The 1910s have been eclipsed completely by “the Great War” between 1914 to 1918. The 1st world war certainly was the most horrific period of the decade of revolutions and mass arousal. From a global history perspective the years preceding and shortly after the humanitarian disasters deserve more attention, if we were to derive lessons for prevention of other world encompassing wars of imperialist states. The numbers 1st, 2nd, … 3rd (?) world war suggest an unescapable numbering of events. We no longer can think in this trivialising logic of war or historical determinism. Empires go to war more easily than democracies. This was the social scientists’ consensus after the Great War. It took several years for many European states to turn more democratic, allowing women to vote, or introduce more robust health and social security systems. Powerful aristocracies would not cede power easily, only the widespread poverty after the Great War and the human losses discredited many aristocratic regimes throughout Europe. The imperialist dominance of the beginning of the 1910s produced a spirit of ruthless conquest and exploitation of colonies around the world. It took another global war and almost half a century to dismantle these regimes. To understand global alliances and impediments of wars in the 21st century, the early 1910s are instructive as they inform the restitution of artefacts debate in the 2020s. In the history of ideas, the 1910s are probably best characterised as the period of attempting to turn “grand ideas” into political facts on the globe. The rise of Marxist ideology, liberal and fascist counter movements started to take powerful roots at the end of the 1910s. All these ideas and factual changes of the maps of power still seem to govern a lot of international politics even today. 
20s
In retrospect from the 1930s and in prospect from the 1910s, the 1920s may well be described as “The tumultuous Twenties”. Several other summary notions are attributed to the 1920s. “Les années folles” in the French speaking world, “The Jazz years” within the U.S. or the “Wild 20s” in Germany coined the decade after the disillusion of the 1st world war. The economic and cultural revival after the period of atrocities has seen thriving city centres and comparatively little economic hardship until the Wall Street crashed on October 24th in 1929 the so-called “Black Thursday”. The party was suddenly over and a lengthy economic crisis spread globally. It was within this free spirit of the 1920s that the Fascist counter movements of the 30s started to take roots.
The 20s saw the skyscrapers soar and the credit-financed speculation was at its highest. Pierre Boudon (1991, pp. 137) characterises the architecture of the 1930s as “l’inversion des signes”. The Bauhaus of the 1920s was later forced into emigration. The film of F. Lang “Metropolis” (1927) prolonged the constructivist lines of the 1920s to a haunting vision of big cities with its daunting acceleration of economic and cultural experiences.
Walter Benjamin later referred to the method of technical reproduction as one of the major foundations for the mass movements and mass culture, which turned the relatively prosperous early and mid 20s into the disastrous 30s. Indeed, many scholars combine the 20s and 30s into one historical period as the rise and decline between the 2 world wars of the 20th century.
Certainly in terms of economic development many countries witnessed a steep rise in prosperity in the 20s followed by deep recession in the 30s. What went up in spectacular terms in the 20s, economic development, democratic participation, came down in the next decade due the rise of Fascist movements.
100 years later in the 2020s we still struggle with many of the same issues. Poverty and “Existenzminimum” were topics of the 2nd International congress of modern architecture in 1929 in Frankfurt. This reflects the lasting need to address “social issues” throughout decades, if not whole centuries of mankind. 
30s
In retrospect the 1930s would deserve well the label of the disastrous 30s. In terms of human tragedy the 40s were worse, but the foundations for the millions of deaths through the Shoah and the second world war were enacted throughout the 1930s. My reading of the decade is dominated by the rising tide of hate throughout the 30s. The fascist movements in Italy and Germany were growing rapidly. From the entry number 185.729 (later committed war crimes in Ukraine) at the 1st of January 1930 the German NSDAP membership grew to 7.352.197 (Reichsakademie für Leibesübungen) on the 1.1.1940. This is still about 3 million persons less than at around the peak in 1944/45 of for example entry number 10.123.636 (later Foreign Secretary of Germany). The House of European History of the European Parliament in Brussels provides a good depiction of the spread of Fascism and dictatorships in Europe in the 1930s. Whereas Italy had turned Fascist already before 1930. Hungary was also under dictatorship already at the beginning of 1930. The rise of the German Nazi political party NSDAP turned out to be the most disastrous and devastating fascist movement and dictatorship throughout the 30s. The maps with timelines represented in the permanent exhibition in the House of European History reflect the spreading disaster for millions of persons. Many writers and social scientist had the correct apprehension and “apocalyptic imagination” (Pearce, 1971) to seek refuge early. But this turned out to be a not generalisable exit option for most persons concerned. Only few countries managed through early decisive action against the spread of fascism to escape from, better shield themselves, or fight against the rising tide. In the late 60s and the 70s youth at the time started to question the role of their parents in the rise of nationalist movements in Europe. An interesting reference for Canada is the teaching reform that materialised in the “box of the 30s” (Weinland and Roberts, 1972). The 1930s Multi Media Kit for teaching history contained photos (Guernica), radio clips, extracts from novels, but also recipes or recorded interviews. Make history speak and start with a “personal touch” to it. Avoiding the economic failures of the 1930s and the rising tide of fascists throughout the 30s are high on the political agenda 90 years later in the 2020s again.
Flotow Kontroversen
Während Flotows Lehrjahren in Paris ereigneten sich historische Ereignisse, wie zum Beispiel die Pariser Juli-Revolution 1830, Commune oder die 1848er Revolutionen in Paris und Deutschland. Später sollte der dt-frz. Krieg 1870 ein weiters einschneidendes Erlebnis darstellen. Über all diese historischen Verwerfungen hinweg sind Kunstschaffende ständig den nationalen Vereinnahmungen und Verwertungen ausgesetzt. Bei Flotow äußerst sich das in den Intrigen von unterschiedlichen Seiten, die gegen ihn gefahren werden. Von deutscher Seite mal als Demokrat verunglimpft (s.u.), wird er in Frankreich als frankreichfeindlich bezichtigt. Aktiv dagegenhalten, gehörte schon damals zum Geschäft im europäischen Raum. Mit dem Eintreten für Autorenrechte an Werken und deren Aufführungen schaffte er sich sicherlich nicht nur begeisterte Freunde in der Theaterwelt. Vergleichbar dem Disput über Patentrechte zu Hörnern, Trompeten und dem Saxophon, musste die Lebensgrundlage für viele Komponierende erst noch geschaffen werden. Eine Nominierung als Korrespondent der „Akadémie des Beaux-Arts“ ist da eine tolle Anerkennung. Die Probleme von höchst prekären Lebensverhältnissen von Kunstschaffenden im weitesten Sinne bleiben eine ständige Aufgabe und Herausforderung (Mäzene). Der kleine Fritz von Flotow hatte in seiner Kindheit mit genau diesen Einstellungen gegenüber dem oft brotlosen Beruf des Kunst– und/oder Musikschaffenden zu kämpfen. Als streitbarer Aristokrat mit demokratischen Zügen fiel er mitten in die soziale Zerrissenheit und politischen Wechselbäder des 19. Jahrhunderts.
