Crises, yes crises, we have seen a few in recent years. After the first financial crisis, 2009, the COVID-19 crisis and now the energy crisis, , they all have cost us respectively 1.6%, 2.5% and lately a whopping 7.8% of GDP loss according to Tom Krebs (Uni Mannheim and FNE) in his assessment of lessons from these crises. Also Philip Lane (ECB) showed the lower GDP growth rates due to the crises.
We lost out on the wealth of our nations and face mounting difficulties for the distribution of this wealth. As firms cashed in on profit margins lately, workers risk even more to fall behind significantly. At the same time, it is high time to prepare for the next winter season now, to ensure the same risks as the dependency on energy resources from outside Europe, especially Russia, can be maintained. The conference of the Forum New Economy from the 8th of May 2023 discussed several ways forward to learn our lessons from these crises. Strategic independence needs to be properly defined for Europe as a whole, not just in each individual state. Implementation has to be rapid as well. Geopolitical challenges will not wait for us to finish discussions. Germany and minister Robert Habeck has received some acclaim from the economists for a fast and rather successful reaction to safe us from an energy crisis last winter. Massive increases in renewables (+20% solar energy) has helped a lot to ensure sufficent energy supply when France suffered heavy reductions from its nuclear energy power plants. “Let the sun shine … in”, I would sing. However, we have to think even further ahead build our resilience based on improved energy efficiency and may rethink the risks and vulnerabilities of our economic model of production and consumption. Diversifying imports from Russia with imports from other countries and other (green) forms energy is part of the solution. A heavy reliance on China as buyer of our products is good for trade balance, but some sectors (automotive) are nowadays critically dependent on selling in China. Some of our partners are very anxious about this new dependency on Asia for our economic growth model (see figure below from conference). Market based economies suffer more openly from huge economic swings than more secret-based autocratic economies. Our state agencies have to keep that in mind and state intervention seems to become more likely options in future as we have already witnessed in the past crises. We had to rely on running higher state deficits to cover the losses incurred from the crises. The EU, the larger Europe in combination with the transatlantic and pacific alliances has a lot of resources to address these strategic interdependencies. Being prepared, in strategic thinking and potential implementation procedures is a major part of building capacities that ensure resilience and strategic independence. As in a game of chess, you have to think ahead a couple of steps to frighten off some potentially dangerous moves of other players.
In terms of a planetary concern we still have to address the major climate crisis and the last 3 crises have largely contributed to reduce the resources we have available to address climate change. Smart crisis management succeded to ask for emission reductions in return for subsidies from firms and private households. This might be the “best practice examples” worthy to learn from. There are still huge evaluation tasks for analysts of these crises.
Priming
Nicht nur PsychologInnen müssen über den „Priming Effekt“ Bescheid wissen. Ein vorhergehendes Wort, Bild oder eine kurze Geschichte oder eben ein Blog-eintrag können in der Erinnerung Assoziationen hervorrufen, die das Verständnis oder die Einordnung der neu hinzukommenden Information (Wort oder Bild etc. ) wesentlich beeinflussen.
Bei dem Blog-eintrag zu „Barbie“ kann das relativ einfach nachvollzogen werden. Mit einem Bezug auf die Zeit des Nationalsozialismus, über Täter und Opfer sowie Strafverfolgung und Gerichtsbarkeit als Vorgeschichte oder Vorlektüre wird bei dem Wort „Barbie“ schnell die Assoziation Klaus Barbie in Erinnerung gerufen.
Ein anderes Priming im Kontext von Geschichten zu Geschlechterrollen, Kinderspielzeug, Kleider anziehen, Schönheitsideale sowie Mode erzeugen mit dem nachfolgenden Wort „Barbie“ unmittelbar Assoziationen mit dem Konsumartikel der Barbie als weiblicher Spielfigur bei den meisten Personen. Unser Gedächtnis oder vorherige Informationen lassen uns nicht mehr unabhängig oder unvorbereitet neue Information aufnehmen. Dieser psychologische Effekt auf unsere Meinungs- und Informationsfreiheit kann rhetorisch oder strategisch zum Beispiel in Zeitungen genutzt werden. Wird Ökologie im Politikteil, Wirtschaftsteil oder dem Wissenschaftsteil einer Zeitung aufgeführt, wird bereits eine vorher bestimmte Erwartungshaltung der Lesenden erzeugt, der dann einfach entsprochen wird. Die transdisziplinäre Natur des Begriffs geht dabei schon weitestgehend verloren. Priming ist überall, das fängt wohl schon mit dem Wecker morgens an. Wie gut, dass die Snooze-Taste schon erfunden wurde. Zumindest kurz können wir uns der Illusion hingeben, noch für eine kurze Weile, dem allgegenwärtigen, alltäglichen Priming zu entkommen.
Demos
Wenn Demokratien den Demos fürchten und es vorziehen mit Verordnungen zu regieren, dann wachsen die energischen Verteidigenden der demokratischen Prozesse. Frankreich erlebt das Szenario im Ringen um Macht zwischen Exekutive, Legislative, Judikative und dem Willen des Volkes jenseits der festen Fristen von Wahlperioden. Die “Ligue des droits de l’homme” hat das gut formuliert und ruft zu Aktivitäten in mehreren Feldern auf. Aus einer sozialen Krise wird rasch eine Krise der Demokratie von größerem Ausmaß, davon ist auch Frankreich, wie viele andere europäische Staaten nicht gefeit. Demokratie ist kein “Menu à la Carte”, wo ich die Bereiche für demokratische Prozesse aussuchen kann, die mir am besten passen. Macht geht immer dann verloren, wenn sie sich nur noch auf sich selbst berufen kann.
Architecture
Architecture is all around us. However, we rarely consider the build environment as “conditioning” feature of our life. Architecture is contributing extensively to our perception of “social space” (Bourdieu). Inner cities, suburbs or spacious residential areas have diverse impacts on our perception of, for example, security, modernity, health or sanitary sensations. The corona-crisis has made it clear to most people that a healthy environment is a very essential part of our perception of comfort. Here the psycho-social perception of living and/or working space enters into the co-creation of housing people. Technology is a big driver of change in housing, urban spaces and rural imagination. In order to avoid corona infections a new culture of working from home for the masses become a health-driven imperative. Payment without contact, home delivery of meals, food, books, medicine have changed the living style of many people. Too little movement for our bodies has caused another silent pandemic of obesity. Enough reasons to rethink architecture from a sociological perspective on it. This probably starts with speaking of architecture as architectures. By this we mean to think of architecture from its social origins, functions, impacts and perceptions. Great historical examples of architects have implicitly or explicitly formulated a social theory of architecture or space as the basis of their “concrete” realisations. The sociology of professions of architects and the many construction-related professions needs empirical foundation beyond the cliché of socialisation as artist versus technician. Still recent forms of participatory democracy as part of urban and rural planning as well as realisations. Participatory individual or community housing are likely to stay with us. People want to get involved in co-creating their living and working space as their social environment. Architecture as social process and specific layer of the network society will be the new mantra. It has always been there, implicitly. Up to us to strengthen the social discourse on architecture.
