Author: KS

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Selfie 3D

Wir meinen gerne die heutigen Gewohnheiten, wie die ständigen Selbstbildnisse seien eine Erscheinung des 21. Jahrhunderts. Weit gefehlt. Wer es sich früher schon leisten konnte, hat sich malen lassen. Photographen haben später diesen Markt übernommen. Aber eben auch Kunstschaffende haben seit langer Zeit ihr Selbstbildnis gezeichnet, gemalt und in Stein oder Gips geformt. Selfies sind daher eher die Demokratisierung der Möglichkeiten, sich selbst zu inszenieren. Eben sich so zu portraitieren, wie sie oder er sich selbst sieht, sehen möchte oder gesehen werden möchte. Es ist daher weniger ein narzisstischer Charakterzug die Antriebsfeder, sondern für die meisten Menschen steht ein Teilen, eine Form der Interaktion mit anderen im Vordergrund. Die portraitierte Person ist da, auch wenn sie gerade nicht da ist.
Diese Intention haben Herrschende jahrtausendelang genutzt und sich Mausoleen und Pyramiden errichten lassen. Gut, dass diese Praxis weit in den Hintergrund getreten ist. Heute regeln wir bereits unseren digitalen Nachlass in Ergänzung zu unserer analogen Hinterlassenschaft. Für viele werden dabei, ganze Sammlungen von vielfältigen Selbstbildnissen zu verwalten sein. Die 3D-Ausdrucke unserer Gesichtscanns samt mehr oder weniger noch vorhandener Haarpracht kommen dann in eine eigens vorbereitete Vitrine. Selbstverständlich gehören die MRTs und sonstige Scanns von ZahnärztInnen auch in die Sammlung. 3D ist schon ein guter Anfang auf der Interaktionsreise mittels Selbstbildnis. 4D Realisationen, wie Yoko Ono mit ihrem Cut Piece 1967 kamen dann später. (Photos from Friedrichwerderschen Museumskirche, Berlin 2023 Austellung Ideal und Form, li: Schadow Selbstbildnis, mi: von Kahle, re: Rauch).

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Berlin Grün

Zur Berlin Art Week BAW 2023 wurden der Neuen Nationalgalerie ein paar Blumen und Baumkästen spendiert. Alles nur vorübergehend. So erblühte die Rose von Isa Genzken schon vorher und sicherlich noch etwas länger vor der Neuen Nationalgalerie. Steht der Galerie gar nicht schlecht. Vielleicht etwas sehr figürlich und wenig auf die Schätze der Moderne hinweisend. Das ist schon eher post-modern. Rückbesinnen auf die Werte der Natur, dass Stahl und Glas eben nicht umsonst zu haben sind, sondern erhebliche Umweltkosten mitsichbringen. Das regt zum Nachdenken an. Solarzellen, quasi unsichtbar auf dem großzügigen Flachdach der Galerie und für die geplante Scheune nebenan? Kunsträume stehen ebenfalls in der Verantwortung für die Überlebensbedingungen unseres Planeten. Denkmalschutz kann weitgehend eine Bremse sein, aber die energetische Verantwortlichkeit der immer gut gekühlten und beheizten Räume sollten auch wegweisend in dieser Richtung sein. Da gibt es noch viele Potenziale, die es auszuschöpfen gilt. Damit kann dann auch mehr Kunst gezeigt werden, da die laufenden Kosten gesenkt werden können für mehr als eine Wahlperiode oder Amtsperiode einer Hausleitung. Also Kunst kann einen schon auf unangenehme Gedanken bringen, die die Kunstschaffenden und Kuratierenden selbst betreffen. Isa Genzken und die BAW setzen Zeichen, die vielleicht so gar nicht unbedingt geplant waren. Nice.

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Heritage Day

A heritage is something you might carry with you, no matter whether you like it or not. In architecture this is most vivid and visible. On the 2023 heritage day i Brussels many monuments and institutions open their prestigious buildings to the public and show off their “silver” or gold plated walls and ceilings. Just next to Royal Palace is the home of princesses and princes now inhabited by the Royal Academy. Even the stables have been packed with books now, all in all 19 km of shelves packed with papers of all sorts. Great that many academics and academies have shifted to electronic publishing so that the CO2 footprint of science and art can finally be reduced as well.
Of course, we adore the old postcards to learn about historical trajectories of architecture and specific buildings. The collection is a great collective memory.

Royal Academy Archives Brussels 2023
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Get mobile

In inner cities, plagued by horrible traffic jams and pollution by cars and lorries, we dearly await at least the one day per year without this nuisance. Mobility can be organized differently. Brussels demonstrates this in an exemplary fashion. Many families gear up for this one day to teach kids how to cycle technically without the dangers of the fight for space, speed and breathable air. Older persons also feel much more save then and walk or cycle longer distances than they usually do. So many winners and only a few forced to not use their cars during 10 hours. Massive health benefits for the whole city, especially on too warm a day in autumn 2023. All these kinds of ideas were already discussed before the COVID-19 crisis on a mobility fair in Brussels. It is not the ideas that are missing, but the political will and courage to try new ways forward. Learning that walking and cycling in cities do not hurt you, prepares the readiness to go further along this path. Just do it. And do it faster than in the past. The planet needs it, people seem to really like it, too. Enjoy.