Thucydides on War
Thucydides (born around -460) has received a lot of fame for his “thick description” of the Peloponnesian War. He deserves continued praise even for inspiring statisticians. The account of events without emotions, but with lots of details, is often perceived as the beginning of historiography and history as science as well as empirical political science. The entry of “Thucydides” in the Encyclopedia of Social Measurement (2005, p.805) by P.A. Furia and A. Kohen cites the derivation of a causal or explanatory effect based on his historical account as a foundation of scientific approaches based on empirical data. “The growth of the power of Athens, and the alarm which this inspired in Lacedaemon (i.e. Sparta), made war inevitable” (Thucydides, I 23). The empirical assessment of the growth of power is subject to controversial accounts. Power may derive from population, wealth, industry, weapons, munition or general military capabilities or skills. The assessment would also need to consider relative rather than absolute strength of just a one-sided approach. Here we are in the middle of the Russian war on Ukraine from 24.2.2022 onwards. Statisticians discuss, whether it is just a single variable that has the overall explanatory power for the beginning of the war and what other intervening variables might be important to take into account to avoid a selection bias. Beyond this materialist explanation we might stress the importance of the sociological concept of “collective fear” (links to approximation through trust, xenophobia) of the strength of Athens as the underlying causation of the beginning of war. The ideation of perceived strength gives rise to the construction of many intervening processes (Coleman’s macro-micro-macro linkages), which make a simple causal attribution just to material strength an illusion or risky shortcut explanation. The Thucydidean Method (p.806) exemplifies much of the dilemma and spice of social science analyses. Scholars of diplomacy challenge the empiricist perspective in arguing that the breakdown of diplomatic discourse several decades before was at the beginning of the causal chain. Here again we can make links to the preparation of war by Russia through strategic diplomacy as well as the risks taken through a break-up of diplomatic channels of communication. The perceived strength of the opponent in war might play a decisive role at the beginning and at the end of war. The charisma of leaders, democratic decision-making and political alliances with neighbouring states, Sicily at the time of the Peloponnesian War, were further intervening processes. This is perhaps not all too different from today, if we consider the role of Belarus in the aggression of Russia against the Ukraine. In fact, Thucydides seemed to be convinced that under similar circumstances human behaviour would reproduce itself. Therefore, thick description of historical facts might still inform political leaders today and tomorrow.
(Reallexikon für Antike und Christentum, XV pp. 752,
Der neue Pauly, Enzyklopädie der Antike 12, pp.505 image below).
Ukraine Reynders
Short Video on extract of speech by Commissioner Reynders at the opening of the exhibition on Ukraine Resilience despite the atrocities of Russian Agression commited in Bucha. www.RememberBucha.eu
Click on the this Link: Ukraine Reynders 24-2-2023
Ukraine Resilience
The opening of the exhibition on war crimes committed by Russian soldiers took place in front of the European Parliament today. The images frighten us as they reveal human atrocities. Destruction on a large scale with so many lifes lost will take a long time to overcome the grief. The images of the commemoration and the minute of silence show the solidarity of the whole of Europe with the Ukrainian people. The European Parliament has the patronage of the exhibition which is curated by Justyna Napiórkowskiej. Commissioner Reynders expressed the commitment of the EU to support the Ukraine 🇺🇦 in their capacity to fight back and the rebuilding of the country. Stand with Ukraine. 
Berlin Wahl 2023
Wähle Wähler, sonst hast du die Wahl verloren. Die wiederholte Wahl geht sicherlich in die deutsche Wahlforschung ein. Murks bei der Durchführung einer Senats- oder Landtagswahl dürfte in etablierten Demokratien nicht in diesem Ausmaß vorkommen. Solche Versuche, demokratische Systeme zu delegitimieren, kennen wir aus demokratiefeindlichen Umgebungen. Die angeordnete Neuwahl hat eine um ca. 150.000 Stimmen geringere Wahlbeteiligung ergeben, bei einer Anzahl von ca. 1.500.000 abgegebenen Zweitstimmen von ca 2.500.000 Wahlberechtigten. Neuwahlen bringen also nicht unbedingt ein faireres Ergebnis im Sinne der Beteiligung an Demokratie mit sich. Im Gegenteil, Frustrationen äußern sich an Wahlurnen in Form von Denkzetteln statt Wahlzetteln. Die Summe der entschieden für Demokratie eintretenden Wählerstimmen, die im Senat vertreten sein werden liegt nur bei 1.170.905 Stimmen. Das ist keine absolute Mehrheit der Wahlberechtigten mehr. Damit sollten die demokratischen Alarmglocken klingeln. Während sich Rot-Grün-Rot im Zentrum behauptet ist der Speckgürtel deutlich schwärzer geworden. Die Neuwahl hat ca 1 von 10 Wählenden abgeschreckt. Sogar die Protestwählenden und ungültigen Stimmen sind rückläufig. Meinungsäußerung über das Parlament wird dadurch weniger repräsentativ und das kann auch gefährlich werden. Interessenvertretung findet dann mehr auf der Straße statt als im Parlament. Partikularinteressen, die Tierschutzpartei hat 36.233 Zweitstimmen gewinnen können, die FDP nicht einmal das doppelte davon, können Parlamente bereichern, in dem sie kleine Gruppenmeinungen ermöglichen. Das fordert die Koalitionsfähigkeit und den Koalitionswillen aller demokratischer Parteien heraus. Allzu knappe Wahlergebnisse von 105 Stimmen, wie zwischen den Grünen und der SPD in Berlin bei den Zweitstimmen schüren kontraproduktive Glaubwürdigkeitsdebatten. Der Gerichtsbeschluss zur Neuwahl 2-2023 ist gültig, verloren hat aber eher die Demokratie als Ganzes, die das Gericht zu schützen glaubte. Vielleicht am Überraschendsten von allem ist, dass die Skandalpresse nicht wirklich von diesem Ereignis profitieren konnte. Die noch Lesenden sind wohl auch von der belehrenden Berichterstattung dazu eher angewidert gewesen. So schreitet das Auseinanderleben der Stadt und der Gesellschaft weiter voran. Solche sozialen Prozesse sind lange bekannt. Sie heißen „Schelling’s process of segregation“. (genauer Gentrification) Eine fortschreitende Entmischung einer städtischen Bevölkerung ist die Konsequenz. Schelling’s Modell ist ein gutes Beispiel. Der Markt alleine, auch mit häufigen Wahlen, wird die Gesellschaft nicht zusammenbringen oder zusammenhalten. Bund gegen Stadtverwaltung gegen Bezirksverwaltung bringt noch mehr Unzufriedenheit in die Stadt. Es ist Karneval und die Berliner Bären tanzen noch gemeinsam, hoffen wir mal. (Datenquelle: Wahlleiter Berlin)
Know how
The construction of a knowledge graph is like an exercise in visual thinking or image thinking. A common method in design, visual thinking uses graphical tools to visualize ideas and develop the ideas on the basis of these visuals. So, let’s take our ABC of notions running from action … over nature … to zero. We place these notions in the core of the knowledge space and develop the satellite combined notions around the core. Visually this is easily reflected in the figure below. Content-wise a lot of thinking has to fill the combinations and check empirically this mind map of the knowledge space. Abundant complexity will let us search for digital tools to accomplish such tasks. On this webpage we find already a cloud of words that is empirically showing biggest the words with the most entries of the same key word. This shows us visually what this blog is mainly about. Europe and democracy appear fairly big. Additional analytical tools will clarify what are major or minor links to this pair of notions. “There’s something on my mind”, something which I might not even be aware of. Just an empirical question, should be easy to solve, eventually. 