Bundesarchiv
Bundesarchive gibt es kilometerweise. Auffinden und Zurechtfinden in Archiven ist eine Vorliebe von historisch Interessierten. Eine Soziologie des Berufs „Historian“ muss wohl noch geschrieben werden. Die Pforte, das Gelände und die Eingangshalle des Bundesarchivs in Berlin-Lichterfelde sind für einige einladend, für andere naja, belastend oder gar belastet. Architektonisch an eine Kaserne der 1930er Jahre erinnernd, ist ein gewisses historisches Umfeld eventuell eine Einstimmung auf eine bevorstehende Recherche. Das freundliche Personal hilft unterstützend über die Registrierung und die Orientierung zu den Beständen hinweg. Sofort ist, wie beim wissenschaftlichen Nachwuchs, die Eingrenzung der Forschungsfrage von Nöten. Die Findbücher, die sortierte Ausdrucke der elektronischen Datenbank „Invenio“ darstellen, lassen einen die Vielfalt der Archive erahnen. Eine einfache soziologische Fragestellung „Homogamie in der NS-Zeit“, also die Praxis von Heirat von Personen mit vergleichbarem sozialem Status, vor während und unmittelbar im Anschluss an die NS-Zeit, verlangt mehrere Datenzugänge. Konstruktion des Zugangs von Männer- oder Frauenseite. Zentraler Zugang geht zunächst über die Bestandsdatei NS 1 „Reichsschatzmeister der NSDAP“. Aus den nationalsozialistischen Frauengruppen entstand am 1.10.1931 die NS-Frauenschaft. Seit dem 29.3.1935 genoss die NS-Frauenschaft den Status einer Gliederung der Partei unter der Leitung von Gertrud Scholtz-Klink. Der Bestand umfasst 3,5 Millionen Aufnahmeanträge und ist in Berlin-Lichterfelde einsehbar. Neben den Mitgliedschaften sind auch besondere Vermerke zu den Gebäuden und Grundstücken der NS-Frauenschaft (BArch/NS 1 5.2.6.4) bspw. im Gau Berlin dokumentiert (BArch/NS 1 2504 und 724). Eine Lebensverlaufsstudie ist da schwierig zu konstruieren. Ein Geburtskohortenansatz dennoch eine interessante Möglichkeit, eventuell auf die Muster von Netzwerken hinzuweisen. Parteimitgliedschaften, Vereine, Verbünde und ihre Rituale wurden scheinbar der Propaganda untergeordnet. Eine These, die es zu beweisen gilt. Die interreligiöse Andrews Chapel auf dem Gelände (im Hintergrund) lässt dann vielleicht wieder zur Ruhe kommen.
Menschen
Im Bundesarchiv in Berlin sind einige Fotos zu einer Variante der Vermessung von Menschen ausgestellt. Nicht nur in den Kolonialregionen wurden Menschen zu rassenideologischen Studien vermessen. Die Kurzbeschreibung dazu und die 2 Bilder reichen, um diese scheinbar wissenschaftliche Praxis zu dokumentieren. Zurecht wird auf den Skandal mit der weiteren Verwendung dieser Daten bis 1981 hingewiesen. Es gab Kontinuitäten von Wissenschaft die heute noch erschrecken lassen. Kritischer Umgang mit jeglicher Art von Daten gehört zu dem Curriculum guter wissenschaftlicher Praxis. Diese darf nicht vor ethischen Fragen Halt machen, auch wenn das die weitere Verwendung der Information blockiert. Der Kinofilm “Der vermessene Mensch” hat dafür erneut sensibilisiert. Ethnologen und Ärzte wurden vielfach in den Dienst von Ideologien gestellt oder haben sie willentlich vorangetrieben, oftmals aus persönlichen Beweggründen. Skandale in und um Archive gehören zur Weltgeschichte, wie die geschichtliche Erkenntnis selbst. Mediale Verbreitung und Bestätigung von Klischees werden schon lange verurteilt, aber mit wenig Erfolg, wie der Deutschlandfunk Kultur selbst berichtet (Link Sendung Fazit). Die Kitas und Schulen haben ihre Hausaufgaben ebenfalls schlecht gemacht (Link). Wo ein Wille ist, ist meistens auch ein Weg, aber wenn der Wille fehlt aufgrund von Stereotypen wird sich wenig ändern.
20th Century
The 20th century has told us many lessons. History does not repeat itself, but it appears that new variants of old themes keep coming back. Slowly passing the century like a movie in decades instead of episodes, we witness socio-emotional tides. The first decade, the 00s intensify the beginning of urban planning and social revolutions. The 10s show the arousal and subsequent extinction of masses of people in trenches. The 20s were described as the Carefree Twenties. In the 30s we observed the rising tides of fascist organisations followed shortly afterwards by the disastrous 40s. After the Shoah and the World War the 50s were fabulous viewed from the U.S. and Western Europe. The 60s propagated sex, drugs and rock n’ roll spreading across continents. The wild 70s became almost inescapable through the continued rise of mass media. The 80s were depicted as the colourful 80s as the 2 previous decades had set the scene for psychedelic colours. The 1990s have been coined as the gay 90s by some. Coming out as a gay person became easier and Western societies more sensitive and open to diversity. The back cover of the recent publication by Aurélien Bellanger “Le vingtième siècle” (The 20th century) speaks of the book as “roman polyphonique virtuose”. I look back on the 20th century as “polyphone” in many respects. It would be an illusion to believe we can only keep the nice sounding harmonies without the tensions or dissonances.
1900s
1900 marks the year of the 5th world exhibition in Paris. The Eiffel tower, built for the 4th exhibition in Paris remains the iconic attraction despite the new architecture that is added to Paris as the Petit and Grand Palais as well as the 1st Metro line. Art Nouveau style adds to already impressive architecture in and around Paris. With the planning horizons of several years in advance of events, urban planning with all its facets of urban infrastructure and architecture becomes much of a defining scientific discipline for decades and for most of the time of the century. Grand urban architecture and design constitute just another form of competition between nation states. Most of them want to show off their imperialist acquisitions and, what they define as “curiosities” at the time.
Habib (2005, pp.502) singles out Arthur Schopenhauer and Friedrich Nietzsche as “heterological thinkers” who coin major thoughts in the late 19th century that shall influence the beginning of the 20th century right from the year 1900 onwards. “The world should be formed in your image by your reason, your will, and your love! And truly, it will be to your happiness you enlightened men!” (Nietzsche. Thus spoke Zarathustra 1978, p.110). In retrospect from the 21st century we shall doubt this overly positive approach to human intentions and their will to form the world according to their abstracting ideas only. Tensions between technology and society became visible and it took many decades before society became conscious that it is up to society to choose technologies they preferred.
The planning for the Brussel Expo 1910 started right after the previous Expo 1905 in Liège. Protests in Brussels accompanied already the choice of terrain for the Expo, but the governors and shareholders of the enterprise decided 1906 for a site near the “forêt de Soignes”, where trees had to be cut for access to the construction site and for future visitors under local protest. Women workers were present to exhibit the low pay of women in industries. Child labour was documented with shocking images. Around the globe labour movements started to raise attention. In the U.S. the National Women’s Trade Union League (1903) was founded as well as the National Child Labor Committee (1904). “Bloody Sunday” in St. Petersburg (1905) saw the killing of peaceful protestors in front of the Zsar’s palace, which ignited the Russian Revolution of 1905 and the creation of the Russian Parliament. Some of these issues (child labor) keep returning to our social agenda well into the 21st century.