Car free sunday Brussels 2023-9-17
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Biermann poetic

Wolf Biermann is probably most known and still controversial in Germany. His outspokenness in the GDR already caused a lot of trouble leading to his forced expatriation, but a warm welcome in the FRG. Most people from the baby boom generations know some of his songs prominent in the peace movements of the 1970s. Much less know is his relentless fascination with poetry. The Staatsbibliothek Berlin devoted 2 readings to his translations of poetry of Shakespeare and his French preferred poets and song writers. The expert reading and intonation of the French originals and Biermann’s translations was presented with enthusiasm as part of “the poetic coffee break” in the modern Stabi West. Hinrich Schmidt-Henkel presented in a lively fashion some of the work of Biermann and his remarks on the idiosyncratic style of Wolf Biermann were very much to the point. The translations form a unique style of translations, where it is possible to identify Biermann as translator. Here we enter into the theory of translation, where we tend to view the personality of the translator secondary to the first author of a poem. In Biermann’s case he seems to deviate consciously from this path. Doing translations becomes a kind of exercise to work and improve your own poetic skills. Exercise in metrics, lyrics and melody appear like a meditation on classical texts. In the translations from French, more than the ones from English, there is at occasions an additional critical or “Verfremdungseffekt” present, which enhances the translations with respect to the original. What are those translations? Perhaps more intended as “Pastiche” as the translators version of “rendre hommage” to his idols. In any case a memorable series of events in the Stabi. The small exposition of mainly books is another highlight, which facilitates the glancing through and reading of more of the writings of Wolf Biermann. The DHM has additional material on life and career of Biermann in a current exhibition. The strength of cultural institutes is the cooperation on specific projects. All in all, this is a great and rewarding effort honoring a troubadour between and beyond frontiers just like Bob Dylan, the other now acclaimed hero of the peace movement.

Hinrich Schmidt-Henkel in Stabi 2023-9-12
Lese Lounge Wolf Biermann 2023-9
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Participative Art

Beyond participation in the performance based on Yoko Ono’s Cut piece 1964, you had the possibility to imagine yourself as a sculptor by touching a sculpture of art attached to the Genzken exposition, nothing less than the head and bust of Nefertete, also a piece transformed by Genzken and exposed, untouchable, in the exposition. You can hardly get more involved and incited to participate with hands-on experience, so to speak.
Additionally, there is the perspective from the performing artist in “Yoko Ono’s Cut Piece” to confront the spectators with a silent, stoic expression hardly moving during the more than 90 minutes performance. Imagine, what kind of vulnerability you are risking. Artists give a lot from themselves to the public. Imagination is even going beyond the act performed. Mastering your own fear of mutilation or being exposed to views, touching and multiple other forms of sensation.
This surely is an exercise of mental strength. Spectators also interact with other participants as, for example, spontaneously another spectator too the scissors to cut his own shirt in front of the performing artist and covered the shoulder of the performer. The personal interaction assures a more intense experience of art.
After all, this is a well-known principle to enhance learning experiences as well. Imagine all the people, each taking just a tiny little piece and remember their experience that they, as well, can be actively contributing to art. Reviving this participatory experience is leading beyond imagining only your participation. Democracy is built on this stimulating experience as well. It is ever so necessary to foster participation and to overcome indifference or abstention. Learning  by doing, or experiencing through touching, offer many additional insights.
(Images and videos taken on 2023-9-12, Berlin)

Yoko Ono Cut Piece 2023 Berlin

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Revival

Almost 50 years after the first performance of Yoko Ono “cut piece” (1964), as a silent performance, it was performed again at the beginning of the Berlin Art Week (BAW2023). The “Neue Nationalgalerie” opened the art week somehow, in honour of her. The performance consists in the interaction with the audience inviting persons to approach her in front of the other spectators to cut a piece of her dress. They are allowed to keep the cutting and walk away with a little piece of her dress. In the 60s this was quite a big deal. Nowadays, after the fall of the wall and the wrap-up of the Reichstag by the Christo couple, we have become used to such kinds of take-home pieces and sharing in art work or historic moments. Hence, this was the chance for Berliners to add another valuable piece to their collection consisting of a piece of painted concrete from the Berlin wall as of 1989, Christo-foil in 1995 from the Reichstag and now the tissue from the live performance in honor of Yoko Ono.
The participation in the art performance invites several interesting approaches.
First the artist exposes herself in an extremely vulnerable fashion. The scissors in front of her make for a weapon in the hands of an aggressive person. Therefore, the number of security guards was beyond the scope of a normal protection of art hanging on the wall or sculptures exposed. In the background of the performance is the exposition of work from Isa Genzken which has been much less of a security risk. Her super-size rose in front of the gallery is accessible night and day. Some of the images taken have a somewhat blurred, more distant view on some pieces of Genzken’s work as well. The entry hall of the Neue Nationalgalerie allows a fabulous transparency of art and invites persons passing-by to attend spontaneously the performance as well.
(Images and videos taken on 2023-9-12, Berlin). Video Clip here.