Flotow Potpourri
Über das musikalische Thema der Flotow Oper „Martha“ gibt es der heutigen Popmusik vergleichbar spätere verkürzte Versionen. Zu einiger Beliebtheit ist das Potpourri zu den Motiven von Martha gekommen. Kleineres Orchester und ein melodisches vereinfachtes Arrangement konnten für kurze Konzertabende verwandt werden. Der Komponist und Arrangeur Spasny Op. 65 hat Flotows Melodien aus „Martha“ publiziert (desgleichen von Wagner und Verdi). Die Kopie in der KBR Bruxelles ist ein kompletter Orchestersatz datiert von 1886 und 28.7.1894. Aufgeführt wurde das Potpourri im Kursaal von Ostende, wahrscheinlich für die Sommergäste in der Hafenstadt mit naheliegenden Erholungsgebieten und Küstenorten. Neben einigen schönen handschriftlichen Kopien für Violine (5 Seiten) oder Pauken (1 Seite, viele Pausentakte) ist die Partitur für die 1. Violino als „Conducteur“ (assisté?) ausgewiesen und sehr abgegriffen. Interessant sind die Anmerkungen und Einfügungen, wahrscheinlich zu wichtigen Parallelstimmen. Die komplette Streichung ab dem Larghetto am Ende der Partitur, anfänglich in Des-Dur, war vielleicht zu anspruchsvoll, für das zu erwartende Publikum. Ein F-Dur Abschlussakkord vorher klingt erholsamer, zumal im Urlaub nicht wahr. Der an einem Gag interessierte Musikfreund amüsiert sich an der Kritzelei am Anfang. Aus MARTHA; POTPOURRI ist Martha, Potpourrie geworden, was so viel heißt, wie „Martha verdorben“. Der Dirigent (Assistent? Es gibt noch ein sauberes Conducteurexemplar in der Mappe) hatte wohl einen schwierigen befristeten Sommerjob angenommen. Alternativ könnten wir das aber auch interpretieren als Kommentar zu der vereinfachten, aber verdorbenen Version der Flotowschen Martha als Originalstück. Genauer wollen wir das gar nicht wissen, oder?
Ukraine 360
360 days of traumatising war of Russia in Ukraine. Yet, Ukrainians manage to stem the invasion this time for a year. My generation of baby boomers in Western Europe no longer knows the day to day horrors of war. A photo-realistic exhibition organised by Dr. Justyna Napiórkowsak together with the Ukrainian Embassy in Brussels brings to us more than images of destruction. The Exhibition builds on a transparent organisation. All day and night long you can feel and reflect in front of the gallery windows of what war means to people affected. Rather than passing over the daily horrific news, it is important to take in images that will last within you. Since the exhibitions excels in linking to strong own emotions, the images tell lasting stories. Communicating about war is difficult. This exposition at the “Mont des Arts 8” in Brussels, not far from the “Place des Martyres” is symbolic. Ukrainian artists are going to stay with us, showing us what “The year of resilience. courage, determination and solidarity” mean in the Europe of today. Ukrainian youth, like the whole population, demonstrates all of this in posing for their 2022 graduation photo (Stanyslav Senyk, 2022) actually within the ruins of their city. They seem to sing: “We shall build this city on rock and roll” again. Ukrainian culture is unique. Putin’s Russia is still living in the 50s state of mind. The Russian soldiers might soon have their 60s moment “make love, not war”. For persons with Russian roots in Eastern Europe it feels like what you believed or were told was a friend before is now turning around and you shooting at you including committing war crimes (Geneva convention) on you. The exposition is a “homage to Ukraine”, Ukraine’s resistance and resilience. Teaching us lessons, lessons we should like to learn fast for the survival of democracy and our way of life based on freedom not coercion. The sociology of war informs what the term “Zeitenwende” means. Look at it, rather than look away. As previous College Master at Jacobs University Bremen graduation ceremonies were very personal and emotional events meeting students, many with their families. Ukraine 3.0 will prevail eventually. Thanks, Justyna for putting images 360° and 360 days next to this optimistic message. 
40s
The years spanning from January 1940 to December 1949 are probably the worst to cramp into one decade. However, there are a few historians that use this approach to throw new light on a distant series of historical events in the 40s. The European perspective is dominated by war years and still has to deal with the unimaginable atrocities committed by Nazi-Germany until the end of the Second World War. From a more global historical perspective the war in the pacific also leaves lasting political changes, which are important to understand international politics and affairs of today. After a disastrous beginning with war for the USA for the decade, on the 10-12-1948 the United Nations (Charter Ratification 24-10-1945) General Assembly adopted the Universal Declaration of Human Rights. On the timeline at the end of the 40s we find the founding of NATO (4.4.1949) and (12-8-1949) the Geneva Convention which specifies internationally accepted laws of warfare. The beginning of the Cold War (Yalta and Potsdam Conferences in 1945) with strategies of containment and confrontation (Thomas Tandy Lewis, 2011 p.220), Berlin blockade determined a long-lasting concern for a balance of power across the world. The 40s were a market period of de-colonisation as well. The U.S. enabled struggles for independence to succeed with a sticks and carrots politics towards their wartime allies. The Marshall Plan for European Recovery is the most prominent example of this period. Ronald Goldberg (2012) includes a chapter on the home front in his summary of the forties in the U.S.A. After the 2nd World War all countries had to re-establish their societies and economies that had suffered due to lack of sometimes even caring for the most basic needs. Important lessons have to be learnt from the 1940s (Dave Renton, 2000 p.144) concerning how Fascists could rise and why, for example Britain, could resist the fascist movement. Anti-fascism in Britain during the 1940s and the importance to stop beginnings of an undemocratic political movement early and with the help of the police are 2 elements of the lessons learnt. Goldberg argues that it is less the Fascist ideology that conquered the minds of people, but the organisation as a political and para-military movement that is the more important threat to democracy. 