Einstein’s publication of the theory of special relativity (1905) as well as challenges from social philosophy reflects the huge discrepancy between advancement of the sciences and the living conditions of the masses. Social theories and science advances foreshadow the violent turbulence throughout the 20th century.
(Sources: (1) Max Welch Guerra et al. (2023). European Planning History in the 20th Century: A Continent of Urban Planning. Routledge. (2) St. James Encyclopedia of Labor History Worldwide: Major Events in Labor History and Their Impact, Neil Schlager (2004). (3) Images from I. Van Hasselt(1980) Bruxelles Expo 1910: l’incendie / de brand. J Stevens.
10s
The 1910s have been eclipsed completely by “the Great War” between 1914 to 1918. The 1st world war certainly was the most horrific period of the decade of revolutions and mass arousal. From a global history perspective the years preceding and shortly after the humanitarian disasters deserve more attention, if we were to derive lessons for prevention of other world encompassing wars of imperialist states. The numbers 1st, 2nd, … 3rd (?) world war suggest an unescapable numbering of events. We no longer can think in this trivialising logic of war or historical determinism. Empires go to war more easily than democracies. This was the social scientists’ consensus after the Great War. It took several years for many European states to turn more democratic, allowing women to vote, or introduce more robust health and social security systems. Powerful aristocracies would not cede power easily, only the widespread poverty after the Great War and the human losses discredited many aristocratic regimes throughout Europe. The imperialist dominance of the beginning of the 1910s produced a spirit of ruthless conquest and exploitation of colonies around the world. It took another global war and almost half a century to dismantle these regimes. To understand global alliances and impediments of wars in the 21st century, the early 1910s are instructive as they inform the restitution of artefacts debate in the 2020s. In the history of ideas, the 1910s are probably best characterised as the period of attempting to turn “grand ideas” into political facts on the globe. The rise of Marxist ideology, liberal and fascist counter movements started to take powerful roots at the end of the 1910s. All these ideas and factual changes of the maps of power still seem to govern a lot of international politics even today.
20s
In retrospect from the 1930s and in prospect from the 1910s, the 1920s may well be described as “The tumultuous Twenties”. Several other summary notions are attributed to the 1920s. “Les années folles” in the French speaking world, “The Jazz years” within the U.S. or the “Wild 20s” in Germany coined the decade after the disillusion of the 1st world war. The economic and cultural revival after the period of atrocities has seen thriving city centres and comparatively little economic hardship until the Wall Street crashed on October 24th in 1929 the so-called “Black Thursday”. The party was suddenly over and a lengthy economic crisis spread globally. It was within this free spirit of the 1920s that the Fascist counter movements of the 30s started to take roots.
The 20s saw the skyscrapers soar and the credit-financed speculation was at its highest. Pierre Boudon (1991, pp. 137) characterises the architecture of the 1930s as “l’inversion des signes”. The Bauhaus of the 1920s was later forced into emigration. The film of F. Lang “Metropolis” (1927) prolonged the constructivist lines of the 1920s to a haunting vision of big cities with its daunting acceleration of economic and cultural experiences.
Walter Benjamin later referred to the method of technical reproduction as one of the major foundations for the mass movements and mass culture, which turned the relatively prosperous early and mid 20s into the disastrous 30s. Indeed, many scholars combine the 20s and 30s into one historical period as the rise and decline between the 2 world wars of the 20th century.
Certainly in terms of economic development many countries witnessed a steep rise in prosperity in the 20s followed by deep recession in the 30s. What went up in spectacular terms in the 20s, economic development, democratic participation, came down in the next decade due the rise of Fascist movements.
100 years later in the 2020s we still struggle with many of the same issues. Poverty and “Existenzminimum” were topics of the 2nd International congress of modern architecture in 1929 in Frankfurt. This reflects the lasting need to address “social issues” throughout decades, if not whole centuries of mankind.
30s
In retrospect the 1930s would deserve well the label of the disastrous 30s. In terms of human tragedy the 40s were worse, but the foundations for the millions of deaths through the Shoah and the second world war were enacted throughout the 1930s. My reading of the decade is dominated by the rising tide of hate throughout the 30s. The fascist movements in Italy and Germany were growing rapidly. From the entry number 185.729 (later committed war crimes in Ukraine) at the 1st of January 1930 the German NSDAP membership grew to 7.352.197 (Reichsakademie für Leibesübungen) on the 1.1.1940. This is still about 3 million persons less than at around the peak in 1944/45 of for example entry number 10.123.636 (later Foreign Secretary of Germany). The House of European History of the European Parliament in Brussels provides a good depiction of the spread of Fascism and dictatorships in Europe in the 1930s. Whereas Italy had turned Fascist already before 1930. Hungary was also under dictatorship already at the beginning of 1930. The rise of the German Nazi political party NSDAP turned out to be the most disastrous and devastating fascist movement and dictatorship throughout the 30s. The maps with timelines represented in the permanent exhibition in the House of European History reflect the spreading disaster for millions of persons. Many writers and social scientist had the correct apprehension and “apocalyptic imagination” (Pearce, 1971) to seek refuge early. But this turned out to be a not generalisable exit option for most persons concerned. Only few countries managed through early decisive action against the spread of fascism to escape from, better shield themselves, or fight against the rising tide. In the late 60s and the 70s youth at the time started to question the role of their parents in the rise of nationalist movements in Europe. An interesting reference for Canada is the teaching reform that materialised in the “box of the 30s” (Weinland and Roberts, 1972). The 1930s Multi Media Kit for teaching history contained photos (Guernica), radio clips, extracts from novels, but also recipes or recorded interviews. Make history speak and start with a “personal touch” to it. Avoiding the economic failures of the 1930s and the rising tide of fascists throughout the 30s are high on the political agenda 90 years later in the 2020s again.
Flotow Kontroversen
Während Flotows Lehrjahren in Paris ereigneten sich historische Ereignisse, wie zum Beispiel die Pariser Juli-Revolution 1830, Commune oder die 1848er Revolutionen in Paris und Deutschland. Später sollte der dt-frz. Krieg 1870 ein weiters einschneidendes Erlebnis darstellen. Über all diese historischen Verwerfungen hinweg sind Kunstschaffende ständig den nationalen Vereinnahmungen und Verwertungen ausgesetzt. Bei Flotow äußerst sich das in den Intrigen von unterschiedlichen Seiten, die gegen ihn gefahren werden. Von deutscher Seite mal als Demokrat verunglimpft (s.u.), wird er in Frankreich als frankreichfeindlich bezichtigt. Aktiv dagegenhalten, gehörte schon damals zum Geschäft im europäischen Raum. Mit dem Eintreten für Autorenrechte an Werken und deren Aufführungen schaffte er sich sicherlich nicht nur begeisterte Freunde in der Theaterwelt. Vergleichbar dem Disput über Patentrechte zu Hörnern, Trompeten und dem Saxophon, musste die Lebensgrundlage für viele Komponierende erst noch geschaffen werden. Eine Nominierung als Korrespondent der „Akadémie des Beaux-Arts“ ist da eine tolle Anerkennung. Die Probleme von höchst prekären Lebensverhältnissen von Kunstschaffenden im weitesten Sinne bleiben eine ständige Aufgabe und Herausforderung (Mäzene). Der kleine Fritz von Flotow hatte in seiner Kindheit mit genau diesen Einstellungen gegenüber dem oft brotlosen Beruf des Kunst– und/oder Musikschaffenden zu kämpfen. Als streitbarer Aristokrat mit demokratischen Zügen fiel er mitten in die soziale Zerrissenheit und politischen Wechselbäder des 19. Jahrhunderts.