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Li-Be

Jede/r hat so seine Assoziationen mit Li_be. Für eine kleine Gruppe von Literaturbegeisterten steht Li-Be seit langem für das Literaturhaus Berlin. Das war nun ebenfalls, anlässlich des Tag des Offenen Denkmals, im September 2023, als solches zu besichtigen. Zentral am Ku’damm plaziert, in der benachbarten Fasanenstraße, liegt diese geschichtsträchtige Villa in mitten eines kleinen Gartens. Trotz wechselvoller Geschichte konnte die Villa als Ganzes erhalten werden, nachdem der Denkmalschutz Veränderungen untersagt hatte. Das Haus der Li-Be hat wirklich alles gesehen, was Leute sich unter Liebe so vorstellen und wahrscheinlich noch einiges mehr. Nach den familiären Nutzungen der Gründerzeit, wurde in den wilden 20er Jahren dort ein russischer und ein arabischer Studentenclub eingerichtet in Verbindung mit der Humboldt-Stiftung, die sich auch heute noch um den wissenschaftlichen Austausch bemüht. Das Rote Kreuz hatte eine erfolgreiche Suppenküche dort in der unmittelbaren Nachkriegszeit betrieben. In den 60er Jahren war es ein Nachtlokal, aber auch einige Jahre ein Studio für modernen Tanz von Manja Chmiél, einer Schülerin von Mary Wigman. Die heutige Nutzung hat weiterhin viel mit Liebe zu tun. Lesungen und Workshops laden laufend ein, sich mit Literatur zu befassen. Der Zeit angemessen finden sich in den Archiven des Literaturhauses zahlreiche Prominente AutorInnen, die Lesungen dort abgehalten haben. Starke Frauen bildeten dabei seit den Anfängen als Literaturhaus einen Schwerpunkt. Nobelpreisträgerinnen gehören zu den Vorleserinnen seit geraumer Zeit. Annie Ernaud und Herta Müller traten schon lange vor den Nobelpreisen dort auf. Toni Morrison und Olga Tokarczuk im  Jahr der Preisverleihung oder kurz danach. Ein wahrlich toller Ort und dennoch keineswegs mit BesucherInnen überlaufen. Es bleibt eben so eine Sache mit der Liebe, auch im Li-Be.

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Widmann

Jörg Widmann hat seinen Einstand bei den Berliner Philharmonikern als „Composer in Residence“ gegeben. Die Schwester, Carolin Widmann interpretierte das Violinkonzert Nr. 2 von Jörg Widmann als Solistin. Das war ein ganz besonderer Abend. Die Widmanns haben doch tatsächlich gemeinsam die Einführung in das Programm des Abends mitgestaltet, eine ¾ Stunde vor dem Konzert im großen Saal der Philharmonie. Mit Begeisterung haben die beiden Geschwister von der gemeinsamen Zeit der Entdeckungen rund um die Violine in ihrer Kindheit erzählt. Damit wird die faszinierende kindlich, unschuldige, nahezu naive unbedarfte Herangehensweise an das Instrument verdeutlicht, die so charakteristisch ist für den Anfang des Violinkonzerts. Die Entdeckung eines Klangkörpers (vom einzelnen Instrument bis zum Tutti) geht aber rasch weiter zu einer Demonstration der vielfältigen Gefühls- und Virtuositätsregister der Violine. Paganini lässt grüßen, könnte man meinen.
Kaum klingt eine virtuose Passage an, da hinterfragt der Komponist die eigene Begeisterung. Ist das nicht einfach nur Akrobatik, um dem Publikum zu gefallen? Zweifel stellen sich ein und etwas Distanz zum gefälligen Wohlklang. Reflektierte Virtuosität, der Soziologe würde vielleicht auch reflexive Virtuosität als kompositorisches Element verwenden wollen. Notation von Musik und Klängen hat seit dem wohltemperierten Klavier relativ feste Vorgaben. Daran hat sich Jörg Widmann zu 98 Prozent wohl gehalten. Die anfängliche Erkundung des Klangkörpers Violine lässt sich aber nur anders notieren. Innovativ, mit mehr Raum für Interpretation in der Aufführungspraxis. Das betonte so auch die Schwester, die nun wirklich dem Komponisten sehr eng verbunden ist. Interessant war daher ihr Kommentar, dass diese Anfangsstelle für sie gleichsam die größte Herausforderung darstellt.
Die folgende „Fantasie für Klarinette solo“ von Jörg Widmann passte daher gut zu dieser Erkundungsreise von Instrumenten des Symphonieorchesters. Die Klarinette hat in allen Musikepochen und Stilrichtungen ihren Platz behauptet. All diese Anklänge lassen sich in dem Solo, welches der Komponist selbst dargeboten hat, wiederfinden.
Nach dieser aufregenden Reise durch die Jahrhunderte der Musikgeschichte stand die „Reformationssymphonie“ von Felix Mendelssohn-Bartholdy auf dem Programm. Spannend war die Umsetzung „dieser Art von Teufelsaustreibung“ (Worte von Jörg Widmann) mit dem „2. jüdischen“ Satz und dem „3. protestantischen“ Satz der Symphonie in denen Felix Mendelssohn-Bartholdy seine beiden Wurzeln in den Gesängen und Liturgien in Andeutungen aufnimmt. Mit Klängen und Fängen der ausgehenden Romantik wurden wir in den weiteren Abend entlassen, samt Eindrücken aus der Ausstellung zu der Entstehung (60 Jahre) und der Architektur der Berliner Philharmonie und dem Scharoun Ensemble (40 Jahre) der Gebäude einschließlich der Stabi West. Das Mendelssohn Archiv hat in der benachbarten Stabi West einen kleinen, feinen Ausstellungsraum mitten im großen Lesesaal. So haben wir einen umfassenden Rundblick und Ausblick genießen können, die dem Kulturforum in eindrücklicher, dennoch unaufdringlicher Weise, eine hervorragende Stellung einräumen.
(Image: Jörg Widmann jenseits des Schattens von Furtwängler 2023-9-9)