Art Un-Fair
The Brussels Art Fair (Brafa 2023) with its long tradition is certainly a major highlight in the world of art in Brussels. In view of the languages spoken at the fair, mainly French and Dutch, some English with here and there a word in Spanish or German, the international reach is probably still not at the level of before the corona crisis.
The availability of established, internationally recognized art over many centuries on the art market is remarkable. Whereas before the crisis speculators bought art to shield their fortunes from a high inflation and/or politically instable period, nowadays it seems to me, that some art is returning to the market due to the need for liquidity of speculators or risks of confiscation in case of dubious previous acquisitions or ownerships. Renowned galleries, of course, provide impeccable certificates or information on them, a tricky business in itself. Anyway, the tour on the fair is a “parcour” through the history of art, mainly through the Western or European arts across centuries rather than decades. Most persons will find splendid examples according to their preferences of art ranging from paintings, sculpture, prints or other artefacts. Beyond the impressive individual art work, the arrangements and “mise en scene” of art is another learning experience at the fair. Whereas most public museums are happy to make accessible as much as they can of their collections and archives, the private art market has another objective. Effective and convincing presentation of the artefact is likely to “enrich” the value of art work as well as the seller and the dealer. Technology allows great lighting and some otherwise “sombre” artwork becomes a shiny little piece catching eyes, hearts and wallets. For some visitors it works probably the other way round.
For persons overly stimulated by art, I recommend to close the actual or virtual visit with a look at the little bit cheeky artwork presenting Belgian chocolate next to royalty (Gallery Delaive, showing Peter Anton’s “Paradise Variety” next to Andy Warhal’s depiction of a Queen, see below or their Instagram presentation). A sublime moment to repeat the experience at home at moderate prices with your very own box of chocolates. At a price of 10€ each box you can enjoy roughly 2000 of them for the price of the art work. The question is: What is more healthy? Think about mental health as well. Alternative question: Art on a Fair is fair, unfair or fair traide? 
Protest
In studying the 60s we still come up with a number of remarkable ideas. Not only concerts moved the masses but also new ideas flourished. Many subcultures developed specific forms of protest. To implement new ideas, new forms of protest were applied to advance civil rights, to overcome established routines and to raise awareness for inequalities and injustices. New forms of participatory democracy were tested and some reached public attention and/or approval. Burner (1996, p.162) even goes as far as defining freedom as “continuing exercise in decision-making” which hinges on the taking-in of all voices across society. The coming together of freedom and community constitutes the cross-roads of politics. Besides terrible effects of violent abuses, peaceful forms originated in Gandhi’s peaceful resistance in 1930. Martin Luther King and later Nelson Mandela reached historical milestones through peaceful forms of protest. In 1967 in Oakland, California, the form of “action protest” took place. The basis of protest was civil disobedience going beyond sit-ins as the civil rights movement had applied. “They involved blocking roads and entrances to buildings, peacefully inasmuch as the demonstrators used no force beyond the presence of their own bodies or other obstacles to passage.” (p.163). The new feature was, that protesting persons take the risk of being a victim of violence without a violent response from themselves. The intention is to “convert temporary antagonists into permanent friends”. Through the repercussions in mass media protesting persons can reach larger audiences and touch “uninvolved or possibly sympathetic bystanders” (p.163). Such new forms of participatory democracy, acting in the public arena, are stretching the idea of peaceful protest to its limit, where the freedom of others might be impinged. Participatory democracy, therefore, is a balancing act. Some recent forms of protest, in fact, have their origins in the 1960s or the year 1968 a focal point. They continue to be influential 55 years later in many countries and at all instances where basic freedoms or minority rights are violated or threatened.
Protest has also moved online. Internet sites are not only used for simple communication, but they serve as port of entry to prepare and organise protest. High-jacking of company or political adverts in the public arena can be taken online as well. Challenges to conventional politics and media representation is enacted through webpages like www.adbusters.org or www.indymedia.org the latter page comprises a whole network of local activist groups. Brian D. Loader (2003, p.1320) has added activist approaches against particular corporations to the list of online protest forms. Through public shaming of brands these activists attempt to raise awareness of the public for abusive employment practices, cruelty towards animals, environmental disasters or fake information using online channels like social media, email-lists or chatgroups via mobile phone numbers. The funding of protesting persons is another relatively new form which ranges from crowd-funding initiatives through platforms as well as forms of corruptive practices applied by states or corporate interests. Protest against protest is online and offline the next round of activist forms of protest. Democracy, law and the police have to balance out these new forms of protest. Learning about the way democracy functions is a continuous task, some would say a continuous struggle. Evaluations of the short-term or long-term effectiveness of protests yields important insights about the functioning of democracies and autocratic regimes. New forms of protest need new forms of measuring impact as well. 
60s
“Make love, not war”, is a summary slogan of all sorts of protests that have moved the sixties. With the spread of television impressive images caught attention no longer just locally, but almost across the whole world. With the inauguration of political debates on TV between Kennedy and Nixon, reaching millions of persons at once and images travelling borders faster than to translate text, spreading of new ideas and political actions was more rapid and more emotional. Commonly the 60s are described as the sex, drug and rock-n-roll period. But there is much more to it. Yes, the sex revolution got started and access to, as well as experimenting with, drugs became more widely spread. Music became a defining moment for young people from teenage years onwards. After Rock n Roll from the 50s, came the rock music and pop culture, which were able to bring together huge crowds of several hundred thousand party-goers. The Woodstock festival and hippie gatherings became a defining moment mainly for the young. Older generations still battled for affordable housing and the “Great society”, as a large-scale anti-poverty program was called.
The phenomenon of the Beatles co-defined the 60s. The Beatles captured more than just one generation with their popular songs and iconic style. Mary Quant, attributed to have designed the mini-skirt, equally co-defined a period with a visual provocation to conservative life-styles. In parallel, the sixties saw the civil rights movement grow, Black Power succeeding with peaceful actions more widespread attention, leading to the abolition of openly racist practices. The peaceful movements and happenings, however, had to face the deadly attacks on J.F. Kennedy and Martin Luther King during the 60s. The whole decade was influential in the field of education as well. Based on a new spirit of altruism and happiness combined with, but also beyond religious feelings, new forms of living together, sharing and the common good were tried out. Anti-authoritarian educational practices were influential beyond the 60s.
Books covering the 60s are manifold. In addition to Arthur Marwick’s impressive, multi-faceted volume “The sixities”, I enjoyed the book by David Burner “Making peace with the 60s”, especially his approach to burn some received wisdoms about the 60s, namely the restriction of it to those 10 years. “The withering away of philosophy”, the beginnings of postmodernism and a theory-driven or conceptual approach to the decade, amongst other topics, is the merit of Fredric Jameson (1984, p.192). “The 60s without apology” is a programmatic title well worth thinking about seriously as the editors and authors did.