Thucydides on War
Thucydides (born around -460) has received a lot of fame for his “thick description” of the Peloponnesian War. He deserves continued praise even for inspiring statisticians. The account of events without emotions, but with lots of details, is often perceived as the beginning of historiography and history as science as well as empirical political science. The entry of “Thucydides” in the Encyclopedia of Social Measurement (2005, p.805) by P.A. Furia and A. Kohen cites the derivation of a causal or explanatory effect based on his historical account as a foundation of scientific approaches based on empirical data. “The growth of the power of Athens, and the alarm which this inspired in Lacedaemon (i.e. Sparta), made war inevitable” (Thucydides, I 23). The empirical assessment of the growth of power is subject to controversial accounts. Power may derive from population, wealth, industry, weapons, munition or general military capabilities or skills. The assessment would also need to consider relative rather than absolute strength of just a one-sided approach. Here we are in the middle of the Russian war on Ukraine from 24.2.2022 onwards. Statisticians discuss, whether it is just a single variable that has the overall explanatory power for the beginning of the war and what other intervening variables might be important to take into account to avoid a selection bias. Beyond this materialist explanation we might stress the importance of the sociological concept of “collective fear” (links to approximation through trust, xenophobia) of the strength of Athens as the underlying causation of the beginning of war. The ideation of perceived strength gives rise to the construction of many intervening processes (Coleman’s macro-micro-macro linkages), which make a simple causal attribution just to material strength an illusion or risky shortcut explanation. The Thucydidean Method (p.806) exemplifies much of the dilemma and spice of social science analyses. Scholars of diplomacy challenge the empiricist perspective in arguing that the breakdown of diplomatic discourse several decades before was at the beginning of the causal chain. Here again we can make links to the preparation of war by Russia through strategic diplomacy as well as the risks taken through a break-up of diplomatic channels of communication. The perceived strength of the opponent in war might play a decisive role at the beginning and at the end of war. The charisma of leaders, democratic decision-making and political alliances with neighbouring states, Sicily at the time of the Peloponnesian War, were further intervening processes. This is perhaps not all too different from today, if we consider the role of Belarus in the aggression of Russia against the Ukraine. In fact, Thucydides seemed to be convinced that under similar circumstances human behaviour would reproduce itself. Therefore, thick description of historical facts might still inform political leaders today and tomorrow.
(Reallexikon für Antike und Christentum, XV pp. 752,
Der neue Pauly, Enzyklopädie der Antike 12, pp.505 image below).
Ukraine Reynders
Short Video on extract of speech by Commissioner Reynders at the opening of the exhibition on Ukraine Resilience despite the atrocities of Russian Agression commited in Bucha. www.RememberBucha.eu
Click on the this Link: Ukraine Reynders 24-2-2023
Ukraine Resilience
The opening of the exhibition on war crimes committed by Russian soldiers took place in front of the European Parliament today. The images frighten us as they reveal human atrocities. Destruction on a large scale with so many lifes lost will take a long time to overcome the grief. The images of the commemoration and the minute of silence show the solidarity of the whole of Europe with the Ukrainian people. The European Parliament has the patronage of the exhibition which is curated by Justyna Napiórkowskiej. Commissioner Reynders expressed the commitment of the EU to support the Ukraine 🇺🇦 in their capacity to fight back and the rebuilding of the country. Stand with Ukraine.
Berlin Wahl 2023
Wähle Wähler, sonst hast du die Wahl verloren. Die wiederholte Wahl geht sicherlich in die deutsche Wahlforschung ein. Murks bei der Durchführung einer Senats- oder Landtagswahl dürfte in etablierten Demokratien nicht in diesem Ausmaß vorkommen. Solche Versuche, demokratische Systeme zu delegitimieren, kennen wir aus demokratiefeindlichen Umgebungen. Die angeordnete Neuwahl hat eine um ca. 150.000 Stimmen geringere Wahlbeteiligung ergeben, bei einer Anzahl von ca. 1.500.000 abgegebenen Zweitstimmen von ca 2.500.000 Wahlberechtigten. Neuwahlen bringen also nicht unbedingt ein faireres Ergebnis im Sinne der Beteiligung an Demokratie mit sich. Im Gegenteil, Frustrationen äußern sich an Wahlurnen in Form von Denkzetteln statt Wahlzetteln. Die Summe der entschieden für Demokratie eintretenden Wählerstimmen, die im Senat vertreten sein werden liegt nur bei 1.170.905 Stimmen. Das ist keine absolute Mehrheit der Wahlberechtigten mehr. Damit sollten die demokratischen Alarmglocken klingeln. Während sich Rot-Grün-Rot im Zentrum behauptet ist der Speckgürtel deutlich schwärzer geworden. Die Neuwahl hat ca 1 von 10 Wählenden abgeschreckt. Sogar die Protestwählenden und ungültigen Stimmen sind rückläufig. Meinungsäußerung über das Parlament wird dadurch weniger repräsentativ und das kann auch gefährlich werden. Interessenvertretung findet dann mehr auf der Straße statt als im Parlament. Partikularinteressen, die Tierschutzpartei hat 36.233 Zweitstimmen gewinnen können, die FDP nicht einmal das doppelte davon, können Parlamente bereichern, in dem sie kleine Gruppenmeinungen ermöglichen. Das fordert die Koalitionsfähigkeit und den Koalitionswillen aller demokratischer Parteien heraus. Allzu knappe Wahlergebnisse von 105 Stimmen, wie zwischen den Grünen und der SPD in Berlin bei den Zweitstimmen schüren kontraproduktive Glaubwürdigkeitsdebatten. Der Gerichtsbeschluss zur Neuwahl 2-2023 ist gültig, verloren hat aber eher die Demokratie als Ganzes, die das Gericht zu schützen glaubte. Vielleicht am Überraschendsten von allem ist, dass die Skandalpresse nicht wirklich von diesem Ereignis profitieren konnte. Die noch Lesenden sind wohl auch von der belehrenden Berichterstattung dazu eher angewidert gewesen. So schreitet das Auseinanderleben der Stadt und der Gesellschaft weiter voran. Solche sozialen Prozesse sind lange bekannt. Sie heißen „Schelling’s process of segregation“. (genauer Gentrification) Eine fortschreitende Entmischung einer städtischen Bevölkerung ist die Konsequenz. Schelling’s Modell ist ein gutes Beispiel. Der Markt alleine, auch mit häufigen Wahlen, wird die Gesellschaft nicht zusammenbringen oder zusammenhalten. Bund gegen Stadtverwaltung gegen Bezirksverwaltung bringt noch mehr Unzufriedenheit in die Stadt. Es ist Karneval und die Berliner Bären tanzen noch gemeinsam, hoffen wir mal. (Datenquelle: Wahlleiter Berlin)
Know how
The construction of a knowledge graph is like an exercise in visual thinking or image thinking. A common method in design, visual thinking uses graphical tools to visualize ideas and develop the ideas on the basis of these visuals. So, let’s take our ABC of notions running from action … over nature … to zero. We place these notions in the core of the knowledge space and develop the satellite combined notions around the core. Visually this is easily reflected in the figure below. Content-wise a lot of thinking has to fill the combinations and check empirically this mind map of the knowledge space. Abundant complexity will let us search for digital tools to accomplish such tasks. On this webpage we find already a cloud of words that is empirically showing biggest the words with the most entries of the same key word. This shows us visually what this blog is mainly about. Europe and democracy appear fairly big. Additional analytical tools will clarify what are major or minor links to this pair of notions. “There’s something on my mind”, something which I might not even be aware of. Just an empirical question, should be easy to solve, eventually.
