In Berlin and many other German cities it is a regular practice to scrutinize the memory inscribed into street names. In order to correct the honors given to persons with a past as fascist or responsible for mass killings street names were changed at several points in the history of the city. Streets named after battle fields, for example, are a continuous point of discussion. It is important to keep the perspectives of victims in mind. Therefore, changing street names is a little contribution to rethink the role of places and persons. Such changes are sometimes very controversial as people become accustomed to names, some might even not care much at all. Recognition and responsibility, however, have a lot of currency in historical perspective. Overpainting like in the paintings from Gerhard Richter has an important function in society and can be one way of coping with the demons of the past.













It is the merit of Marie-Luise Conen and Zdravko Kucinar to let Milian Schömann live on in our time through the reprinting of some of his work, which is embedded in a well-written historical account of the political and family setting at that time. The professional psychological training of Marie-Luise Conen helps to reproduce the anxious atmosphere Milian Schömann has lived through, albeit he remained a productive writer despite the economic hardship and living in exile.


