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Denkmal

Jedes Jahr gibt es die hervorragende Möglichkeit am Tag des offenen Denkmals, historisch wertvolle Gebäude und Anlagen zu besichtigen. An heißen Tagen, wie in 2023, sind Altbauten oder klimatisierte Räumlichkeiten besonders bevorzugt. Die Philharmonie hat erneut die Möglichkeit geboten ohne langwierige Voranmeldung, spontan vorbeizukommen und an einer Führung teilzunehmen. Das von Hans Scharoun entworfene Gebäude samt seiner akustischen Spitzfindigkeiten bietet spannende Einblicke. Stille, Sound und Noise in einem Gebäude und Konzertsaal will sorgfältig geplant sein. Kompromisse mit verfügbaren finanziellen Mitteln und Planungsverfahren gehören zur baulichen Realisierung, wie eventuell zu den Kompositionen, die dort aufgeführt werden. Heute erscheint uns die gelungene Akustik als historischer Meilenstein. Ebenso die Form des Konzertsaals mit Plätzen hinter dem Orchester, aber auf das Gesicht der Dirigierenden bietet einzigartige Einblicke in die Praxis der Aufführung. Für 10 Minuten war selbst bei der Führung zufällig ein Zuschauen bei der Generalprobe der Berliner Philharmoniker von weitem erlaubt. Komponist und Dirigent Jörg Widmann probte noch Ausschnitte aus der am Abend aufzuführenden Werke. Selbst hoch unter dem Dach der Philharmonie konnten die leisen Ansagen des Dirigenten leicht verstanden werden. Akustische Meisterleistung der Architekten. Wer hätte gedacht, dass Anfang der 60er Jahre eine solche Glanzleistung möglich war, im Berlin, das gerade erst durch die Mauer getrennt werden sollte und dann geteilt überleben musste.

Entwurf Hans Scharoun Ausgestellt in Berliner Philharmonie 2023
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Corrupt-2

New scientific evidence on corruption and stereotypes about corruption reveals surprising behavioural responses. Social psychologist classified corruption as a behavioural trait of a person. The new evidence of a study that includes country-specific stereotypes into a corruption experiment shows there are always two sides to consider: the corrupted as well as the corrupting person. Both hold stereotypes about the likelihood another person (from a specific country background) is likely to accept a bribe.
Using a widely accepted index from Transparency International on corruption in countries the experiment uses real payouts to test the probability that a person from country X is trying to bribe a person from country Y. Rather than a personal trait, the study finds that many persons become “conditionally corrupt”. This describes the behaviour to offer a bribe to a person occurs more often if you believe the probability that the person accepts corruption is high. Dorrough, Köbis et al. (Link publication) is cited in “nautilus” explaining this by, quote, “when in Rome, do as the Romans do”. Additionally, the stereotypes on corruption prevalence leads people to act more on what they believe is common practice rather than what is the basic legal or ethical standard.
From behavioural ethics we know the urge of people to find justifications for their unethical behaviour to themselves or to others. This is called “justified ethicality”.
Following this rationale, it will be easier to accept a bribe, if the person originates from a high reputation of corruption. In order to correct for such bias due to stereotypes it is important to pursue corruption vigorously and, just as important, communicate a lot about this behavioural change so that stereotypes begin to change in the mindsets of other persons as well. There are many ways to Rome and some turn out to be quite long.

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Silence

In the modern world places of silence have become rare. During the industrialisation noise has become a synonym for modernism. Many people even celebrate noisy engines as an image of strength or horse power. In the wake of the 21st century is has become evident that this co-evolution has made us sick and whole cities suffer from the abundant sources of noise.
Can we talk about silence? No, wrong approach, but we can write or realise images dealing with silence. Yes, surely. Spiritual locations often build on the mystic experience that silence might incur. Measuring silence in physics is a lot more complicated. Sound has several forms of measurement. Also, silence is probably experienced by most of us as a relative concept. Compared to a noisy atmosphere we might appreciate less noisy situations as more or less silent already.
Therefore, a reasonable, but evasive definition of silence is the absence of noise. Depending on our auditive capabilities different persons will define silence at different levels. Sound near us blends into sound in the background and vice versa.
Temporality plays an important role. In complete silence we might imagine even to be dead. Otherwise, some distant vibes or vibrations will reach us and potentially stimulate our senses. Silence works as a bridge between two atmospheric impressions. It creates a feeling of expectation for something still unknown. Silence is underrated as our smart phone attempts to disrupt silence as much as possible to draw our attention to messages or reminders. Hence, silence is about to be turned into a new status symbol. Practice of meditation, listening to isolate and subsequently to discard sound, has become an advanced level competence, not only for musicians. Feel free to be silent and see what happens around you. It is easy in locations of supposed spirituality or in most libraries. Almost everywhere else you have a hard time to experience a silent atmosphere.
The composer John Cage made silence the title of one of his quite well known pieces. The willingness to pay for the entry to the silent concert might be surprising although the listening experience is unique to each location and diversity of audience. Composing silence remains a challenge, making noise is easy. (Image: NASA/ESA Hubble Space Telescope, extract of Link)