Flotow Potpourri
Über das musikalische Thema der Flotow Oper „Martha“ gibt es der heutigen Popmusik vergleichbar spätere verkürzte Versionen. Zu einiger Beliebtheit ist das Potpourri zu den Motiven von Martha gekommen. Kleineres Orchester und ein melodisches vereinfachtes Arrangement konnten für kurze Konzertabende verwandt werden. Der Komponist und Arrangeur Spasny Op. 65 hat Flotows Melodien aus „Martha“ publiziert (desgleichen von Wagner und Verdi). Die Kopie in der KBR Bruxelles ist ein kompletter Orchestersatz datiert von 1886 und 28.7.1894. Aufgeführt wurde das Potpourri im Kursaal von Ostende, wahrscheinlich für die Sommergäste in der Hafenstadt mit naheliegenden Erholungsgebieten und Küstenorten. Neben einigen schönen handschriftlichen Kopien für Violine (5 Seiten) oder Pauken (1 Seite, viele Pausentakte) ist die Partitur für die 1. Violino als „Conducteur“ (assisté?) ausgewiesen und sehr abgegriffen. Interessant sind die Anmerkungen und Einfügungen, wahrscheinlich zu wichtigen Parallelstimmen. Die komplette Streichung ab dem Larghetto am Ende der Partitur, anfänglich in Des-Dur, war vielleicht zu anspruchsvoll, für das zu erwartende Publikum. Ein F-Dur Abschlussakkord vorher klingt erholsamer, zumal im Urlaub nicht wahr. Der an einem Gag interessierte Musikfreund amüsiert sich an der Kritzelei am Anfang. Aus MARTHA; POTPOURRI ist Martha, Potpourrie geworden, was so viel heißt, wie „Martha verdorben“. Der Dirigent (Assistent? Es gibt noch ein sauberes Conducteurexemplar in der Mappe) hatte wohl einen schwierigen befristeten Sommerjob angenommen. Alternativ könnten wir das aber auch interpretieren als Kommentar zu der vereinfachten, aber verdorbenen Version der Flotowschen Martha als Originalstück. Genauer wollen wir das gar nicht wissen, oder?
Ukraine 360
360 days of traumatising war of Russia in Ukraine. Yet, Ukrainians manage to stem the invasion this time for a year. My generation of baby boomers in Western Europe no longer knows the day to day horrors of war. A photo-realistic exhibition organised by Dr. Justyna Napiórkowsak together with the Ukrainian Embassy in Brussels brings to us more than images of destruction. The Exhibition builds on a transparent organisation. All day and night long you can feel and reflect in front of the gallery windows of what war means to people affected. Rather than passing over the daily horrific news, it is important to take in images that will last within you. Since the exhibitions excels in linking to strong own emotions, the images tell lasting stories. Communicating about war is difficult. This exposition at the “Mont des Arts 8” in Brussels, not far from the “Place des Martyres” is symbolic. Ukrainian artists are going to stay with us, showing us what “The year of resilience. courage, determination and solidarity” mean in the Europe of today. Ukrainian youth, like the whole population, demonstrates all of this in posing for their 2022 graduation photo (Stanyslav Senyk, 2022) actually within the ruins of their city. They seem to sing: “We shall build this city on rock and roll” again. Ukrainian culture is unique. Putin’s Russia is still living in the 50s state of mind. The Russian soldiers might soon have their 60s moment “make love, not war”. For persons with Russian roots in Eastern Europe it feels like what you believed or were told was a friend before is now turning around and you shooting at you including committing war crimes (Geneva convention) on you. The exposition is a “homage to Ukraine”, Ukraine’s resistance and resilience. Teaching us lessons, lessons we should like to learn fast for the survival of democracy and our way of life based on freedom not coercion. The sociology of war informs what the term “Zeitenwende” means. Look at it, rather than look away. As previous College Master at Jacobs University Bremen graduation ceremonies were very personal and emotional events meeting students, many with their families. Ukraine 3.0 will prevail eventually. Thanks, Justyna for putting images 360° and 360 days next to this optimistic message.
40s
The years spanning from January 1940 to December 1949 are probably the worst to cramp into one decade. However, there are a few historians that use this approach to throw new light on a distant series of historical events in the 40s. The European perspective is dominated by war years and still has to deal with the unimaginable atrocities committed by Nazi-Germany until the end of the Second World War. From a more global historical perspective the war in the pacific also leaves lasting political changes, which are important to understand international politics and affairs of today. After a disastrous beginning with war for the USA for the decade, on the 10-12-1948 the United Nations (Charter Ratification 24-10-1945) General Assembly adopted the Universal Declaration of Human Rights. On the timeline at the end of the 40s we find the founding of NATO (4.4.1949) and (12-8-1949) the Geneva Convention which specifies internationally accepted laws of warfare. The beginning of the Cold War (Yalta and Potsdam Conferences in 1945) with strategies of containment and confrontation (Thomas Tandy Lewis, 2011 p.220), Berlin blockade determined a long-lasting concern for a balance of power across the world. The 40s were a market period of de-colonisation as well. The U.S. enabled struggles for independence to succeed with a sticks and carrots politics towards their wartime allies. The Marshall Plan for European Recovery is the most prominent example of this period. Ronald Goldberg (2012) includes a chapter on the home front in his summary of the forties in the U.S.A. After the 2nd World War all countries had to re-establish their societies and economies that had suffered due to lack of sometimes even caring for the most basic needs. Important lessons have to be learnt from the 1940s (Dave Renton, 2000 p.144) concerning how Fascists could rise and why, for example Britain, could resist the fascist movement. Anti-fascism in Britain during the 1940s and the importance to stop beginnings of an undemocratic political movement early and with the help of the police are 2 elements of the lessons learnt. Goldberg argues that it is less the Fascist ideology that conquered the minds of people, but the organisation as a political and para-military movement that is the more important threat to democracy.
Art Un-Fair
The Brussels Art Fair (Brafa 2023) with its long tradition is certainly a major highlight in the world of art in Brussels. In view of the languages spoken at the fair, mainly French and Dutch, some English with here and there a word in Spanish or German, the international reach is probably still not at the level of before the corona crisis.
