspiel findet sich reichlich. Schach in der Literatur ist jedoch verschieden von der Schachliteratur, die sich mit Strategien und Tempi befasst.

Das Lesen von Schachliteratur mit Meisterpartien hervorragender Spielenden ist vergleichbar dem Lesen einer Partitur einer Symphonie oder Oper. Das Kino spielt sich dabei überwiegend im Kopf ab. Gelegentliche unvermittelte Gesten oder Ah-laute sollten den Spielenden ihrer Verzückung wegen entschuldigt werden. Vielleicht sollten die Schulen diese Kulturtechniken mehr vermitteln. Macron‘s Vorschlag Theaterspielen mehr in den Schulen zu vermitteln erscheint in diesem Vergleich als ein Entgegenkommen an die „Generation der sich ständig selbst inszenierenden“. Mehr Spielen ist aber schon mal ein wegweisender Vorschlag.

Schachbücher 2024
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Transparent Publishing

New technology pushes transparency of publishing, journalism and science to new levels. Through the hyperlink structure of texts it is easy to link back to the sources of a text. What used to be long lists of references at the end of a text or in footnotes has become directly accessible through weblinks. Only paywalls may or may not restrict the fast and easy access to original sources. In writing online, this is a major additional feature of publishing in the last few years. Some online journals allow this for quite some time now, but there are lots of printed versions that stick to the read and be stuck approach of publishing.
In teaching I have been an advocate of “read the original sources” as the basic source of inspiration for authors. The transparency of the thought process and the evidence provided in whatever form should be traceable. In publishing this transparency allows to exclude the copying of thoughts or unreflected referencing.
However, the task to check for the validity of weblinks and the updating is an additional task. 500+ blog entries with an average number of 2 weblinks per blog entry makes this a job of its own. Testing of 1000 weblinks is something you need a software or plugin which alerts you to “broken links”. The maintenance of a webpage, therefore, increases substantially as the content increases. Reorganisations of webpages make the follow-up of links sometimes quite hard. Projects like the general archives of the web and webpages are very important to ensure the transparency of publishing in the short, medium and long run. The archives of today look more like machine rooms than the splendid archives or libraries of the past and present.

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Heroines

In youth we are open for a wide range of influences. Heroines in children’s literature, picture book or cartoons look back on a long history as successful influencers. Creation, transmission and criticism of stereotypes are all part of the scientific reflection on heroines and heros. Nowadays, influencers have taken over picture books through the use of more compelling videos.
In the 1950s,1960s and 1970s picture books or cartoons dominated the influences before mass media like television became more absorbing, addictive and powerful influencers. Children’s books are passed on from one generation to next generation. The French-speaking world (and beyond BBC reference) has witnessed the success of the illustrated booklets of the young “Caroline” (Hachette) and “Martine” (Casterman) exploring the world. Parents passed on their collection to children and had their own parents read the stories to their grand children.
Well, that’s how intergenerational transmission of cultural heritage has worked for a long time. It describes the basic social mechanism. Nevertheless, new forms of influencing emerged with new technologies. Successful illustrated narratives like “Caroline” and “Martine“ were adapted as television series as well. In France you could chose your side of either explorations with Caroline and her group of animals or the adventures of Martine.
Ideally it would be an occasion for the families and friends to discuss pros and cons of each character and, thereby, become aware of what is a stereotype, at least at a later stage of the life course. Gender stereotypes have evolved and to observe 2 boys colouring Martine images in public (Brussels book fair 2024, image below) was a positive surprise. It almost felt like a real world experience of the AI-enabled Barbie explorations.