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Write, write, write

A poster announcing the “internationales literaturfestival berlin 2023” prints in big letters: “Read, read, read, … 14 times”. This is a quote from Werner Herzog when he was asked what makes a good filmmaker. The message from Manjeet Mann to the young audience at Berlin added to this: “write, write, write”. At least this was my impression as a summary of the talk and her short readings from her novel in verse “The crossing”.
The lecture hall of the “Stabi” was packed with students from high-school who felt at ease with the English language presentation and talk. The host Shiva Mesgarian managed to get the crowd of students to ask questions in the huge lecture theatre. Manjeet was giving a lot of insights into writing, editing, motivation and the difficulty to give a voice to persons from marginalized backgrounds. In her case as a person of colour herself, born and raised in England with additional links to India, she took issue with the topic of refugees. Living in Folkestone (Kent), she is confronted with people crossing the Channel on a daily basis.
Her book “The crossing” is actually building bridges between countries and continents. Her entertaining way to talk about her hard work as writer motivates, inspires and encourages young persons to pick up their pencil and/or notebook to start writing. Just don’t stop. Journaling helps. Take your emotions of an issue seriously, then work on it. Give characters a voice who have not received much attention. Go out and interview persons to get authentic input.
It is not about appropriation of a story. It is about meeting and exchanging with marginalised persons. Return your written pieces to those “sensitive readers”, whose story you attempt to develop. All this takes time. Re-writing is an important element as well. “Having written the story for yourself, you then re-write it for the readers”. Edit, clarify, sharpen, blur, attend to detail – all this helps the reader to follow and enjoy. These were the messages to all the students who were grateful for advice as the new season of essay writing in school, university and beyond is about to start.

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Poetic Coffee Break

The rather stiff and rigid structure of the “Staatsbibliothek” in Berlin does not yet have a reputation to be a place of poetry, translation of poetry and recitals. This is about to change. As a student, researcher or lecturer I would have adored to see my library proposing a poetic coffee break. I would have gone for the necessary break in the afternoon, the coffee and, okay why not, a poetic experience.  This time it was different. The organisers, “ilb and Stabi” got together and Ursula Jäcker together with Michael Bucher presented poetry from Shakespeare (Sonnet) in English followed by the German translation by Wolf Biermann.
Translating poetry is a very tricky thing. Just try it yourself and you will be full of admiration for the admirable work of translators of words, sentiments, rhyme and rhythms. The presentation of Biermann’s comments on his own work on translating Shakespeare’s sonnets gave interesting additional information on the short and precise English original and the longer, somehow fat translations into German (Biermann’s words). Thanks for the indication that Biermann deviated from the Shakespearean “iambic pentameter” to add a sixth foot most of the time (to be checked OMG). The choice of numbers 6, 18, 27, 66, 73, 76, 121, 147, 154 from the Shakespeare Sonnets were witty and entertaining for a coffee break. For example, from 27:
“And keep my drooping eyelids open wide,
Looking on darkness which the blind do see:…”
Also, from 76:
“Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth, and where they did proceed?”
More than 400 years ago, these rhymes were drafted and still today writers and learners, at the Stabi and beyond, can somehow identify with the intricacies of the process of creative writing.
More of this, we need, today and for tomorrow. THX.

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Ozone

Ozone (O3) has a rather mixed reputation. High up in the stratosphere it protects us from too much radiation from the sun, but down on earth in our respiratory environment it causes and amplifies respiratory difficulties. Hence, it is very important to differentiate the 2 different layers and differential effects of concentrations of ozone in the air. A forthcoming study in the Lancet Regional Health Europe (Nov. 2023) by Tianyu Zhao et al. demonstrates the long-term, negative effect of higher concentrations of Ozone on lung function. The prospective cohort study followed individuals in multiple states and locations over 20 years and corrects estimated effects for other environmental effects (fine particles PM 2.5 pollution) and green environment. Faster decline in spirometric lung function is highly likely to be caused by higher ambient ozone concentrations. The study is based on 3000+ observations from 17 centres in 8 countries in Europe. Older persons in the range from 35 to 55 had a steeper decline in ozone-related decline in lung functions.
This is rather bad news for older persons living in inner cities where both ozone concentrations, mainly in summer, heat and micro-particles cumulate. Similarly, areas with frequent so-called inversion micro-climate, (a layer of cold air on top of SMOG blocks the renewal of air for extended periods) face particular health risks. Professions that work long durations outside in the sun or the exercise of sports during high ozone day-time run higher risks for a deterioration of their lung functions in the long-run. The medical evidence is there now, also for Europe, what had been shown already for the US before.
It is time to adapt our lifestyle to these health risks. High effort physical work outside should start as early as possible in the morning hours or even before sun rise. Staying indoors is highly recommendable for older persons and persons with reduced lung functions (asthma risks) during such periods of high ozone concentrations. Like it or not, even wearing a mask outside, when it is sunny and hot would be preferential, but is rather inconvenient. We need to shift airing living rooms or offices without climatization to early morning hours rather than ambient temperatures in the afternoon, when ozone peaks are prevalent.
These effects and remedies have been known for some time, but the evidence is much more compelling now (Zhao et al. 2023). Climate change in form of global and local warming, particularly in inner cities, will only exacerbate these effects in the coming years. Prevention measures need to be considered in public health measures as well as urban planning. We can do it, if we want to. Start now to benefit from the effects a decade later or for the benefit of younger generations. (Image: Int. Encycl. of public health, p.702).