The availability of established, internationally recognized art over many centuries on the art market is remarkable. Whereas before the crisis speculators bought art to shield their fortunes from a high inflation and/or politically instable period, nowadays it seems to me, that some art is returning to the market due to the need for liquidity of speculators or risks of confiscation in case of dubious previous acquisitions or ownerships. Renowned galleries, of course, provide impeccable certificates or information on them, a tricky business in itself. Anyway, the tour on the fair is a “parcour” through the history of art, mainly through the Western or European arts across centuries rather than decades. Most persons will find splendid examples according to their preferences of art ranging from paintings, sculpture, prints or other artefacts. Beyond the impressive individual art work, the arrangements and “mise en scene” of art is another learning experience at the fair. Whereas most public museums are happy to make accessible as much as they can of their collections and archives, the private art market has another objective. Effective and convincing presentation of the artefact is likely to “enrich” the value of art work as well as the seller and the dealer. Technology allows great lighting and some otherwise “sombre” artwork becomes a shiny little piece catching eyes, hearts and wallets. For some visitors it works probably the other way round.
For persons overly stimulated by art, I recommend to close the actual or virtual visit with a look at the little bit cheeky artwork presenting Belgian chocolate next to royalty (Gallery Delaive, showing Peter Anton’s “Paradise Variety” next to Andy Warhal’s depiction of a Queen, see below or their Instagram presentation). A sublime moment to repeat the experience at home at moderate prices with your very own box of chocolates. At a price of 10€ each box you can enjoy roughly 2000 of them for the price of the art work. The question is: What is more healthy? Think about mental health as well. Alternative question: Art on a Fair is fair, unfair or fair traide?
Protest
In studying the 60s we still come up with a number of remarkable ideas. Not only concerts moved the masses but also new ideas flourished. Many subcultures developed specific forms of protest. To implement new ideas, new forms of protest were applied to advance civil rights, to overcome established routines and to raise awareness for inequalities and injustices. New forms of participatory democracy were tested and some reached public attention and/or approval. Burner (1996, p.162) even goes as far as defining freedom as “continuing exercise in decision-making” which hinges on the taking-in of all voices across society. The coming together of freedom and community constitutes the cross-roads of politics. Besides terrible effects of violent abuses, peaceful forms originated in Gandhi’s peaceful resistance in 1930. Martin Luther King and later Nelson Mandela reached historical milestones through peaceful forms of protest. In 1967 in Oakland, California, the form of “action protest” took place. The basis of protest was civil disobedience going beyond sit-ins as the civil rights movement had applied. “They involved blocking roads and entrances to buildings, peacefully inasmuch as the demonstrators used no force beyond the presence of their own bodies or other obstacles to passage.” (p.163). The new feature was, that protesting persons take the risk of being a victim of violence without a violent response from themselves. The intention is to “convert temporary antagonists into permanent friends”. Through the repercussions in mass media protesting persons can reach larger audiences and touch “uninvolved or possibly sympathetic bystanders” (p.163). Such new forms of participatory democracy, acting in the public arena, are stretching the idea of peaceful protest to its limit, where the freedom of others might be impinged. Participatory democracy, therefore, is a balancing act. Some recent forms of protest, in fact, have their origins in the 1960s or the year 1968 a focal point. They continue to be influential 55 years later in many countries and at all instances where basic freedoms or minority rights are violated or threatened.
Protest has also moved online. Internet sites are not only used for simple communication, but they serve as port of entry to prepare and organise protest. High-jacking of company or political adverts in the public arena can be taken online as well. Challenges to conventional politics and media representation is enacted through webpages like www.adbusters.org or www.indymedia.org the latter page comprises a whole network of local activist groups. Brian D. Loader (2003, p.1320) has added activist approaches against particular corporations to the list of online protest forms. Through public shaming of brands these activists attempt to raise awareness of the public for abusive employment practices, cruelty towards animals, environmental disasters or fake information using online channels like social media, email-lists or chatgroups via mobile phone numbers. The funding of protesting persons is another relatively new form which ranges from crowd-funding initiatives through platforms as well as forms of corruptive practices applied by states or corporate interests. Protest against protest is online and offline the next round of activist forms of protest. Democracy, law and the police have to balance out these new forms of protest. Learning about the way democracy functions is a continuous task, some would say a continuous struggle. Evaluations of the short-term or long-term effectiveness of protests yields important insights about the functioning of democracies and autocratic regimes. New forms of protest need new forms of measuring impact as well.
60s
“Make love, not war”, is a summary slogan of all sorts of protests that have moved the sixties. With the spread of television impressive images caught attention no longer just locally, but almost across the whole world. With the inauguration of political debates on TV between Kennedy and Nixon, reaching millions of persons at once and images travelling borders faster than to translate text, spreading of new ideas and political actions was more rapid and more emotional. Commonly the 60s are described as the sex, drug and rock-n-roll period. But there is much more to it. Yes, the sex revolution got started and access to, as well as experimenting with, drugs became more widely spread. Music became a defining moment for young people from teenage years onwards. After Rock n Roll from the 50s, came the rock music and pop culture, which were able to bring together huge crowds of several hundred thousand party-goers. The Woodstock festival and hippie gatherings became a defining moment mainly for the young. Older generations still battled for affordable housing and the “Great society”, as a large-scale anti-poverty program was called.
The phenomenon of the Beatles co-defined the 60s. The Beatles captured more than just one generation with their popular songs and iconic style. Mary Quant, attributed to have designed the mini-skirt, equally co-defined a period with a visual provocation to conservative life-styles. In parallel, the sixties saw the civil rights movement grow, Black Power succeeding with peaceful actions more widespread attention, leading to the abolition of openly racist practices. The peaceful movements and happenings, however, had to face the deadly attacks on J.F. Kennedy and Martin Luther King during the 60s. The whole decade was influential in the field of education as well. Based on a new spirit of altruism and happiness combined with, but also beyond religious feelings, new forms of living together, sharing and the common good were tried out. Anti-authoritarian educational practices were influential beyond the 60s.
Books covering the 60s are manifold. In addition to Arthur Marwick’s impressive, multi-faceted volume “The sixities”, I enjoyed the book by David Burner “Making peace with the 60s”, especially his approach to burn some received wisdoms about the 60s, namely the restriction of it to those 10 years. “The withering away of philosophy”, the beginnings of postmodernism and a theory-driven or conceptual approach to the decade, amongst other topics, is the merit of Fredric Jameson (1984, p.192). “The 60s without apology” is a programmatic title well worth thinking about seriously as the editors and authors did.
Besides the ecological disasters of the 60s already, (nuclear, oil and wars), Mini Cooper cars, Lava Lamps as well as Blow or Ball Chairs, Barbies, Frisbees, Brigitte Bardot and Pippi Longstocking (Patricia Massó, 2010), all were dressed to impress. “The 60s without apology” by a group of editors nicely summarises the review of the 60s and their lasting effects on us, for better and/or worse. 2 generations later in 2023 youth is again threatening mass mobilisation in France as depicted in LeMonde 4.2.2023. It is a kind of “déjà vu experience”.