Besides the ecological disasters of the 60s already, (nuclear, oil and wars), Mini Cooper cars, Lava Lamps as well as Blow or Ball Chairs, Barbies, Frisbees, Brigitte Bardot and Pippi Longstocking (Patricia Massó, 2010), all were dressed to impress. “The 60s without apology” by a group of editors nicely summarises the review of the 60s and their lasting effects on us, for better and/or worse. 2 generations later in 2023 youth is again threatening mass mobilisation in France as depicted in LeMonde 4.2.2023. It is a kind of “déjà vu experience”. 
Time3
The evolution of time is fascinating as research topic. Both in theoretical as well as empirical approaches. Beyond the precise measurement of time and the use of time in measuring working time, which intensified during the industrial revolution, we witness continued struggles over the length and the organisation of working time. The 30+X hours week working time could be reorganised into a 4-days week to improve work-life balances for millions of people. The effects are not only on employees directly concerned, but also on their families and/or households involved.
The changing perception of time (as being short of time) and its evolution over time needs huge surveys collected over time (known as “Time use studies”). Inequality over the life course remains an issue with a persistent gender bias. Unhealthy and excessive overtime work is still a problem, usually negated by upper ranks in hierarchies.
Let us start to imagine different concepts of time to maybe one day overcome the shortcomings of our current understanding and use of time. Usually, time is considered a linear concept, one day follows another day and so on. Time, depicted as an arrow or a horizontal axis in graphical representations, is helpful for most processes we observe. If our aim is to explain a social process which evolves over time, we could perceive time as running with different speed in, for example, urban and rural areas of the same country. The liberalisation of women or peace movements evolved or spread with different speed in different regions. The 60s became known for many women as the decade when the control of reproduction allowed different life styles. Concerning reproductive behaviour and divorce rates a break in series compared to previous periods is observable, reduction of reproduction and diffusion of divorce throughout societies. Instead of continuous time we might speak of discrete time, in for example decades like the 60s, 70s, 80s. In retrospect “social time” seems to have passed faster in one decade than the other. We might also imagine time as growing exponentially as time². Taking into account the slowing down and successive rise again of evolution over time, the time trend might look like a rising wave (time² + time³). In econometric models testing of such hypotheses is feasible, although it is more difficult to convince reviewers of an alternative theoretical model of time.
An investigation of trends of democratic behaviour over time would need to adjust for the potential and sometime measurable return of undemocratic practices for periods. A depiction of such “social time” of democracies as an upward rising line with periodic relapses is a plausible theoretical framework. Trajectories of inwards or outwards spiralling processes are already fairly complex trends for the process of democratisation as the phenomenon to explain or the modelling of a time trend to explain the level of democratisation reached so far. Challenges of time frames for independent and dependent variables in social processes might be questioned altogether to claim that time is a spurious occurrence of events much like a process of a so-called “Brownian motion” also named white noise. In fact, not being explicit about the concept of time applied in social analyses amounts to a severe neglect. Examples of such neglect are certainly all those cross-section studies, still pervasive practice, in social sciences or opinion polls. The linear concept of time, as a chronologically processing arrow of time, is a convention useful for synchronisation of action. However, this synchronisation is already debated more forcefully with more persons being unsatisfied with the use of synchronisation as a tool to regulate our “social time” and social processes. Time zones, summer and winter times challenge our day-to-day perception of everybody living at the same time, speed or intensity. Bedtime for me, wake-up call for others, or vice versa. 
Photo
Photography has captured our imagination for years already.
It is now a daily activity of many people to “capture their experience”, if not even their existence in some photographed way. Susan Sontag (1977) coined the phrase that photography “feels like knowledge – and, therefore, like power”. You are in a relation to the world. Taking the photograph in my view is the Mephistopheles moment. You are in control of the object taken by the camera. Arranging the scenery, waiting for the perfect moment, expression, light or colours is like mastering a situation, an atmosphere, an emotion. Photographs have the power to work as a document. Editing has become easy and pervasive with digital tools. However, it was always present in the traditional technical parts of shooting and developing subsequently in the dark room.
“to be taken” on a photograph is more like the Faustian moment of realising that you are manipulated, or at risk of being made use of, for some purpose, unknown to you at that moment.
Beware, a photograph is always just an image of an image. The photographer is the intermediate person using a specific technology to transform his perception or vision of (her/his) reality into another image of it, creating some form of virtual reality.
In addition to this twofold transformation, the third transformation is historically the technical development of the negative into the print (see below). Nowadays, this is the compression and editing into a specific format. Despite these transformations, a photograph is admitted in court cases as providing evidence of guilt or to identify an illicit act (excess of speed limit). Infringements on privacy are the rule rather than the exception. Who is that person sitting next to you, and at what time of the day?
I, personally, apply photographs often like note-taking for research to capture spontaneous ideas or associations, which await further interpretation or may serve (served) as inspiration.
Compared to photography, painting has been a more elite artistic practice for many years. Taking photographs has democratised the image-taking art forms. Instead of originals, many of us have collections of photos from museums around the world. We take “photos of photos” to reveal the world around us and reflect on values. The social construction of the world is directly visible through the process of taking, collecting and curating photographs. Construct your own world or the world will construct or deconstruct you instead.
Politicians (e.g. Angela Merkel), John F. Kennedy or historical figures, all had their defining moment condensed into one or several photographs, what have been famous paintings in art history before. Susan Sontag wrote 50 years ago: “… a photograph can be treated as a narrowly selective transparency”. The third transformation of developing and/editing, shown in the images below, explains what we might learn from this citation in a technical sense. Just as courts have to evaluate, whether a proof is admittable and contributing to finding the truth; viewing photographs is a balancing act between art and truth.
“Even when photographers are most concerned with mirroring reality, they are still haunted by tacit imperatives of taste and conscience.” (Sontag, p.6). Photographs document sequences of consumption. We should frame this as CO2 footprints in the 21st century. Restricting print to a few “best of” was and is necessary to reduce the dirty footprint of photography, particularly since photos have become a mass media as much as the preferred media of masses.
With photographs we certify our own certificates, for example in case of job applications or passports. We encounter “cosmopolitans accumulating photograph-trophies” in all instagram-able locations.
Taking photos is like a “friendly imitation of work” (p.9), you do something useful in documenting the images of a world in danger of being lost. We can give importance to otherwise forgotten realities, attach importance even immortality to something or someone of our choice. We make history through it or try to make it at least. “When we are afraid, we shoot. But when we are nostalgic, we take pictures.” (p.9) Sontag defines photographs as part of the repertoire of surrealism (p.77 ff), “to finding beautiful what other people found ugly or without interest and relevance …”). We are at risk to mistake photographs as reality and experience the original as “letdown” (p.147). The return to polaroid instant photography brings us back to a proclaimed authenticity of the orginal, unique moments, with supposed unfiltered not-edited images. The true moment of having had fun or joint experience without use of photoshop to add the missing member.
“I take photos, therefore I am”, has become the mantra of modern societies. We tend to ignore that we are taken on photos a million more times than we take some ourselves (video surveillance). It is a question of power in the end. Edit yourself or you become edited.