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Princess

Berlin is proud to present its princesses after a marvelous lifting. Yes, in the middle of the barbie hype, Berlin exposes two of its princesses of the late 18th century. And you can touch them, if you like or dare to. They don’t bite. I have not seen anybody kissing them either, except for a Spanish football president. All this is happening in the Museum Church Friedrichswerder designed by architect Schinkel an built until 1830s. The grouping of the two sisters was unusual for the time and only the inscription at the bottom introduces the distinction that Louisa on the left is the princess heriting the throne. Frederica on the right is wearing a different foot wear, considered less noble. The privilige to touch the princesses applies only to the smaller copy in front of the image below with “Braille inscription”. The original is further behind. Of course, this one is protected  against unwanted contact with the masses or “followers”. At the time “follower” still had a different meaning from today.

Louisa and Federica, Berlin
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Bogenspannerin

Seit der Antike sind Bogenschützen und Archer ein Thema der Künste. Meistens ist die männliche Repräsentation die dominierende Variante. In Berlin lässt aber auch seit langem eine starke weibliche Realisierung bewundern. Nahe dem Pergamon Museum und der Alten Nationalgalerie steht die Statue der Bogenspannerin. Die Zielrichtung geht Richtung Hedwigsdom, als ob der Kampf zwischen Kunst und Religion ein andauernder wäre. Erfahrene Stadtzeichnerinnen, aber auch Jugendliche fühlen sich dadurch angeregt. Kunstschaffende können einen nachhaltigen Einfluss haben. Innerhalb Berlins ist nicht nur die Vielfalt der Kulturen zu bestaunen, sondern auch der Wettbewerb der Künste um Aufmerksamkeit. Da werden nach Regierungswechseln oft viele Bögen gespannt. Bleibt abzuwarten, wen es alles dieses Mal treffen wird.

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Energy Ethics

Around the topic of energy there many ethical issues that urgently need sorting out. Carlos Diaz-Rodriguez and co-authors have provided a sound basis for such ethical considerations. To leave the disastrous path of energy provision through polluting fossil fuels and, additionally very risky, nuclear energy, they propose a departure from the principles and values that have guided us into a dead end. In their opinion we suffer from a mistaken belief to be able to control in extremis, through scientific methods, the forces of nature. In ethics this mistaken belief has roots in religious beliefs that mankind is mandated to make the earth subordinate to its own will. The authors propose to overcome this old paradigm with a new paradigm. This builds on the (1) “precautionary principle”, (2) justice as equity, (3) protection and the (4) principle of responsibility.
Most European readers of philosophy and social science are familiar with these principles. The virtue of the paper is to expose and juxtapose these principles in a clear format and a stringent application to the ethics of energy (production as well as consumption of it).
The precautionary principle is part of the European treaty on the functioning of the European Union Art. 191, but its implementation on energy issues reveals that it is a tiger without teeth. Younger generations across the globe are right to claim a more forceful implementation of this principle.
The perspective of justice as equity is bringing in later born generations as well into the balance costs and benefits of “cheap energy today” but huge costs of dismantling, repairing, stocking deferred to the future.
The protection principle refers to the loss of biodiversity and exploiting resources in areas of world heritage, for example.
The principle of responsibility goes beyond the judicial and economic principle that the person, company or state causing damage through exploitation of resources, and in producing energy with it, has to pay for repairing those damages.
As this is hard to achieve in real terms, there is an urgent need to reiterate the responsibility principle at all levels. Despite the inefficiencies of legal systems, the international legal order in particular, there is no way around than to insist on responsibility from the individual behaviour, company strategic goals as well as objectives set by nation states and international organisations. The Paris agreement and all COP XY conferences only prove the fact that irresponsibility continues to be a guiding principle.
Maximalist positions as well as continuing like decades before is failing people on earth. Organising a discourse on these ethical issues is a first step, but we have to be able to address negationists as well.
The missing principle so far is the solidarity principle. Without a firm commitment to intergenerational and international solidarity we shall remain unable to solve the ethical puzzle. It is high time to organise solidarity related to the field of energy.
(Image: “The fallen tree of knowledge” by Fabrice Samyn. Exposition in Yerres, France 2021-11)