Time3
The evolution of time is fascinating as research topic. Both in theoretical as well as empirical approaches. Beyond the precise measurement of time and the use of time in measuring working time, which intensified during the industrial revolution, we witness continued struggles over the length and the organisation of working time. The 30+X hours week working time could be reorganised into a 4-days week to improve work-life balances for millions of people. The effects are not only on employees directly concerned, but also on their families and/or households involved.
The changing perception of time (as being short of time) and its evolution over time needs huge surveys collected over time (known as “Time use studies”). Inequality over the life course remains an issue with a persistent gender bias. Unhealthy and excessive overtime work is still a problem, usually negated by upper ranks in hierarchies.
Let us start to imagine different concepts of time to maybe one day overcome the shortcomings of our current understanding and use of time. Usually, time is considered a linear concept, one day follows another day and so on. Time, depicted as an arrow or a horizontal axis in graphical representations, is helpful for most processes we observe. If our aim is to explain a social process which evolves over time, we could perceive time as running with different speed in, for example, urban and rural areas of the same country. The liberalisation of women or peace movements evolved or spread with different speed in different regions. The 60s became known for many women as the decade when the control of reproduction allowed different life styles. Concerning reproductive behaviour and divorce rates a break in series compared to previous periods is observable, reduction of reproduction and diffusion of divorce throughout societies. Instead of continuous time we might speak of discrete time, in for example decades like the 60s, 70s, 80s. In retrospect “social time” seems to have passed faster in one decade than the other. We might also imagine time as growing exponentially as time². Taking into account the slowing down and successive rise again of evolution over time, the time trend might look like a rising wave (time² + time³). In econometric models testing of such hypotheses is feasible, although it is more difficult to convince reviewers of an alternative theoretical model of time.
An investigation of trends of democratic behaviour over time would need to adjust for the potential and sometime measurable return of undemocratic practices for periods. A depiction of such “social time” of democracies as an upward rising line with periodic relapses is a plausible theoretical framework. Trajectories of inwards or outwards spiralling processes are already fairly complex trends for the process of democratisation as the phenomenon to explain or the modelling of a time trend to explain the level of democratisation reached so far. Challenges of time frames for independent and dependent variables in social processes might be questioned altogether to claim that time is a spurious occurrence of events much like a process of a so-called “Brownian motion” also named white noise. In fact, not being explicit about the concept of time applied in social analyses amounts to a severe neglect. Examples of such neglect are certainly all those cross-section studies, still pervasive practice, in social sciences or opinion polls. The linear concept of time, as a chronologically processing arrow of time, is a convention useful for synchronisation of action. However, this synchronisation is already debated more forcefully with more persons being unsatisfied with the use of synchronisation as a tool to regulate our “social time” and social processes. Time zones, summer and winter times challenge our day-to-day perception of everybody living at the same time, speed or intensity. Bedtime for me, wake-up call for others, or vice versa.
Photo
Photography has captured our imagination for years already.
It is now a daily activity of many people to “capture their experience”, if not even their existence in some photographed way. Susan Sontag (1977) coined the phrase that photography “feels like knowledge – and, therefore, like power”. You are in a relation to the world. Taking the photograph in my view is the Mephistopheles moment. You are in control of the object taken by the camera. Arranging the scenery, waiting for the perfect moment, expression, light or colours is like mastering a situation, an atmosphere, an emotion. Photographs have the power to work as a document. Editing has become easy and pervasive with digital tools. However, it was always present in the traditional technical parts of shooting and developing subsequently in the dark room.
“to be taken” on a photograph is more like the Faustian moment of realising that you are manipulated, or at risk of being made use of, for some purpose, unknown to you at that moment.
Beware, a photograph is always just an image of an image. The photographer is the intermediate person using a specific technology to transform his perception or vision of (her/his) reality into another image of it, creating some form of virtual reality.
In addition to this twofold transformation, the third transformation is historically the technical development of the negative into the print (see below). Nowadays, this is the compression and editing into a specific format. Despite these transformations, a photograph is admitted in court cases as providing evidence of guilt or to identify an illicit act (excess of speed limit). Infringements on privacy are the rule rather than the exception. Who is that person sitting next to you, and at what time of the day?
I, personally, apply photographs often like note-taking for research to capture spontaneous ideas or associations, which await further interpretation or may serve (served) as inspiration.
Compared to photography, painting has been a more elite artistic practice for many years. Taking photographs has democratised the image-taking art forms. Instead of originals, many of us have collections of photos from museums around the world. We take “photos of photos” to reveal the world around us and reflect on values. The social construction of the world is directly visible through the process of taking, collecting and curating photographs. Construct your own world or the world will construct or deconstruct you instead.
Politicians (e.g. Angela Merkel), John F. Kennedy or historical figures, all had their defining moment condensed into one or several photographs, what have been famous paintings in art history before. Susan Sontag wrote 50 years ago: “… a photograph can be treated as a narrowly selective transparency”. The third transformation of developing and/editing, shown in the images below, explains what we might learn from this citation in a technical sense. Just as courts have to evaluate, whether a proof is admittable and contributing to finding the truth; viewing photographs is a balancing act between art and truth.
“Even when photographers are most concerned with mirroring reality, they are still haunted by tacit imperatives of taste and conscience.” (Sontag, p.6). Photographs document sequences of consumption. We should frame this as CO2 footprints in the 21st century. Restricting print to a few “best of” was and is necessary to reduce the dirty footprint of photography, particularly since photos have become a mass media as much as the preferred media of masses.
With photographs we certify our own certificates, for example in case of job applications or passports. We encounter “cosmopolitans accumulating photograph-trophies” in all instagram-able locations.
Taking photos is like a “friendly imitation of work” (p.9), you do something useful in documenting the images of a world in danger of being lost. We can give importance to otherwise forgotten realities, attach importance even immortality to something or someone of our choice. We make history through it or try to make it at least. “When we are afraid, we shoot. But when we are nostalgic, we take pictures.” (p.9) Sontag defines photographs as part of the repertoire of surrealism (p.77 ff), “to finding beautiful what other people found ugly or without interest and relevance …”). We are at risk to mistake photographs as reality and experience the original as “letdown” (p.147). The return to polaroid instant photography brings us back to a proclaimed authenticity of the orginal, unique moments, with supposed unfiltered not-edited images. The true moment of having had fun or joint experience without use of photoshop to add the missing member.
“I take photos, therefore I am”, has become the mantra of modern societies. We tend to ignore that we are taken on photos a million more times than we take some ourselves (video surveillance). It is a question of power in the end. Edit yourself or you become edited.
(Image: Prix du Tirage photographique BnF 2022 Laurent Lafolie, photo below).