(Image: Prix du Tirage photographique BnF 2022 Laurent Lafolie, photo below). 
Linguistics
The urge to program human language originates for some in the quest for better explanation or understanding, for others in the improvement of communication. Both approaches have witnessed rapid evolution in recent years. Based on linguistics, psycholinguistics, sociolinguistics or neuroscientific advances, the potential of knowledge creation and communication has risen due to computational models and applications to linguistics. ChatGPT3 and Neuroflash allow us to play around with the commonly available AI-applications. Construction of a linguistically informed Glossary of political and social ideas is a specific application case. In addition to the subject/object list we may add predicates or verbs to link subjects and objects. For this purpose, we construct a basic alphabetical list below which draws mainly on action verbs and is embedded in the socio-cultural environment of the sciences in general. A categorised list of verbs, like the one from Purdue University, is helpful to draw on several relatively distinct fields. With perspective on labour market or societal relevance the list focuses on verbs related to skill sets: administrative/managerial; communication; creative, information/data; caring/helping; efficiency; research; teaching/learning; technical. The categories are not mutually exclusive and may well be supplemented by additional categories like relational skills and transformational skills. Computational psycholinguistics (Crocker, 2006 pdf-file) differentiate the “principle of incremental comprehension” (add one word at a time) from the “concentric theory of complexity” (start from complexity to specificity or vice-versa) and the “deductive sentence processor”. ChatGPT is built on the incremental approach, supposed to be the fastest and probably a more reliable computational approach. We could just attempt to use the other approaches in the simple ABC glossary of subjects, objects and predicates to test for the possibility to build no-nonsense short sentences using random choices as starting points. The Oxford handbook of psycholinguistics highlights in the final chapter the theoretical alternative of connectionism (p.811). Symbolic computation construes cognition as mental states that are symbolically represented. The sequence of operations then runs from one representation to the next one. However, the connectionist model operates more like a neural network and proceeds with the parallel processing of notions, relations or patterns. A list of predicates or verbs might do the trick: Chose a subject, chose a predicate and an object to start playing around: Subjects: action balance corruption democracy enterprise freedom god health imagination joy knowledge law memory nature optimism policy question repairing society time union value war xeno yinyang zero.
Predicates: applies broadens creates directs establishes forms generates helps induces jeopardises keeps likes moderates needs opposes prioritises qualifies represents strengthens tests uses varies weighs x-outs yields zigzags.
Objects: freedom god health imagination joy knowledge law memory nature optimism policy question repairing society time union value war xeno yinyang zero action balance corruption democracy enterprise.
Syntax
Syntax is just one of the categories of linguistics. Carl Lee Baker (1989) wrote a whole book 500 pages on just English syntax, can you imagine. I like his modesty in the introduction stating that English syntax is just a subfield of linguistics (p.12). Other languages have different structures, some might be very different from our ways to communicate even. The ways how animals or plants communicate is an exciting subfield of linguistics, psychology and biology (Carrie Fidgor, Pieces of Mind). The SPO structure of sentences is only one simple way of constructing sentences. Syntax is much more complex. The sociological aspect of linguistics and syntax lies in the “acceptability judgements”, which are present once we establish rules and sort phrases into correct or incorrect sentence structures. Norms and standardisation as well as authority to decide on correctness becomes an issue. Countries used to many dialects or multilingual populations are confronted with these issues on a daily basis. Linguistics as basis of communication is continuously present even in the mental structure. Bilingualism, tri-lingualism and their effects on minds, competences, behaviour, culture and societies are own thriving research fields. Building a sentence or a phrase, following Baker, is built around a head and their complements. Such minimal phrases are comparable to what we coin in a simplified manner the subject-predicate-object structure of a sentence. The definition of the nucleus of the structure of a sentence is also about conventions and acceptability. Staccato speech and rap-music are examples of forms of speech, which are often considered beyond the normal. Computer voices are becoming more normal as we are faced with chat bots all around us now. The image below reflects the simplified “representation of syntactic structure” (p.48 The Cambridge grammar of the English language 2002 review here). To play around with “Clause”, let us analyse the clause: I bought a shirt; I wonder what I bought. You know what I mean Klaus, it is a clause, or is it Dady gone gaga = DADA? 
Hypertext
Linking information, explanation and entertainment is the power of the world wide web. The tool used for this is the hypertext format of texts and media in general. Wittgenstein was already dissatisfied not to be able to show the steps of his thinking more explicitly. In the “Tractatus logico- philisophicus (Link to pdf-file de/engl” he uses the a cube (5.5423) to explain that we see to different facts depending on our point of departure of our vision. Try it with the logo of www.schoemann.org you should realize how our vision swops from one way of viewing the cube to another. The white corner is once in the front of the cube and appears to be in the back, when you move your vision further up. In general this leads us to be careful with the choice of our point of departure, not only for our vision. Context, some say background, is important to determine starting points. Adding the hypertext markup language to a document, like in a blog entry, allows readers (+algorithms) to see the cognitive structure surrounding a text as well. Potentially as a reader you enter into a multidimensional space with each blog entry. Any encyclopedia, glossary or index has an apparent alphabetical order to entries, but the links between the multiple entries remain hidden at first sight. With use of hypertext this has changed and each entry is turned into a 3-dimensional space, for example. Additionally, all entries have different numbers of links to other entries including dead-end entries. With the structure of links it is interesting to learn about the self-referencing just as much as about the disciplinary locus of a text, chapters, a book or a library. This helps to still see the forest despite all those trees in front of us ,or we see the geological structure of the mountain while in the middle of the forest. Happy travelling in our new knowledge space! 
Deconstruction
Deconstruction is a powerful tool or even method. Beyond imagineering, deconstruction in the literal sense means take to pieces. In most cases a physical object consists of several objects or parts. By deconstruction we attempt to understand the whole object as the sum of its parts. Before a new product or design is created, many scientists, engineers and artists start to deconstruct existing artefacts. Understanding how the object is assembled, for example, allows you to play around with pieces and maybe come up with an alternative way of constructing the object. The architecture of “deconstructivsm” has left us fantastic buildings. In furniture design there are also nice examples of deconstruction. Paris is a good place to study deconstruction (Explained), perhaps many still read Derrida there. It is a fruitful method beyond its engineering sense for example in law, literature or many other social science disciplines. If you are not mad yet, visit the MAD in Paris to see examples of deconstruction or construct your own deconstruction. Both have a dialectic relationship to each other anyway.
Action Verbs
Action words are in other words called action verbs. Each complete sentence has one. Hence, they are part and parcel of the basic construction of sentences.