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Energy Food

For more than a decade now researchers have shown the link between energy prices and food prices. At first sight this might seem surprising. In traditional or romantic associations with growing food, there is no link between the cost of energy and food production. Growing crops in your garden does not need more than sunlight, soil and water. Yes, that was long ago. Industrial production of food is heavily relying on energy to heat, feed and water plants or animals. Additionally, the supply chains have become far more distant, which increases the CO2 footprint even further. Therefore, it is no longer surprising that a great number of econometric studies confirm the close link of energy prices and subsequent pressure on food prices. This is not restricted to Europe, but has reached global contamination.
Enjoying seasonal local food is a double catch solution. You grow according to local weather conditions and use traditional conservation methods, if the crop is exceeding your demand at that time. Providing heating for animals to increase productivity or quality of products appears to be one of the most wasteful ways to further increase the spiralling up of energy and food prices.
In agricultural science there is a lot of research into the “energy intake” of animals to better grow or produce more milk etc. This is the expensive intermediary step using energy to produce energy intake for animals rather than humans. It is surprising that we take so many years to address these well-known linkages that have turned to serious problems after Russia’s war on Ukraine. Agriculture and farmers can be part of the solution rather than a problem themselves, if the link of energy consumption and food prices is taken seriously.

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10000

In France 100.000 is associated with Monsieur 100.000 Volt Gilbert Bécaud due to his dynamic singing and performance style. Since August 2023 we now have an additional association with the number 10.000.  Ten thousand m3 was the size of stones that came down from the mountains near the popular skiing resorts in the French Alps (Le Monde Link+video). To visualize the amount, a back of the envelope calculation with a standard container size of 25 m3 returns 400 loads of lorries to be removed from hard to access landscapes. Count this into the costs of running ski resorts.
A study in the scientific journal “Nature Climate Change” in 2023 highlighted the increasing risks to European skiing sites. Same holds for the Alpes in Switzerland.  Some areas relying on water resources to create artifical snow do so in less and less safe areas. Costs accrue to communities who benefit only indirectly from the skiing hype, celebrating 100 years of Olympic skiing next year. After all it is big business to sell or lend equipment, provide hotels and meals for all those sports women and men.
The so-called collateral damage is probably even worse. Interrupted railways, bridges, motorways and traffic in general becomes a severe disruption for quite some time adding to the total costs of having fun in winter. Is it worth it? A tricky question to ask in a referendum. We shall have to revise our past decisions to expand skiing resorts in light of the new evidence of higher risks and costs involved. A book on 10.000 years of history of glaciers is full of side-effects of glaciers melting away, which cause instability to valleys on the sidelines. In the most recent break-up of rocks it is actually more the access to the skiing resorts that was blocked, but this demonstrates to all: passing this area now, is not without serious side-effects.

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Everyday objects

If you were wondering whether everyday objects can be a piece of art, then the exhibition at the “Neue Nationalgalerie Berlin” is for you. Isa Genzken challenges our traditional view of everyday objects through small transformations of these objects. At first sight you “only” see something utterly familiar to you. A window, a radio, a rose or a wheelchair are immediately recognisable. However, all objects have a little twist to them causing some alienation, questioning or finding new connections. This is the stimulating experience of a visit of the exhibition. The booklet gives an informative overview of choice of sculptures chosen for the exhibition. Walking around in the spacious entry forum allows to appreciate the objects from many angles and in different lighting including twilight. Allow yourself to be challenged. Distancing your perspective beyond the obvious object you recognise broadens our vision of what we see and how we perceive it. The huge pink rose in front of the gallery overshadows even the monumental appearance of the Neue Nationalgalerie. In memoriam “Rosa Luxemburg” and Karl Liebknecht who were murdered not far away, near the “Landwehrkanal” in 1919.
Some visitors might like the skyscraper models she created to remind us that “design catastrophe” with the usual high rising buildings are pervasive around the world. Sculpture as architecture or architecture as sculpture has been her forward looking work from 2008 “Ground Zero – Hospital”.
With the construction work in full swing in the neighbourhood of the gallery with the design of a barn (Scheune) we understand the choice of the artist as a timely reminder that Berlin could be more daring in the architectural design.