Linguistics
The urge to program human language originates for some in the quest for better explanation or understanding, for others in the improvement of communication. Both approaches have witnessed rapid evolution in recent years. Based on linguistics, psycholinguistics, sociolinguistics or neuroscientific advances, the potential of knowledge creation and communication has risen due to computational models and applications to linguistics. ChatGPT3 and Neuroflash allow us to play around with the commonly available AI-applications. Construction of a linguistically informed Glossary of political and social ideas is a specific application case. In addition to the subject/object list we may add predicates or verbs to link subjects and objects. For this purpose, we construct a basic alphabetical list below which draws mainly on action verbs and is embedded in the socio-cultural environment of the sciences in general. A categorised list of verbs, like the one from Purdue University, is helpful to draw on several relatively distinct fields. With perspective on labour market or societal relevance the list focuses on verbs related to skill sets: administrative/managerial; communication; creative, information/data; caring/helping; efficiency; research; teaching/learning; technical. The categories are not mutually exclusive and may well be supplemented by additional categories like relational skills and transformational skills. Computational psycholinguistics (Crocker, 2006 pdf-file) differentiate the “principle of incremental comprehension” (add one word at a time) from the “concentric theory of complexity” (start from complexity to specificity or vice-versa) and the “deductive sentence processor”. ChatGPT is built on the incremental approach, supposed to be the fastest and probably a more reliable computational approach. We could just attempt to use the other approaches in the simple ABC glossary of subjects, objects and predicates to test for the possibility to build no-nonsense short sentences using random choices as starting points. The Oxford handbook of psycholinguistics highlights in the final chapter the theoretical alternative of connectionism (p.811). Symbolic computation construes cognition as mental states that are symbolically represented. The sequence of operations then runs from one representation to the next one. However, the connectionist model operates more like a neural network and proceeds with the parallel processing of notions, relations or patterns. A list of predicates or verbs might do the trick: Chose a subject, chose a predicate and an object to start playing around: Subjects: action balance corruption democracy enterprise freedom god health imagination joy knowledge law memory nature optimism policy question repairing society time union value war xeno yinyang zero.
Predicates: applies broadens creates directs establishes forms generates helps induces jeopardises keeps likes moderates needs opposes prioritises qualifies represents strengthens tests uses varies weighs x-outs yields zigzags.
Objects: freedom god health imagination joy knowledge law memory nature optimism policy question repairing society time union value war xeno yinyang zero action balance corruption democracy enterprise.
Syntax
Syntax is just one of the categories of linguistics. Carl Lee Baker (1989) wrote a whole book 500 pages on just English syntax, can you imagine. I like his modesty in the introduction stating that English syntax is just a subfield of linguistics (p.12). Other languages have different structures, some might be very different from our ways to communicate even. The ways how animals or plants communicate is an exciting subfield of linguistics, psychology and biology (Carrie Fidgor, Pieces of Mind). The SPO structure of sentences is only one simple way of constructing sentences. Syntax is much more complex. The sociological aspect of linguistics and syntax lies in the “acceptability judgements”, which are present once we establish rules and sort phrases into correct or incorrect sentence structures. Norms and standardisation as well as authority to decide on correctness becomes an issue. Countries used to many dialects or multilingual populations are confronted with these issues on a daily basis. Linguistics as basis of communication is continuously present even in the mental structure. Bilingualism, tri-lingualism and their effects on minds, competences, behaviour, culture and societies are own thriving research fields. Building a sentence or a phrase, following Baker, is built around a head and their complements. Such minimal phrases are comparable to what we coin in a simplified manner the subject-predicate-object structure of a sentence. The definition of the nucleus of the structure of a sentence is also about conventions and acceptability. Staccato speech and rap-music are examples of forms of speech, which are often considered beyond the normal. Computer voices are becoming more normal as we are faced with chat bots all around us now. The image below reflects the simplified “representation of syntactic structure” (p.48 The Cambridge grammar of the English language 2002 review here). To play around with “Clause”, let us analyse the clause: I bought a shirt; I wonder what I bought. You know what I mean Klaus, it is a clause, or is it Dady gone gaga = DADA?
Hypertext
Linking information, explanation and entertainment is the power of the world wide web. The tool used for this is the hypertext format of texts and media in general. Wittgenstein was already dissatisfied not to be able to show the steps of his thinking more explicitly. In the “Tractatus logico- philisophicus (Link to pdf-file de/engl” he uses the a cube (5.5423) to explain that we see to different facts depending on our point of departure of our vision. Try it with the logo of www.schoemann.org you should realize how our vision swops from one way of viewing the cube to another. The white corner is once in the front of the cube and appears to be in the back, when you move your vision further up. In general this leads us to be careful with the choice of our point of departure, not only for our vision. Context, some say background, is important to determine starting points. Adding the hypertext markup language to a document, like in a blog entry, allows readers (+algorithms) to see the cognitive structure surrounding a text as well. Potentially as a reader you enter into a multidimensional space with each blog entry. Any encyclopedia, glossary or index has an apparent alphabetical order to entries, but the links between the multiple entries remain hidden at first sight. With use of hypertext this has changed and each entry is turned into a 3-dimensional space, for example. Additionally, all entries have different numbers of links to other entries including dead-end entries. With the structure of links it is interesting to learn about the self-referencing just as much as about the disciplinary locus of a text, chapters, a book or a library. This helps to still see the forest despite all those trees in front of us ,or we see the geological structure of the mountain while in the middle of the forest. Happy travelling in our new knowledge space!
Deconstruction
Deconstruction is a powerful tool or even method. Beyond imagineering, deconstruction in the literal sense means take to pieces. In most cases a physical object consists of several objects or parts. By deconstruction we attempt to understand the whole object as the sum of its parts. Before a new product or design is created, many scientists, engineers and artists start to deconstruct existing artefacts. Understanding how the object is assembled, for example, allows you to play around with pieces and maybe come up with an alternative way of constructing the object. The architecture of “deconstructivsm” has left us fantastic buildings. In furniture design there are also nice examples of deconstruction. Paris is a good place to study deconstruction (Explained), perhaps many still read Derrida there. It is a fruitful method beyond its engineering sense for example in law, literature or many other social science disciplines. If you are not mad yet, visit the MAD in Paris to see examples of deconstruction or construct your own deconstruction. Both have a dialectic relationship to each other anyway.
Action Verbs
Action words are in other words called action verbs. Each complete sentence has one. Hence, they are part and parcel of the basic construction of sentences.
“The purpose of an active verb is to create a clear, concise sentence. By using an active verb, you can eliminate unnecessary words and make your writing more direct. In addition to making your writing more concise, active verbs also add punch and clarity. They can make your writing more interesting and persuasive. Additionally, active verbs can create a sense of immediacy which is often useful in persuasive writing. When it comes to writing, there is nothing more important than using strong, active verbs. Not only do they make your writing more interesting and engaging, but they also convey a sense of confidence and authority. In addition to being more descriptive, active verbs also add a sense of movement and action to your writing. Rather than simply stating that something exists, you can use active verbs to show how it exists. For example, rather than saying “there is a chair in the room,” you could say “the chair sits in the corner of the room.” This may seem like a small change, but it can make a big difference in how your writing comes across. Finally, active verbs can also help to set the tone of your writing. If you want to convey a sense of wit and humour, then using playful, lighthearted verbs is a great way to do so. On the other hand, if you’re aiming for a more serious tone, then using powerful, authoritative verbs will help you achieve that.”
After the 3rd sentence this blog entry (Link) has been written by the artificial intelligence app “Neuroflash”. They promise that it is not just copy and paste, but rather written following some instructions I gave like title, table of content, style and then selected among several choices. It makes sense to me, although it is just like many other textbook entries I have found on the web. It may well serve as an introduction. Lazy journalists, priests or lawyers in case they do little research will be replaced soon by AI, who else, who is next? Big brother drafts the brave new world for us already.