“The purpose of an active verb is to create a clear, concise sentence. By using an active verb, you can eliminate unnecessary words and make your writing more direct. In addition to making your writing more concise, active verbs also add punch and clarity. They can make your writing more interesting and persuasive. Additionally, active verbs can create a sense of immediacy which is often useful in persuasive writing. When it comes to writing, there is nothing more important than using strong, active verbs. Not only do they make your writing more interesting and engaging, but they also convey a sense of confidence and authority. In addition to being more descriptive, active verbs also add a sense of movement and action to your writing. Rather than simply stating that something exists, you can use active verbs to show how it exists. For example, rather than saying “there is a chair in the room,” you could say “the chair sits in the corner of the room.” This may seem like a small change, but it can make a big difference in how your writing comes across. Finally, active verbs can also help to set the tone of your writing. If you want to convey a sense of wit and humour, then using playful, lighthearted verbs is a great way to do so. On the other hand, if you’re aiming for a more serious tone, then using powerful, authoritative verbs will help you achieve that.”
After the 3rd sentence this blog entry (Link) has been written by the artificial intelligence app “Neuroflash”. They promise that it is not just copy and paste, but rather written following some instructions I gave like title, table of content, style and then selected among several choices. It makes sense to me, although it is just like many other textbook entries I have found on the web. It may well serve as an introduction. Lazy journalists, priests or lawyers in case they do little research will be replaced soon by AI, who else, who is next? Big brother drafts the brave new world for us already. 
B for Balance
To reach a balance, to keep the balance or one’s balance, this highlights the process nature of balancing. Even the old tool of a balance (scale for weights) very much reflects the evening-out of the balancing process. It seems like a temporary balance most of the time. We might evolve from one level to another one. Especially imagining ourselves on a (body weight) balance in the morning and then throughout the year or years, this appears like a dynamic trajectory. The nature and/or nurture connection is evident. Beware to search for synonyms of “balance” on the internet. You get more than 3000 synonym (Link) meanings and 30 suggestions for definitions (Link) to contemplate on. I like the nice physical experience of balance and the simple (a bit nerdy) explanation of it. Economist get very excited about balance of payments and the ways to achieve equilibrium or equilibria. Balancing personal accounts can be a bit painful at times, but balancing in the arts gets our imagination going. Dancing is about balance most of the time. Playing with your own balance, the balance when 2 or more persons are in action, how not to be absorbed by such experiences. In music, the balance is a primary issue since Bach’s “wohltemperiertes Klavier” and balance and tension are the origin of much jazz. An image or photo might be balanced, certainly architecture is playing with or restricted by balancing acts. Herta Müller’s “Atemschaukel” has thrown us off balance for a while. History we study often with a concern for a balance of power. In peace and war times, the balance of power within and between countries or superpowers are a long-lasting research issue. At times when this balance is at risk or completely out-of-balance we are deeply concerned about the return of a balanced situation. Babies and children draw comfort from being balanced. Adults as well. Let’s try again (chanson). (balance22-venice -video). 
A for Action
The A is everywhere. A is the beginning of the Alphabet, Google is our new Alphabet, we just have not realised it. A simple A-rating in investment is not good enough, AA or AAA is the goal. All this calls for ACTION. Do not be stopped in your action by reading on “Action theory” by Parsons, Rational action is the basis of most economic reasoning before the behavioural turn of economics. It is commonly acknowledged now, that rational action might not always be as rational as we want to believe it is. “Frame selection” as theory to explain our choice of action is fashionable in the social sciences. Transforming values and intentions into actions is a big challenge. Many jokes turn around this issue, like intentions to get up early in the morning. Find out whether you are an actionable leader. You should have at least a few “actionable items” on your to-do-list. Of course, Microsoft recommends actionable items to improve our productivity while spending hours on emails.
Well, early philosophers already distinguished between “vita contemplativa” and “vita activa“. A lot is about finding the right balance here and Hannah Arendt’s differentiation of active life in labor, work and action. She puts emphasis on action as a way to distinguish ourselves from others. The same thought might lead to very different actions. Hence, acting on one’s belief or values could lead to very different policies for just 2 persons. Action Artists perform even in inaction. We are back to basic questions of democratic procedures as a form to moderate between different opinions or possible actions. Lots of other A-words come up now: ambiguity, anxiety, alienation, affirmation, affect, affection. In Greek, A might be associated with Apollo, In German with the famous “Angst”, but French is overriding all this with “Amour”.
X for Xeno
Xeno is the root of the much more commonly used words of xenophobia or xenophilia. Xenos, in its Greek original, just means guest, strangeness or coming from another place. With the awareness of coming from another place or dreaming of another place we create the link Xeno-link to migration. Everybody knows about migration experiences, be they just from one village to the neighbouring one, rural- urban migration or beyond language or legal boundaries. Interesting new perspectives on the issue are rare. To view migration from an optimism or pessimism angle is a bit like a Picasso-like view on the century-old topic. Beyond out-migration and in-migration there is the population left behind in the villages, regions, countries or nations. Optimism seems to guide the outmigrants. Realizing to become viewed and stigmatised as an immigrant might reduce optimism considerably. Pessimism might spread among the persons who do not succeed locally or to migrate in those sending regions or countries. Migration is a selection process of multiple forms. The western view of in-migration has for most parts focused on labour market related preferences. Skill shortages urge us to accept the “being somehow different” more easily. Learning to cope with this is called “intercultural competence”. In Berlin this is accessible through learning-by-doing or going to cultural events. Even there, 2 further steps are needed:
First step ahead, have more diversity everywhere, including so-called high art or centers of excellence (video xeno video22). Second step, consider it strange, if diversity is not the standard or part of day-to-day or normal life.
The performance of Mozart’s opera “Mitridate” at the Deutsche Staatsoper with performers and creators (booklet!) from all continents might be a good start to nourish xenophilia instead of xenophobia.
W for War
In Europe many people were lucky to live without the existential threat of war for a long time now. Putin has stopped this with his land-grabbing in Ukraine. We wonder why, what, when and where? War is back in our minds again. Members of the birth cohorts of the 1920s, 30s or early 40s have direct experience our traumatic memories related to war times. Some later born cohorts suffered from various forms of deprivation . Economic reconstruction or even so-called miracles may follow and can soften the traumatic experience, often by way of focusing attention on repair and new investments.
The work by James Hillman “A terrible love of war” has been a difficult read. To acknowledge that “war is normal” and our mindsets should take this into account, is hard to accept. Hillman cites Susan Sontag to state that “we cannot imagine how terrible war is – and how normal war can become”. We need a leap of imagination (p. 9) to grasp the mythical element about war which seems to be beyond the rational understanding of it. Greek tragedies told us, all along for more than 2000 years. The Romans exceled in it and German perfectionism and cold-bloodedness added the most horrible recent experience of war for millions of people. Memory and historical knowledge are important to activate recall for older and learning for younger generations. (short Video clip on war and UKR)
V for Value
Value in its singular form refers for most people to the value of things. Since Karl Marx we have been fighting about the surplus value of a worker’s work. Nowadays, we have to deal with speculation bubbles on the value of property or even basic elements of nutrition (Water, wheat, energy). Max Weber introduced us to the rigorous analysis of value judgements. In political science the plural “values” refers to basic human rights as fundamental values of humanity. Many other associations with the letter V pop up and arouse emotions: victory, video, view(s), vision, visit, voice, vote, vulnerability.