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Smart watch

Das Handgelenk hat noch viel Platz für elektronische Geräte. Vom preiswerten Schrittzähler bis zur smart watch und intelligenten Armreifen oder sogar Ringen gibt es dort viel Potential für Innovation. Jenseits der Schritte werden mittels vielfältiger Sensoren eine Fülle von Daten erfasst. Datenschützer erschaudern geradezu. Das Potential für medizinische und soziologische Auswertungen dieser Daten ist immens. Vergleichbar mit einer elektronischen Waage, die Knochenmasse, Wasser und Muskeln erfasst erlauben die smarten Uhren noch mit Ungenauigkeiten, aber stetig besser werdend, kardiologische Werte und Schlafrhythmus zu erfassen.
Mit Daten von tausenden bald Millionen Datenlieferanten lassen sich wichtige Studien zur Früherkennung von Gesundheitsrisiken durchführen. Plötzlicher Herzstillstand ist eines der immer noch wenig aufgeklärten Phänomene. Die Studie im LANCET digital health hat solche Daten ausgewertet und kommt zu der Schlussfolgerung, dass dyspnoea für Frauen und Männer der größten Risikofaktoren darstellt. Für Frauen wird Entwarnung gegeben für Diaphoresis, exzessives Schwitzen, aber nicht für Männer. Letztere sollten Schmerzen in der Brust ebenfalls ernst nehmen. Daten sammeln kann durchaus Leben retten.
Dennoch droht dem Gesundheitswesen eventuell eine Welle an falsch positiven Selbsteinweisungen in der Notaufnahme der Krankenhäuser. Darauf sind wir noch wenig vorbereitet, inklusive der möglichen rechtlichen und finanziellen Konsequenzen. “Big brothers are smart watching you”. Müssen Ärzte die smarte Evidenz berücksichtigen, etwa so wie eine Patientenverfügung? Was wenn plötzlich der Notarzt unaufgefordert an der Tür klingelt? Wer hat meine Uhr gehackt, … , singt das Paulchen Panther jetzt.

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Stabi locker

Die Staatsbibliothek Berlin in der Potsdamerstraße macht sich mal richtig locker. Neben all dem gebundenen und gebündeltem Wissen gibt es eine kleine, etwas versteckte Ecke in der richtig gechillt werden kann. Mit aktuellen Tageszeitungen in Papier und online lässt sich gut pausieren. Eine tolle Aussicht gibt es zusätzlich. Selbst eine vorübergehende Schließung wegen überfälliger Sanierung wird die Stabi bei den Wissbegierigen eine wichtige Location vermissen lassen (fehlende Bücher).
Neben Wissensmaschine ist die Stabi eine Lernanstalt erster Klasse. Die Anzahl der mitgebrachten dicken Gesetzbüchern samt Kommentaren lassen einen immer wieder staunen über den Mangel an stillen Lernorten an Universitäten und in Privatwohnungen. Die richtige Lernumgebung befördert den Ansporn, noch eine extra Meile zu gehen. Wissbegierig ja, aber es braucht auch viel Durchhaltevermögen bei ständig wachsenden Ablenkungsmöglichkeiten. Gemeinsam, einsam, allein mit sich und dem Wissen lässt sich vorzüglich dicke Bretter bohren. Das ist ein wichtiger Teil, das Lernen zu lernen. Kunst am Bau und im Bau gibt es gratis dazu. Die Nähe zur Ablenkungsindustrie am Potsdamer Platz, Kinos, Spielbank und Fresstempel kann da getrost auf ihre späteren Opfer warten. Mit Regionalzügen und S-Bahn kommt man von dort rasch wieder weit weg.

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Barbie explore

The film on Barbie after more than 60 years of the first puppets to arrive on the market is a huge money spinning exercise. Hitting more than 1 billion $ is really a huge box office success. More interesting even is the banning of the film in some countries like Algeria. This gives the film an interesting subversive touch to it, which we in the Western countries no longer see as something special. Emancipated women pose a threat to authoritarian regimes.
However, we see in the stereotypes of beauty-driven dolls not that much of an emancipatory chance. To view emancipation independent of the looks of a person is another interesting twist to the role in stereotypes of beauty. It is not only fun to play around with stereotypes, that is mostly, if you are not negatively affected by them (age, gender, ethnicity, extraordinary persons). A nice task for sociology and psychology to explain the working of stereotypes in society and possible remedies. Tolerance is a competence that needs to be learned and updated continuously, from early age onwards.
Therefore, the website created by the US Design Agency Rvnway offers an entertaining way to play around and learn about stereotypes. Perceived, generalized beauty or gender roles can be explored using the tool. Maybe some see themselves differently after such explorations. Everybody is a model. This is the message. www.bairbie.me will let you explore other formats of yourself. After 3-D rendering and printing your children or grandchildren will decide what role they would like you to play in their playfull, or virtual “real” life. I suppose many of us will be up for a big surprise. Go on and imagine in 4D. In the age of selfies all around us, all the time, we believe we are very modern, but the artists of the 19th and 20th century following all great painters before, frequently started their careers with an “autoportrait” or “Selbstbildnis” or series of those as they were aging.

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More Design

How about a subject like Design in school. Rather than the same old boring teaching manuals in art, music, economics or social science, young learners have always been attracted to making things by themselves. The theoretical context is then coming to the subjects and objects more naturally. Economics as market design, design social security for platform workers, sound or furniture design could bring in the creative potential of the learners. Lessons learned through subsequent applications or realizations of prototypes allows the link of theory and practice. A school garden would even be a fantastic cross-discipline learning opportunity.

The most difficult part is probably to find competent coaches to guide the learners exploring and designing. The world is not perfect, so why should learners not be confronted with imperfections in learning set-ups. The most fun part in science is when experiments go wrong, hopefully not too badly though. Catching learners by their curiosity is very likely to get them hooked on more thorny scientific questions as well. Across Europe holidays are coming to an end and millions of pupils go back to their benches and rigid curricula. We should really care more about the next generation.

Vitra Design Exhibition and Campus 2023