Creating lasting value seems to transform itself into part of our system of values later on. The longitudinal dimension of value is often neglected, particularly in the short-term focus of much of economic reasoning. Value over time, in addition to the distribution question, or as part of distribution over time, excites researchers of inequality and policy design for generations. Approaching the end of the alphabet increases the stakes of the “endgame”, it seems. Value for me, might not be of value for others. I hope you have found a person that values much of the same as you do yourself.
Interpersonal value, value exchange and intertemporal value are own fields of research. Since the Scottish enlightenment and Adam Smith’s work on “The theory of moral sentiments (TMS)”, reciprocity in value exchange has been an issue, well before the utilitarian turn in his own writings on “The wealth of nations”. Even Adam Smith refers to happiness and interest as a kind of value and “very laudable principles of actions” (part VII.ii.3.15 in TMS).
Children learn and experience value as natural part of growing up. Material things which you valued highly as toddler, you are ready to trash or exchange a couple of years later at much lower prices. Above which monetary value are you ready to trade in your humanitarian values? Never? History and bargaining theory is full of experiments and experiences that teach us otherwise. Corruption is the prominent example of exchanging or trading material value against immaterial values. Reading Kwame Anthony Appiah on “Experiments in ethics” is highly instructive. This bring me back to the economist joke I used to tell in lectures: You know that you’re an economist, if you ask your child, whether s/he prefers 20 Euros in cash, a trip to an adventure park later, a basket ball set or a pizza party for the next birthday. Economists do all this to find out about the value of each item, the preferences, the time frame of delayed reward or discounting of value also called the net-present value. Reading up to here is equal to the value of, maybe, an online bachelor in economics or social science. In your very own life review of learnings you then can estimate the value of your readings to you, your community or humanity. Alternatively, enjoy the joy of just living in peace with optimism. 
U for Union
Union, understanding, undo, unknown, uncertainty, universe, urbanization, use, u-turn. All those u-words spark imagination. Additionally, the short forms of u as abbreviation for you, ur = your, youth and smartphone typing are creating for us abbreviations to communicate even faster and shorter via social media. Union is my favourite of this list for several reasons: (1) Marital union, passionate topic not only for family sociologists, (2) trade unions, as collective form to organize solidarity in and across societies, (3) European Union, the formidable tool to create, conserve and ensure peaceful developments in Europe. We have to prolong this list with the union jack, the united states, the united nations and …, please continue the list.
For me, in union I see a whole film running, a process proceeding, or persons uniting. Unionization, just like two persons deciding to pass more time together, has some magic in it. Match making is the modern term for it. No Union without reunion, dissolving a union might be part of the process as well, as painful it can turn out to be. Most of the times we grow throughout the process. Forming a union, in all senses of the word and of all sorts of forms, is a kind of teleological urge of us as a species. We share this with many animals but have also developed strategies and weapons to force others into union. Unfortunately, no u-word without its potential to be used in the sense of abuse. Unite to defend the union of fans of unions. (Evolution of Union of Tweets own Video 12-2022). IMG_4611
Digital Technology
Im Februar 2018 hatte ich auf dieser Webseite eine kleine Veröffentlichung mit dem kurzen folgenden Text angekündigt.
“A new research paper dealing with digital technologies is now published in the Open Journal of Social Sciences. The major impetus of the small scale project was to identify the potential of digital technologies to foster democratic procedures and decision-making. The paper investigates the role of new technologies to support employees and the trade union movement.”
The pdf-download free of charge is here.
Fast 5 Jahre später bräuchte das Paper eine Ergänzung, denn es gibt wohl eine interessierte Community dafür (1000+ Downloads, 3500+ online views-reads). Insbesondere sind neben die sozialen Netzwerke diverse mediale Platformen dazu gekommen, wie TiKTok, Mastodon, Twitch, Instagram und fast schon wieder vorbei Twitter. Ergänzen würde ich wohl auch die Notwendigkeit, digitale Technologie einzusetzen in der Bekämpfung von Korruption. So ließe sich automatisch in einer großen Menge an Zahlungen Auffälligkeiten wie hohe Bargeldsummen leicht identifizieren und Alarmsignale senden. Ebenso (Gruppen-) Reiseaktivitäten und zweifelhafte Abrechnungen könnten leichter zu Aufmerksamkeit führen.
Eigentlich freue ich mich bereits, dass dieser Artikel in eine damals recht unbekannten, aber eben “open access publication” doch eine so große Reichweite von aktiv Suchenden und Lesenden gefunden hat. Gut, gleich im Internet zu veröffentlichen und nicht in einem überteuerten Sammelband oder wissenschaftlicher Fachzeitschrift mit Bezahlschranke versteckt zu bleiben. 
S for Society
At least since the “Greek Polis” became a subject of science, the study of society has filled libraries around the world. To catch up with the social sciences view on society, we may start with foundations based on Max Weber, Niklas Luhmann, Jürgen Habermas, Ulrich Beck to then move on to my predilection with micro-level foundation of social theory based on work from James Coleman. The history of sociological ideas runs from the protestant work ethic, autopoiesis in systems theory, ethics of discourse and communicative action, risk management to “1 to 1 relationships” as pillars of theorising about society. 10.000 pages later on, you might still ask yourself the question: what practical knowledge have I gained from this. Well let’s see. Imagine you want to learn about a friend and whether s/he is really a friend. Nowadays we would start with an online-search to find profiles of a person (facebook, Instagram, linked-in, twitter, twitch, mastodon). When the first entries pop-up, we start to learn about interests, looks, friends and preferences of the person. In which social media the person is (or not) participating tells a lot. We start to build an image of the person and her/his networks and communities. Soon we start comparing the person’s world reference framework with our set of values and characteristics. Welcome to thinking about society in small, and interactions within society or between groups of society. Adding some solid knowledge about statistics and you’re ready to start the science of society.
Yet, so many still open questions. When talking about society, we have to think about the trend of individualisation and ways to keep society together despite increasing plurality of life courses. “Solitude versus loneliness” is as much a social as it is an individual based issue. Community-building with inclusion, staying-on and exclusion processes have to be studied in detail. The whole process of civilisation or the study of suicide has been a sociological topic since its inception by Emile Durkheim. Imagineering is an additional tool to speculate in a systematic way about the past and future of society. That’s where all the arts come into the picture as well. The history of art is full of perspectives on society, its splendour, the misery of individuals, communities and societies. An emotional starting point is a very valid starting point, the science of society then moves on to abstraction and generalisations as well. The challenge is, to capture audiences emotionally, with short reflections on society. 